{"product_id":"the-double-identity-and-difference-in-art-since-1900-9780691236179","title":"The Double: Identity and Difference in Art Since 1900","description":"\u003cp\u003e\u003cb\u003eA groundbreaking examination of the \"double\" in modern and contemporary art\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eFrom ancient mythology to contemporary cinema, the motif of the double--which repeats, duplicates, mirrors, inverts, splits, and reenacts--has captured our imaginations, both attracting and repelling us. \u003ci\u003eThe Double\u003c\/i\u003e examines this essential concept through the lens of art, from modernism to contemporary practice--from the paired paintings of Henri Matisse and Arshile Gorky, to the double line works of Piet Mondrian and Marlow Moss, to Eva Hesse's \u003ci\u003eOne More Than One\u003c\/i\u003e, Lorna Simpson's \u003ci\u003eTwo Necklines\u003c\/i\u003e, Roni Horn's \u003ci\u003ePair Objects\u003c\/i\u003e, and Rashid Johnson's \u003ci\u003eThe New Negro Escapist Social and Athletic Club (Emmett)\u003c\/i\u003e. James Meyer's survey text explores four modes of doubling: Seeing Double through repetition; Reversal, the inversion or mirroring of an image or form; Dilemma, the staging of an absurd or impossible choice; and the Divided and Doubled Self (split and shadowed selves, personae, fraternal doubles, and pairs). Thought-provoking essays by leading scholars Julia Bryan-Wilson, Tom Gunning, W.J.T. Mitchell, Hillel Schwartz, Shawn Michelle Smith, and Andrew Solomon discuss a host of topics, including the ontology and ethics of the double, the double and psychoanalysis, double consciousness, the doppelgänger in silent cinema, and the queer double. \u003cp\u003e\u003c\/p\u003eRichly illustrated throughout, \u003ci\u003eThe Double\u003c\/i\u003e is a multifaceted exploration of an enduring theme in art, from painting and sculpture to photography, film, video, and performance. \u003cp\u003e\u003c\/p\u003ePublished in association with the National Gallery of Art, Washington, DC \u003cp\u003e\u003c\/p\u003e\u003cb\u003eExhibition Schedule\u003c\/b\u003e\u003cbr\u003eNational Gallery of Art, Washington, DC\u003cbr\u003eJuly 10-October 31, 2022\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eJames Meyer\u003c\/b\u003e is curator of modern art at the National Gallery of Art. \u003cb\u003eJulia Bryan-Wilson\u003c\/b\u003e is the Doris and Clarence Malo Professor of Modern and Contemporary Art at the University of California, Berkeley. \u003cb\u003eTom Gunning\u003c\/b\u003e is professor emeritus of art history and cinema and media studies at the University of Chicago. \u003cb\u003eW.J.T. Mitchell\u003c\/b\u003e is professor of English, art history, and cinema studies at the University of Chicago. \u003cb\u003eHillel Schwartz\u003c\/b\u003e is an independent scholar. \u003cb\u003eShawn Michelle Smith\u003c\/b\u003e is professor of visual and critical studies at the School of the Art Institute of Chicago. \u003cb\u003eAndrew Solomon\u003c\/b\u003e is professor of clinical psychology at Columbia University.\u003cbr\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":50452550320402,"sku":"9780691236179","price":48.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_c16c3ba8-2b7c-429e-ac49-2ddf40c09dd2.jpg?v=1729814981","url":"https:\/\/surprise-castle.myshopify.com\/products\/the-double-identity-and-difference-in-art-since-1900-9780691236179","provider":"Surprise Castle","version":"1.0","type":"link"}