{"product_id":"scoring-the-screen-the-secret-language-of-film-music-9781495073731","title":"Scoring the Screen: The Secret Language of Film Music","description":"Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like \u003ci\u003eVertigo\u003c\/i\u003e, \u003ci\u003eTo Kill a Mockingbird\u003c\/i\u003e, \u003ci\u003ePatton\u003c\/i\u003e, \u003ci\u003eThe Untouchables\u003c\/i\u003e, or \u003ci\u003eThe Matrix\u003c\/i\u003e in the detail provided by \u003ci\u003eScoring the Screen: The Secret Language of Film Music\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003eThis is the first book since Roy M. Prendergast's 1977 benchmark, \u003ci\u003eFilm Music: A Neglected Art\u003c\/i\u003e, to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view \u003ci\u003efrom the inside\u003c\/i\u003e of the actual process of scoring-to-picture. \u003cp\u003e\u003c\/p\u003eThe core thesis of \u003ci\u003eScoring the Screen\u003c\/i\u003e is that music for motion pictures is indeed a \u003ci\u003elanguage\u003c\/i\u003e, developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey \u003ci\u003emeaning\u003c\/i\u003e. To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): \"If you have \u003ci\u003eany\u003c\/i\u003e interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eHill, Andy:\u003c\/i\u003e\u003c\/b\u003e - ANDY HILL (Nashville, TN) is a Grammy Award winning motion picture music producer. From 1987 to 1996, he served as vice president of music production for Walt Disney Pictures. He developed and directed, from 2006 to 2011, the MFA in Music Composition for the Screen at Columbia College Chicago and oversaw the launch of the MA in Scoring for Film, Television and Video Games at the international campus of the Berklee College of Music. He is an industry advisor to the MA in Film Scoring at Pulse College, Dublin.","brand":"Hal Leonard Publishing Corporation","offers":[{"title":"Default Title","offer_id":50338971058450,"sku":"9781495073731","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_ca8fc134-d615-4f53-ae2c-b4a8555d0a7c.jpg?v=1727993832","url":"https:\/\/surprise-castle.myshopify.com\/products\/scoring-the-screen-the-secret-language-of-film-music-9781495073731","provider":"Surprise Castle","version":"1.0","type":"link"}