{"product_id":"teaching-stravinsky-nadia-boulanger-and-the-consecration-of-a-modernist-icon-9780199373697","title":"Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon","description":"\u003cp\u003eIn 1929 Nadia Boulanger accepted Igor Stravinsky's younger son, Soulima, as her student. Within two years, Stravinsky and Boulanger merged their artistic spheres, each influencing and enhancing the cultural work of the other until the composer's death in 1971.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eTeaching Stravinsky \u003c\/em\u003etells Boulanger's story of the ever-changing nature of her fractious relationship with Stravinksy. Author Kimberly A. Francis explores how Boulanger's own professional activity during the turbulent twentieth-century intersected with her efforts on behalf of Stravinsky, and how this facilitated her own influential conversations with the composer about his works while also drawing her into close contact with his family. Through the theoretical lens of Bourdieu, and drawing upon over one thousand pages of letters and scores, many published here for the first time, Francis examines the extent to which Boulanger played a foundational role in defining, defending, and ultimately consecrating Stravinsky's canonical identity. She considers how the quotidian events in the lives of these two icons of modernism informed both their art and their professional decisions, and convincingly argues for a reevaluation of the influence of women on cultural production during the twentieth century.\u003c\/p\u003e\u003cp\u003eAt once a story of one woman's vibrant friendship with an iconic modernist composer, and a case study in how gendered polemics informed professional negotiations of the artistic-political fields of the twentieth-century, \u003cem\u003eTeaching Stravinsky\u003c\/em\u003e sheds new light not only on how Boulanger taught Stravinsky, but also how, in doing so, she managed to influence the course of modernism itself.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cstrong\u003eKimberly A. Francis\u003c\/strong\u003e is Associate Professor of Music at the University of Guelph, Canada, where she specializes in music of the twentieth and twenty-first centuries and feminist musicology. She serves as Editor-in-Chief for the University of Guelph's award-winning journal \u003cem\u003eCritical Voices: The University of Guelph Book Review Project\u003c\/em\u003e and served as co-supervisor for the digitization of the Don Campbell Papers at the American Music Research Centre. Dr. Francis has been the recipient of a number of grants, including those from the American Musicological Society and the Social Sciences and Humanities Research Council of Canada. Her numerous articles have appeared in everything from \u003cem\u003eThe Musical Quarterly\u003c\/em\u003e to the \u003cem\u003eJournal of the Society for American Music\u003c\/em\u003e.\u003cbr\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":50844104556818,"sku":"9780199373697","price":83.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_300bfc2c-0983-4980-9000-9eea452092ab.jpg?v=1737311161","url":"https:\/\/surprise-castle.myshopify.com\/products\/teaching-stravinsky-nadia-boulanger-and-the-consecration-of-a-modernist-icon-9780199373697","provider":"Surprise Castle","version":"1.0","type":"link"}