{"product_id":"the-illustrated-slave-empathy-graphic-narrative-and-the-visual-culture-of-the-transatlantic-abolition-movement-1800-1852-9780820358758","title":"The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852","description":"\u003cp\u003eFrom the 1787 Wedgwood antislavery medallion featuring the image of an enchained and pleading black body to Quentin Tarantino's \u003ci\u003eDjango Unchained\u003c\/i\u003e (2012) and Steve McQueen's \u003ci\u003eTwelve Years a Slave\u003c\/i\u003e (2013), slavery as a system of torture and bondage has fascinated the optical imagination of the transatlantic world. Scholars have examined various aspects of the visual culture that was slavery, including its painting, sculpture, pamphlet campaigns, and artwork. Yet an important piece of this visual culture has gone unexamined: the popular and frequently reprinted antislavery illustrated books published prior to Harriet Beecher Stowe's \u003ci\u003eUncle Tom's Cabin\u003c\/i\u003e (1852) that were utilized extensively by the antislavery movement in the first half of the nineteenth century. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003ci\u003eThe Illustrated Slave\u003c\/i\u003e analyzes some of the more innovative works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement. Martha J. Cutter argues that some illustrated narratives attempt to shift a viewing reader away from pity and spectatorship into a mode of empathy and interrelationship with the enslaved. She also contends that some illustrated books characterize the enslaved as obtaining a degree of control over narrative and lived experiences, even if these figurations entail a sense that the story of slavery is beyond representation itself. Through exploration of famous works such as \u003ci\u003eUncle Tom's Cabin\u003c\/i\u003e, as well as unfamiliar ones by Amelia Opie, Henry Bibb, and Henry Box Brown, she delineates a mode of radical empathy that attempts to destroy divisions between the enslaved individual and the free white subject and between the viewer and the viewed.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eMARTHA J. CUTTER is a professor of English and Africana studies at the University of Connecticut. She is the author of \u003ci\u003eLost and Found in Translation: Contemporary Ethnic American Writing and the Politics of Language Diversity\u003c\/i\u003e and \u003ci\u003eUnruly Tongue: Identity and Voice in American Women's Writing, 1850-1930\u003c\/i\u003e.\u003cbr\u003e","brand":"University of Georgia Press","offers":[{"title":"Default Title","offer_id":50372387242258,"sku":"9780820358758","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_bb49beed-ee98-4ced-a072-e1edf46203f9.jpg?v=1728546678","url":"https:\/\/surprise-castle.myshopify.com\/products\/the-illustrated-slave-empathy-graphic-narrative-and-the-visual-culture-of-the-transatlantic-abolition-movement-1800-1852-9780820358758","provider":"Surprise Castle","version":"1.0","type":"link"}