{"product_id":"giallo-genre-modernity-and-detection-in-italian-horror-cinema-9781438480329","title":"Giallo!: Genre, Modernity, and Detection in Italian Horror Cinema","description":"Italian \u003ci\u003egiallo\u003c\/i\u003e films have a peculiar allure. Taking their name from the Italian for \"yellow\"-- reflecting the covers of pulp crime novels--these genre movies were principally produced between 1960 and the late 1970s. These cinematic hybrids of crime, horror, and detection are characterized by elaborate set-piece murders, lurid aesthetics, and experimental soundtracks. Using critical frameworks drawn from genre theory, reception studies, and cultural studies, \u003ci\u003eGiallo!\u003c\/i\u003e traces this historically marginalized genre's journey from Italian cinemas to the global cult-film canon. Through close textual analysis of films including \u003ci\u003eThe Girl Who Knew Too Much\u003c\/i\u003e (1963), \u003ci\u003eBlood and Black Lace\u003c\/i\u003e (1964), \u003ci\u003eThe Bird with the Crystal Plumage\u003c\/i\u003e (1970), \u003ci\u003eThe Black Belly of the Tarantula\u003c\/i\u003e (1971), and \u003ci\u003eThe Case of the Bloody Iris\u003c\/i\u003e (1972), Alexia Kannas considers the rendering of urban space in the giallo and how it expresses a complex and unsettling critique of late modernity.\u003cbr\u003e","brand":"State University of New York Press","offers":[{"title":"Default Title","offer_id":50511252521234,"sku":"9781438480329","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_73a8ccc1-8a2e-4a15-a9d0-5e83cccf6684.jpg?v=1730945450","url":"https:\/\/surprise-castle.myshopify.com\/products\/giallo-genre-modernity-and-detection-in-italian-horror-cinema-9781438480329","provider":"Surprise Castle","version":"1.0","type":"link"}