{"product_id":"meter-in-music-1600-1800-performance-perception-and-notation-9780253213914","title":"Meter in Music, 1600-1800: Performance, Perception, and Notation","description":"\u003cp\u003e\"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book.\" --Continuo\u003cbr\u003e\u003cbr\u003e\"This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . \" --Early Music\u003cbr\u003e\u003cbr\u003e\" . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum.\" --Music Educators Journal\u003cbr\u003e\u003cbr\u003eThe treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eGeorge Houle, Professor Emeritus of Music at Stanford University and former music director of the New York Pro Musica, is a performer and music historian particularly interested in the Renaissance and Baroque periods. He is editor of Doulce mémoire, Le ballet des fâcheux, and Ockeghem's Missa Cuiusvis Toni, and co-editor of The Music for Viola Bastarda by Jason Paras (all from Indiana University Press).\u003c\/p\u003e\u003cbr\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":50318657880338,"sku":"9780253213914","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_e4903234-b5aa-44f9-a9b5-d3972c0f1922.jpg?v=1727559639","url":"https:\/\/surprise-castle.myshopify.com\/products\/meter-in-music-1600-1800-performance-perception-and-notation-9780253213914","provider":"Surprise Castle","version":"1.0","type":"link"}