{"product_id":"the-ethical-implications-of-shakespeare-in-performance-and-appropriation-9781399524919","title":"The Ethical Implications of Shakespeare in Performance and Appropriation","description":"\u003cp\u003eRedefines the ways in which performance studies and appropriation theory can be used to approach Shakespeare\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eLouise Geddes is Professor of English at Adelphi University, USA. She is the author of \u003ci\u003eAppropriating Shakespeare: A Cultural History of Pyramus and Thisbe\u003c\/i\u003e and with Valerie M. Fazel she has co-authored \u003ci\u003eThe Shakespeare Multiverse: Fandom as Literary Praxis\u003c\/i\u003e and co-edited \u003ci\u003eThe Shakespeare User: Creative and Critical Appropriation in Networked Culture and Variable Objects: Speculative Shakespeare Appropriation\u003c\/i\u003e. She has had articles published in \u003ci\u003eShakespeare Bulletin\u003c\/i\u003e, \u003ci\u003eMedieval and Renaissance Drama in England\u003c\/i\u003e, \u003ci\u003eShakespeare\u003c\/i\u003e and \u003ci\u003eShakespeare Survey\u003c\/i\u003e. She is currently general co-editor of the open access journal \u003ci\u003eBorrowers and Lenders: The Journal of Shakespeare Appropriation\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003eKathryn Vomero Santos is Assistant Professor of English and co-director of the Humanities Collective at Trinity University. She is currently completing a book entitled \u003ci\u003eShakespeare in Tongues\u003c\/i\u003e for the \u003ci\u003eSpotlight on Shakespeare\u003c\/i\u003e series (Routledge, 2024). With Katherine Gillen and Adrianna M. Santos, she co-founded the Borderlands Shakespeare Colectiva, which has received funding from the Mellon Foundation and the National Endowment for the Humanities. Together, they are editing \u003ci\u003eThe Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera\u003c\/i\u003e (ACMRS Press, 2023 and 2024). \u003c\/p\u003e\u003cp\u003eGeoffrey Way is the Manager of Publishing Futures for the Arizona Center for Medieval and Renaissance Studies and ACMRS Press, where he serves as the Managing Editor for \u003ci\u003eThe Sundial\u003c\/i\u003e and \u003ci\u003eBorrowers and Lenders\u003c\/i\u003e. He has published on Shakespeare, appropriation, digital media, and performance in \u003ci\u003eShakespeare Bulletin\u003c\/i\u003e, \u003ci\u003eBorrowers and Lenders\u003c\/i\u003e, \u003ci\u003eJournal of Narrative Theory\u003c\/i\u003e, and \u003ci\u003eHumanities\u003c\/i\u003e, and in several edited collections. With Vanessa Corredera and L. Monique Pittman, he is also co-editor of \u003ci\u003eShakespeare and Cultural Appropriation\u003c\/i\u003e (Routledge, 2023).\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Edinburgh University Press","offers":[{"title":"Default Title","offer_id":50489501155602,"sku":"9781399524919","price":130.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_ce197b75-b033-4fee-af84-ae168a079fb0.jpg?v=1730500166","url":"https:\/\/surprise-castle.myshopify.com\/products\/the-ethical-implications-of-shakespeare-in-performance-and-appropriation-9781399524919","provider":"Surprise Castle","version":"1.0","type":"link"}