{"product_id":"murray-perahia-murray-perahia-the-awards-collection-cd","title":"Murray Perahia - Murray Perahia: The Awards Collection (CD)","description":"\u003cp\u003e\u003cstrong\u003eDetails: \u003c\/strong\u003eMurray Perahia's prolific recording career has spanned some 45 years to date, encompassing music of three different centuries, from Bach to Bartók. Ever since his first LP, soon after his triumph at the 1972 Leeds International Piano Competition, aged 25, the great American pianist's performances have more than stood the test of time; and along the way they have been recognised with an astonishing crop of awards. The Grammys in the US, the Gramophone Awards in Britain, the Diapason d'or in France and the ECHO Klassik awards in Germany are among the organisations that have picked out many of Perahia's recordings as some of the finest of their day. This set is devoted to Perahia's award-winning discs for Sony Classical \/ CBS Masterworks. These also trace the story of his journey through the musical world, capturing magnificent collaborations, unforgettable partnerships and peerless solo accounts alike. The earliest recording here dates from 1983 and presents Perahia as soloist and director in two exquisite Mozart piano concertos, No. 15 in B-flat major, K 450 and No. 16 in D major, K 451. Much influenced by his studies at the Curtis Institute with the Polish pianist Mieczyslaw Horszowski and by playing chamber music at summer courses such as Marlboro and Blue Hill, Perahia was attracted to the close-knit, chamber music-like qualities of the concertos and sought to bring these to the fore, particularly spotlighting the English Chamber Orchestra's fine wind soloists. This was named Best Concerto Recording at the Gramophone Awards 1984, and soon afterwards Perahia and the ECO's complete set of the Mozart concertos was also awarded a Rosette by the Penguin Guide to Compact Discs. Two years later, Perahia joined forces with a close friend and musical kindred spirit: the Romanian pianist Radu Lupu, who shares Perahia's affinity for the most intimate works among the Viennese classics, including Mozart, Schubert and Brahms. They teamed up for some memorable joint performances, not least at the Snape Maltings, Suffolk, while Perahia was co-artistic director of the Aldeburgh Festival (1981-1989). He and Lupu recorded the Mozart Sonata for Two Pianos, K 448 and the Schubert F minor Fantasy for Piano Duet, D 940 live at Snape; it became an instant classic, winning Best Instrumental Recording at the Gramophone Awards in 1986. It was around the same time, having explored the Mozart concertos to happy effect, that Perahia was turning his attention in the studio to those by Beethoven, in a cherished collaboration with the conductor Bernard Haitink and his Royal Concertgebouw Orchestra from Amsterdam. Their recording of the Piano Concertos No. 3 and 4 scooped a Gramophone Award in 1986 (Best Concerto Recording). Beethoven has been central to Perahia's repertoire for his whole career and in recent years he has been preparing a new edition of the piano sonatas for Henle Urtext. If Haitink has been a close colleague for Perahia over many years, so was Sir Georg Solti. \"He was a formidable musician, \" Perahia said of him in an interview a few years ago with the present writer. \"He once played for me a Haydn oratorio as if it was a piano piece, reading from the score or memorised, as if it were the most natural thing in the world. I have only happy memories of him.\" The fiery Hungarian conductor was also a magnificent pianist - and in this role he recorded with Perahia one of the most thrilling accounts yet set down of the Bartók Sonata for Two Pianos and Percussion, together with the percussionists David Corkhill and Evelyn Glennie. Again the Snape Maltings was the venue and the joyous result was recognised with the 1989 Grammy for Best Chamber Music Performance. By this time Perahia had built a reputation second to none for his interpretations of the German-Austrian classics. Yet at the Leeds International Piano Competition he had triumphed by playing the Chopin Piano Concerto No. 1 in the final. Chopin might have seemed to take a back seat to Beethoven and Mozart as Perahia's career progressed, but his recording of the Four Ballades and a selection of mazurkas, waltzes, études and nocturnes proved a revelation to many, winning him the Gramophone Award for Best Instrumental Recording in 1995. Eight years later, his account of the Études opp. 10 and 25 was recognised with a Grammy for Best Instrumental Soloist Performance. Perahia has cited the Chopin Études as a vital practice tool, remarking in the aforementioned interview, \"I'm occupied with ideas of legato touch and smoothness of line, \" and suggesting that work on these studies can be of vital benefit in achieving those qualities. When Perahia chose to record a disc of Handel Suites and Scarlatti Sonatas, the result was showered with accolades, winning Record of the Year at the 1997 Midem Cannes Classical Awards and the Best Instrumental Solo or Chamber Performance - 17th \/ 18th Centuries. It was also given the 1997 Gramophone Award for Best Instrumental Recording. The link between Handel and the Romantic era came to the fore when Perahia recorded Brahms's grand-scale Variations on a Theme of Handel, along with the two Rhapsodies op. 79 and the late Klavierstücke opp. 118 and 119. The critic for Gramophone declared: \"Time and again Brahms's potential for strenuousness and opacity is clarified with a superfine musical intelligence and technique... I doubt whether the concluding and exultant fugue has often been given with a more formidable yet lightly worn articulacy in it's entire history.\" No surprise, then, that this recording won a Gramophone Award and an ECHO Klassik in 2011. But if Perahia's Handel and Scarlatti recording was ultimately a fascinating, beautifully executed excursion, Bach has been a stronger presence - and has also brought him more awards than any other single composer. His Bach recordings include the Brandenburg Concerto No. 5 and the Concerto for Flute, Violin and Keyboard BWV 1044 - most unusual on the modern piano - as well as the Keyboard Concertos, which pair him with the Academy of St Martin in the Fields, of which he became principal guest conductor in 2000. The concerto discs won ECHO Klassik awards in 2002 and 2003. In the Bach solo keyboard music, Perahia's accounts of the English Suites were honoured with an ECHO Klassik 1999 and Nos. 1, 3 and 6 with a Grammy; the Goldberg Variations won the Gramophone Award for Best Instrumental Recording 2001 and an ECHO Klassik; and the second disc of his Six Partitas won an ECHO Klassik in 2008, with both CDs scooping the Diapason d'or in 2008 and 2009 respectively. In 2013, London's Royal Academy of Music, of which Perahia is an honorary fellow, presented him with it's Bach Prize. Playing Bach has had a profound impact on Perahia's approach to composers such as Beethoven and Chopin, whose music, he reflects, would have been \"unthinkable\" without it. \"It's so joyful, so full of buoyancy and spirituality, that it affects all of the music written after it, \" he says.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eConcerto for Piano and Orchestra No. 15 in B-Flat Major K. 450 \/ I. Allegro - Murray Perahia \/ English Chamber Orchestra\u003c\/li\u003e\n\u003cli\u003e Beethoven - Piano Concertos No. 3 ; 4\u003c\/li\u003e\n\u003cli\u003e Concerto for Piano and Orchestra No. 15 in B-Flat Major K. 450 \/ III. Allegro\u003c\/li\u003e\n\u003cli\u003e Bart\\Xf3K - Sonata for 2 Pianos and Percussion\u003c\/li\u003e\n\u003cli\u003e Brahms - Haydn\u003c\/li\u003e\n\u003cli\u003e Chopin - Ballades No. 1\u003c\/li\u003e\n\u003cli\u003e H\\Xe4Ndel - Chaconne HWV 435; Suites No. 2 in F Major HWV 427 No. 3 in D minor HWV 428 No. 5 in E HWV 430\u003c\/li\u003e\n\u003cli\u003e Scarlatti - Sonatas K. 27 in B\u003c\/li\u003e\n\u003cli\u003e Bach - Keyboard Concertos No. 12 ; 4\u003c\/li\u003e\n\u003cli\u003e Bach - Keyboard Concertos No. 3 5 6 ; 7\u003c\/li\u003e\n\u003cli\u003e Chopin - 24 Etudes\u003c\/li\u003e\n\u003cli\u003e Bach - Flute Concerto BWV 1044 ; Brandenburg Concerto No. 5; Italian Concerto\"\u003c\/li\u003e\n\u003cli\u003e Bach - Partitas No. 23 ; 4\u003c\/li\u003e\n\u003cli\u003e Bach \\X96 Partitas No. 15 ; 6\u003c\/li\u003e\n\u003cli\u003e Brahms - Handel Variations ; Rhapsodies ; Piano Pieces\u003c\/li\u003e\n\u003cli\u003e Concerto No. 4 in G Major for Piano and Orchestra Op. 58 \/ III. Rondo Vivace - Bernard Haitink \/ Murray Perahia \/ Concertgebouw Orchestra\u003c\/li\u003e\n\u003cli\u003e Sonata for Two Pianos and Percussion \/ I. Assai Lento - Murray Perahia \/ David Corkhill \/ Evelyn Glennie \/ Sir Georg Solti\u003c\/li\u003e\n\u003cli\u003e Sonata for Two Pianos and Percussion \/ II. Lento Ma Non Troppo - Murray Perahia \/ David Corkhill \/ Evelyn Glennie \/ Sir Georg Solti\u003c\/li\u003e\n\u003cli\u003e Sonata for Two Pianos and Percussion \/ III. Allegro Non Troppo - Murray Perahia \/ David Corkhill \/ Evelyn Glennie \/ Sir Georg Solti\u003c\/li\u003e\n\u003cli\u003e Variations on a Theme By Haydn for Two Pianos Op. 56B \/ Thema. Chorale St. Antoni - Sir Georg Solti \/ Murray Perahia\u003c\/li\u003e\n\u003cli\u003e Variations on a Theme By Haydn for Two Pianos Op. 56B \/ Variation 1. Andante Con Moto - Sir Georg Solti \/ Murray Perahia\u003c\/li\u003e\n\u003cli\u003e Variations on a Theme By Haydn for Two Pianos Op. 56B \/ Variation 2. Vivace - Sir Georg Solti \/ Murray Perahia\u003c\/li\u003e\n\u003cli\u003e Variations on a Theme By Haydn for Two Pianos Op. 56B \/ Variation 3. Con Moto - Sir Georg Solti \/ Murray Perahia\u003c\/li\u003e\n\u003cli\u003e Variations on a Theme By Haydn for Two Pianos Op. 56B \/ Variation 4. Andante - Sir Georg Solti \/ Murray Perahia\u003c\/li\u003e\n\u003cli\u003e Variations on a Theme By Haydn for Two Pianos Op. 56B \/ Variation 5. Poco Presto - Sir Georg Solti \/ Murray Perahia\u003c\/li\u003e\n\u003cli\u003e Variations on a Theme By Haydn for Two Pianos Op. 56B \/ Variation 6. Vivace - Sir Georg Solti \/ Murray Perahia\u003c\/li\u003e\n\u003cli\u003e Variations on a Theme By Haydn for Two Pianos Op. 56B \/ Variation 7. Grazioso - Sir Georg Solti \/ Murray Perahia\u003c\/li\u003e\n\u003cli\u003e Variations on a Theme By Haydn for Two Pianos Op. 56B \/ Variation 8. Poco Presto - Sir Georg Solti \/ Murray Perahia\u003c\/li\u003e\n\u003cli\u003e Variations on a Theme By Haydn for Two Pianos Op. 56B \/ Finale. Andante - Sir Georg Solti \/ Murray Perahia\u003c\/li\u003e\n\u003cli\u003e Ballade No. 1 in G minor Op. 23\u003c\/li\u003e\n\u003cli\u003e Ballade No. 2 in F Major Op. 38\u003c\/li\u003e\n\u003cli\u003e Ballade No. 3 in A-Flat Major Op. 47\u003c\/li\u003e\n\u003cli\u003e Ballade No. 4 in F minor Op. 52\u003c\/li\u003e\n\u003cli\u003e Grande Valse Brillante in E-Flat Major Op. 18\u003c\/li\u003e\n\u003cli\u003e Grande Valse in A-Flat Major Op. 42\u003c\/li\u003e\n\u003cli\u003e Nocturne in F Major Op. 15 No. 1\u003c\/li\u003e\n\u003cli\u003e Mazurka in F minor Op. 7 No. 3\u003c\/li\u003e\n\u003cli\u003e Mazurka in a Minor Op. 17 No. 4\u003c\/li\u003e\n\u003cli\u003e Mazurka in D Major Op. 33 No. 2\u003c\/li\u003e\n\u003cli\u003e Étude in E Major Op. 10 No. 3\u003c\/li\u003e\n\u003cli\u003e Étude in C-Sharp minor Op. 10 No. 4\u003c\/li\u003e\n\u003cli\u003e Suite No. 5 in E Major HWV 430 \/ I. Prelude\u003c\/li\u003e\n\u003cli\u003e Suite No. 5 in E Major HWV 430 \/ II. Allemande\u003c\/li\u003e\n\u003cli\u003e Suite No. 5 in E Major HWV 430 \/ III. Courante\u003c\/li\u003e\n\u003cli\u003e Suite No. 5 in E Major HWV 430 \/ IV. Air Con Variazioni \"The Harmonious Blacksmith\"\u003c\/li\u003e\n\u003cli\u003e Chaconne in G Major HWV 435\u003c\/li\u003e\n\u003cli\u003e Suite No. 3 in D minor HWV 428 \/ I. Prélude - Presto\u003c\/li\u003e\n\u003cli\u003e Suite No. 3 in D minor HWV 428 \/ II. Allegro\u003c\/li\u003e\n\u003cli\u003e Suite No. 3 in D minor HWV 428 \/ III. Allemande\u003c\/li\u003e\n\u003cli\u003e Suite No. 3 in D minor HWV 428 \/ IV. Courante\u003c\/li\u003e\n\u003cli\u003e Suite No. 3 in D minor HWV 428 \/ V. Air Con Variazioni\u003c\/li\u003e\n\u003cli\u003e Suite No. 3 in D minor HWV 428 \/ VI. Presto\u003c\/li\u003e\n\u003cli\u003e Suite No. 2 in F Major HWV 427 \/ I. Adagio\u003c\/li\u003e\n\u003cli\u003e Suite No. 2 in F Major HWV 427 \/ II. Allegro\u003c\/li\u003e\n\u003cli\u003e Suite No. 2 in F Major HWV 427 \/ III. Adagio\u003c\/li\u003e\n\u003cli\u003e Suite No. 2 in F Major HWV 427 \/ IV. Allegro\u003c\/li\u003e\n\u003cli\u003e Sonata in D Major K 491\u003c\/li\u003e\n\u003cli\u003e Sonata in B minor K 27\u003c\/li\u003e\n\u003cli\u003e Sonata in C-Sharp minor K 247\u003c\/li\u003e\n\u003cli\u003e Sonata in D Major K 29\u003c\/li\u003e\n\u003cli\u003e Sonata in a Major K 537\u003c\/li\u003e\n\u003cli\u003e Sonata in E Major K 206\u003c\/li\u003e\n\u003cli\u003e Sonata in a Major K 212\u003c\/li\u003e\n\u003cli\u003e English Suite No. 1 in a Major BWV 806 \/ I. Prélude\u003c\/li\u003e\n\u003cli\u003e English Suite No. 1 in a Major BWV 806 \/ II. Allemande\u003c\/li\u003e\n\u003cli\u003e English Suite No. 1 in a Major BWV 806 \/ III. Courante I\u003c\/li\u003e\n\u003cli\u003e English Suite No. 1 in a Major BWV 806 \/ IV. Courante II Avec Deux Doubles\u003c\/li\u003e\n\u003cli\u003e English Suite No. 1 in a Major BWV 806 \/ V. Sarabande\u003c\/li\u003e\n\u003cli\u003e English Suite No. 1 in a Major BWV 806 \/ VI. Bourrée I\u003c\/li\u003e\n\u003cli\u003e English Suite No. 1 in a Major BWV 806 \/ VII. Bourrée II\u003c\/li\u003e\n\u003cli\u003e English Suite No. 1 in a Major BWV 806 \/ VIII. Gigue\u003c\/li\u003e\n\u003cli\u003e English Suite No. 3 in G minor BWV 808 \/ I. Prélude\u003c\/li\u003e\n\u003cli\u003e English Suite No. 3 in G minor BWV 808 \/ II. Allemande\u003c\/li\u003e\n\u003cli\u003e English Suite No. 3 in G minor BWV 808 \/ III. Courante\u003c\/li\u003e\n\u003cli\u003e English Suite No. 3 in G minor BWV 808 \/ IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e English Suite No. 3 in G minor BWV 808 \/ V. Gavotte I\u003c\/li\u003e\n\u003cli\u003e English Suite No. 3 in G minor BWV 808 \/ VI. Gavotte II\u003c\/li\u003e\n\u003cli\u003e English Suite No. 3 in G minor BWV 808 \/ VII. Gigue\u003c\/li\u003e\n\u003cli\u003e English Suite No. 6 in D minor BWV 811 \/ I. Prélude - Allegro\u003c\/li\u003e\n\u003cli\u003e English Suite No. 6 in D minor BWV 811 \/ II. Allemande\u003c\/li\u003e\n\u003cli\u003e English Suite No. 6 in D minor BWV 811 \/ III. Courante\u003c\/li\u003e\n\u003cli\u003e English Suite No. 6 in D minor BWV 811 \/ IV. Sarabande - Iva. Double\u003c\/li\u003e\n\u003cli\u003e English Suite No. 6 in D minor BWV 811 \/ V. Gavotte I\u003c\/li\u003e\n\u003cli\u003e English Suite No. 6 in D minor BWV 811 \/ VI. Gavotte II\u003c\/li\u003e\n\u003cli\u003e English Suite No. 6 in D minor BWV 811 \/ VII. Gigue\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Aria\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 1 a 1 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 2 a 1 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 3 a 1 Clav. Canone All'unisuono\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 4 a 1 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 5 a 1 Ovvero 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 6 a 1 Clav. Canone All Seconda\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 7 a 1 Ovvero 2 Clav. Al Tempo Di Giga\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 8 a 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 9 a 1 Clav. Canone Alla Terza\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 10 a 1 Clav. Fughetta\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 11 a 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 12 Canone Alla Quarta\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 13 a 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 14 a 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 15 a 1 Clav. Canone Alla Quinta - Andante\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 16 a 1 Clav. Ouverture\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 17 a 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 18 a 1 Clav. Canone Alla Sexta\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 19 a 1 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 20 a 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 21 Canone Alla Settima\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 22 a 1 Clav. Alla Breve\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 23 a 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 24 a 1 Clav. Canone All' Ottava\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 25 a 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 26 a 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 27 Canone Alla Nona\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 28 a 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 29 a 1 Ovvero 2 Clav\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Variatio 30 a 1 Clav. Quodlibet\u003c\/li\u003e\n\u003cli\u003e Goldberg Variations BWV 988 \/ Aria Da Capo\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 1 in D minor BWV 1052 \/ I. Allegro - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 1 in D minor BWV 1052 \/ II. Adagio - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 1 in D minor BWV 1052 \/ III. Allegro - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 2 in E Major BWV 1053 \/ I. [ ] - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 2 in E Major BWV 1053 \/ II. Siciliano - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 2 in E Major BWV 1053 \/ III. Allegro - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 4 in a Major BWV 1055 \/ I. Allegro - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 4 in a Major BWV 1055 \/ II. Larghetto - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 4 in a Major BWV 1055 \/ III. Allegro Ma Non Tanto - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 3 in D Major BWV 1054 \/ I. Allegro - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 3 in D Major BWV 1054 \/ II. Adagio E Piano Sempre - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 3 in D Major BWV 1054 \/ III. Allegro - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 5 in F minor BWV 1056 \/ I. (Allegro)\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 5 in F minor BWV 1056 \/ II. Largo - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 5 in F minor BWV 1056 \/ III. Presto - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Concerto for Harpsichord and Orchestra No. 6 in F Major BWV 1057 \/ I. (Without Tempo Indication) - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields \/ Jeanne Dolmetsch \/ Marguerite Dolmetsch\u003c\/li\u003e\n\u003cli\u003e Concerto for Harpsichord and Orchestra No. 6 in F Major BWV 1057 \/ II. Andante - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields \/ Jeanne Dolmetsch \/ Marguerite Dolmetsch\u003c\/li\u003e\n\u003cli\u003e Concerto for Harpsichord and Orchestra No. 6 in F Major BWV 1057 \/ III. Allegro Assai - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields \/ Jeanne Dolmetsch \/ Marguerite Dolmetsch\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 7 in G minor BWV 1058 \/ I. (Allegro) - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 7 in G minor BWV 1058 \/ II. Andante - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e Keyboard Concerto No. 7 in G minor BWV 1058 \/ III. Allegro Assai - Murray Perahia \/ Murray Perahia \/ Academy of St Martin in the Fields\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 10 \/ Étude No. 1 in C Major\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 10 \/ Étude No. 2 in a Minor\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 10 \/ Étude No. 3 in E Major\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 10 \/ Étude No. 4 in C-Sharp minor\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 10 \/ Étude No. 5 in G-Flat Major \"Black Keys\"\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 10 \/ Étude No. 6 in E-Flat minor\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 10 \/ Étude No. 7 in C Major\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 10 \/ Étude No. 8 in F Major\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 10 \/ Étude No. 9 in F minor\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 10 \/ Étude No. 10 in A-Flat Major\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 10 \/ Étude No. 11 in E-Flat Major\u003c\/li\u003e\n\u003cli\u003e Études Op. 10 \/ Etude No. 12 in C minor \"Revolutionary\"\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 1 in A-Flat Major\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 2 in F minor\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 3 in F Major\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 4 in a Minor\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 5 in E minor\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 6 in G-Sharp minor \"Thirds\"\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 7 in C-Sharp minor\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 8 in D-Flat Major \"Sixths\"\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 9 in G-Flat Major\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 10 in B minor \"Octaves\"\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 11 in a Minor\u003c\/li\u003e\n\u003cli\u003e 12 Études Op. 25 \/ Étude No. 12 in C minor\u003c\/li\u003e\n\u003cli\u003e Concerto for Flute Violin Harpsichord BWV 1044 \/ I. Allegro - Murray Perahia \/ Murray Perahia \/ Kenneth Sillito \/ Jaime Martin\u003c\/li\u003e\n\u003cli\u003e Concerto for Flute Violin Harpsichord BWV 1044 \/ II. Adagio Ma Non Tanto E Dolce - Murray Perahia \/ Murray Perahia \/ Kenneth Sillito \/ Jaime Martin\u003c\/li\u003e\n\u003cli\u003e Concerto for Flute Violin Harpsichord BWV 1044 \/ III. Alla Breve - Murray Perahia \/ Murray Perahia \/ Kenneth Sillito \/ Jaime Martin\u003c\/li\u003e\n\u003cli\u003e Brandenburg Concerto No 5 BWV 1050 \/ I. Allegro - Murray Perahia \/ Kenneth Sillito \/ Jaime Martin\u003c\/li\u003e\n\u003cli\u003e Brandenburg Concerto No 5 BWV 1050 \/ II. Affetuoso - Murray Perahia \/ Academy of St Martin in the Fields \/ Kenneth Sillito \/ Jaime Martin\u003c\/li\u003e\n\u003cli\u003e Brandenburg Concerto No 5 BWV 1050 \/ III. Allegro - Murray Perahia \/ Murray Perahia \/ Kenneth Sillito \/ Jaime Martin\u003c\/li\u003e\n\u003cli\u003e Italian Concerto BWV 971 \/ I. (Allegro)\u003c\/li\u003e\n\u003cli\u003e Italian Concerto BWV 971 \/ II. Andante\u003c\/li\u003e\n\u003cli\u003e Italian Concerto BWV 971 \/ III. Presto\u003c\/li\u003e\n\u003cli\u003e Partita No. 2 in C minor BWV 826 \/ I. Sinfonia\u003c\/li\u003e\n\u003cli\u003e Partita No. 2 in C minor BWV 826 \/ II. Allemande\u003c\/li\u003e\n\u003cli\u003e Partita No. 2 in C minor BWV 826 \/ III. Courante\u003c\/li\u003e\n\u003cli\u003e Partita No. 2 in C minor BWV 826 \/ IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e Partita No. 2 in C minor BWV 826 \/ V. Rondeaux\u003c\/li\u003e\n\u003cli\u003e Partita No. 2 in C minor BWV 826 \/ VI. Capriccio\u003c\/li\u003e\n\u003cli\u003e Partita No. 3 in a Minor BWV 827 \/ I. Fantasia\u003c\/li\u003e\n\u003cli\u003e Partita No. 3 in a Minor BWV 827 \/ II. Allemande\u003c\/li\u003e\n\u003cli\u003e Partita No. 3 in a Minor BWV 827 \/ III. Corrente\u003c\/li\u003e\n\u003cli\u003e Partita No. 3 in a Minor BWV 827 \/ IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e Partita No. 3 in a Minor BWV 827 \/ V. Burlesca\u003c\/li\u003e\n\u003cli\u003e Partita No. 3 in a Minor BWV 827 \/ VI. Scherzo\u003c\/li\u003e\n\u003cli\u003e Partita No. 3 in a Minor BWV 827 \/ VII. Gigue\u003c\/li\u003e\n\u003cli\u003e Partita No. 4 in D Major BWV 828 \/ I. Ouverture\u003c\/li\u003e\n\u003cli\u003e Partita No. 4 in D Major BWV 828 \/ II. Allemande\u003c\/li\u003e\n\u003cli\u003e Partita No. 4 in D Major BWV 828 \/ III. Courante\u003c\/li\u003e\n\u003cli\u003e Partita No. 4 in D Major BWV 828 \/ IV. Aria\u003c\/li\u003e\n\u003cli\u003e Partita No. 4 in D Major BWV 828 \/ V. Sarabande\u003c\/li\u003e\n\u003cli\u003e Partita No. 4 in D Major BWV 828 \/ VI. Menuet\u003c\/li\u003e\n\u003cli\u003e Partita No. 4 in D Major BWV 828 \/ VII. Gigue\u003c\/li\u003e\n\u003cli\u003e Partita No. 1 in B-Flat Major BWV 825 \/ I. Praeludium\u003c\/li\u003e\n\u003cli\u003e Partita No. 1 in B-Flat Major BWV 825 \/ II. Allemande\u003c\/li\u003e\n\u003cli\u003e Partita No. 1 in B-Flat Major BWV 825 \/ III. Corrente\u003c\/li\u003e\n\u003cli\u003e Partita No. 1 in B-Flat Major BWV 825 \/ IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e Partita No. 1 in B-Flat Major BWV 825 \/ V. Menuet I ; II\u003c\/li\u003e\n\u003cli\u003e Partita No. 1 in B-Flat Major BWV 825 \/ VI. Gigue\u003c\/li\u003e\n\u003cli\u003e Partita No. 5 in G Major BWV 829 \/ I. Praeambulum\u003c\/li\u003e\n\u003cli\u003e Partita No. 5 in G Major BWV 829 \/ II. Allemande\u003c\/li\u003e\n\u003cli\u003e Partita No. 5 in G Major BWV 829 \/ III. Corrente\u003c\/li\u003e\n\u003cli\u003e Partita No. 5 in G Major BWV 829 \/ IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e Partita No. 5 in G Major BWV 829 \/ V. Tempo Di Minuetto\u003c\/li\u003e\n\u003cli\u003e Partita No. 5 in G Major BWV 829 \/ VI. Passepied\u003c\/li\u003e\n\u003cli\u003e Partita No. 5 in G Major BWV 829 \/ VII. Gigue\u003c\/li\u003e\n\u003cli\u003e Partita No. 6 in E minor BWV 830 \/ I. Toccata\u003c\/li\u003e\n\u003cli\u003e Partita No. 6 in E minor BWV 830 \/ II. Allemande\u003c\/li\u003e\n\u003cli\u003e Partita No. 6 in E minor BWV 830 \/ III. Corrente\u003c\/li\u003e\n\u003cli\u003e Partita No. 6 in E minor BWV 830 \/ IV. Air\u003c\/li\u003e\n\u003cli\u003e Partita No. 6 in E minor BWV 830 \/ V. Sarabande\u003c\/li\u003e\n\u003cli\u003e Partita No. 6 in E minor BWV 830 \/ VI. Tempo Di Gavotta\u003c\/li\u003e\n\u003cli\u003e Partita No. 6 in E minor BWV 830 \/ VII. Gigue\u003c\/li\u003e\n\u003cli\u003e Händel Variations Op. 24\u003c\/li\u003e\n\u003cli\u003e Two Rhapsodies Op. 79 \/ Rhapsodie in B minor Op. 79 No. 1\u003c\/li\u003e\n\u003cli\u003e Two Rhapsodies Op. 79 \/ Rhapsodie in G minor Op. 79 No. 2\u003c\/li\u003e\n\u003cli\u003e Six Piano Pieces Op. 118 \/ Intermezzo in a Minor Op. 118 No. 1\u003c\/li\u003e\n\u003cli\u003e Six Piano Pieces Op. 118 \/ Intermezzo in a Major Op. 118 No. 2\u003c\/li\u003e\n\u003cli\u003e Six Piano Pieces Op. 118 \/ Ballade in G minor Op. 118 No. 3\u003c\/li\u003e\n\u003cli\u003e Six Piano Pieces Op. 118 \/ Intermezzo in F minor Op. 118 No. 4\u003c\/li\u003e\n\u003cli\u003e Six Piano Pieces Op. 118 \/ Romance in F Major Op. 118 No. 5\u003c\/li\u003e\n\u003cli\u003e Six Piano Pieces Op. 118 \/ Intermezzo in E-Flat minor Op. 118 No. 6\u003c\/li\u003e\n\u003cli\u003e Four Piano Pieces Op. 119 \/ Intermezzo in B minor Op. 119 No. 1\u003c\/li\u003e\n\u003cli\u003e Four Piano Pieces Op. 119 \/ Intermezzo in E minor Op. 119 No. 2\u003c\/li\u003e\n\u003cli\u003e Four Piano Pieces Op. 119 \/ Intermezzo in C Major Op. 119 No. 3\u003c\/li\u003e\n\u003cli\u003e Four Piano Pieces Op. 119 \/ Rhapsodie in E-Flat Major Op. 119 No. 4\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":50401020084498,"sku":"889854139520","price":35.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/surprise-castle.myshopify.com\/products\/murray-perahia-murray-perahia-the-awards-collection-cd","provider":"Surprise Castle","version":"1.0","type":"link"}