{"product_id":"feminist-theatre-then-and-now-celebrating-50-years-9781913641382","title":"Feminist Theatre - Then and Now: Celebrating 50 Years","description":"Feminist Theatre Then \u0026amp; Now - Celebrating 50 Years of women theatre makers in the UK and Ireland and their battle to make their voices heard, have their work produced professionally, and promote social justice. Here, the pioneers and leading lights of the newly energised feminist theatre movement continue to fight for an equitable, diverse and inclusive theatre which speaks for all. In 30+ essays, covering three generations, the interviews and essays in this book give important insight into the lived experience of women working in theatre and what it takes to rise in an industry where race, gender, class and parenthood can be serious obstacles to success. \u003cbr\u003e\u003cbr\u003eInterviews and essays by playwrights, directors, producers and actors including: \u003cbr\u003e\u003cbr\u003eAsian Women's Theatre in Britain by Rukhsana Ahmad \u003cbr\u003eDerby Theatre by Sarah Brigham \u003cbr\u003eInterview with Moira Buffini \u003cbr\u003eIntersectional Feminism at Work by Kelly Burke \u003cbr\u003eThe Personal was very Political by Clair Chapwell \u003cbr\u003eBehind The Lines by Alison Child \u003cbr\u003eHow Feminism has Influenced my Playwriting by April de Angelis \u003cbr\u003eInterview with Suzanne Gorman \u003cbr\u003eClean Break by Anna Herrmann \u003cbr\u003eInterview with Hannah Khalil \u003cbr\u003eThe Women in Theatre Lab by Polly Kemp and Jennifer Tuckett \u003cbr\u003ePersistence, Expression and Evolution by Peta Lily \u003cbr\u003eInterview with Roberta Livingston \u003cbr\u003eEcofeminism by Bibi Lucille \u003cbr\u003eThe Third World of Irish Women by Jaki McCarrick \u003cbr\u003eMonstrous Regiment by Mary McCusker \u003cbr\u003eOpen Clasp Theatre by Catrina McHugh \u003cbr\u003eInterview with Suzie Miller \u003cbr\u003eInterview with Ann Mitchell \u003cbr\u003eInterview with Rebecca Mordan \u003cbr\u003eInterview with Amy Ng \u003cbr\u003eUntold Stories by Maeve O'Neill \u003cbr\u003eGirls' Night Out by Rachel O'Regan \u003cbr\u003eInterview with Kaite O'Reilly \u003cbr\u003eSphinx by Sue Parrish and Susan McGoun \u003cbr\u003eInterview with Julia Pascal \u003cbr\u003eOut of the Attic - WTW by Cheryl Robson and Anna Birch \u003cbr\u003eScylla's Bite by Rebekah Smith and Abbie Lowe \u003cbr\u003eInterview with Dame Rosemary Squire \u003cbr\u003eWomen in their own Words by Lucy Stevens \u003cbr\u003eStella Quines \u0026amp; After by Gerda Stevenson \u003cbr\u003eDifferences Matter by SuAndi \u003cbr\u003eTheatre from a Lesbian Perspective by Clare Summerskill \u003cbr\u003eInterview with Imy Wyatt Corner \u003cbr\u003eIndex\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eElaine Aston is Professor of Theatre at Lancaster University. She has a distinguished record of publication in the field of feminism, theatre, theory and performance. Her first monograph, a biography of the nineteenth-century actress, Sarah Bernhardt, appeared in 1989, and was followed by \u003cem\u003eFeminism and Theatre (1995); Caryl Churchill \u003c\/em\u003e(1997; 2001; 2010);\u003cem\u003e Feminist Theatre Practice (1999); Feminist Views on the English Stage: Women Playwrights, 1990-2000\u003c\/em\u003e (2003); \u003cem\u003ePerformance Practice and Process: Contemporary [Women] Practitioners\u003c\/em\u003e (2007; with Gerry Harris) and \u003cem\u003eA Good Night Out, for the Girls\u003c\/em\u003e (2012; with Gerry Harris). She is co-author of the highly influential text on theatre semiotics: \u003cem\u003eTheatre as Sign-System \u003c\/em\u003e(1991; with George Savona). Elaine has edited two collections of plays for the Women's Theatre Group (\u003cem\u003eHer story Volumes 1 \u0026amp; 2\u003c\/em\u003e, 1991). Other collections include the Cambridge Companions to \u003cem\u003eModern British Women Playwrights \u003c\/em\u003e(2000; with Janelle Reinelt) and to \u003cem\u003eCaryl Churchill \u003c\/em\u003e(2009; with Elin Diamond); \u003cem\u003eFeminist Futures?: Theatre, Performance, Theory \u003c\/em\u003e(2006; with Gerry Harris); and \u003cem\u003eStaging International Feminisms\u003c\/em\u003e (2007; with Sue-Ellen Case). With Mark O'Thomas she published the first full-length study devoted to the work of the Royal Court's International department: \u003cem\u003eRoyal Court International (2015).\u003c\/em\u003e\u003c\/p\u003eIn 2014 Elaine was awarded an Honorary Doctorate from Stockholm University. \u003cp\u003e\u003c\/p\u003eElaine is a founding member of the Feminist Research Working Group of the International Federation of Theatre Research (IFTR), and has co-convened the group with Professor Sue-Ellen Case (UCLA). She was the Senior Editor of the IFTR journal Theatre Research International (2010 to 2012) and went on to be elected Vice President of IFTR for Publications and Internalisation. With Professor Brian Singleton (Trinity College, Dublin) she is the co-series editor for 'Contemporary Performance InterActions' (Palgrave Macmillan).\u003cbr\u003e","brand":"Supernova Books","offers":[{"title":"Default Title","offer_id":50457799491858,"sku":"9781913641382","price":20.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_10035926-8034-41ad-9fe0-4e07a393f316.jpg?v=1729941942","url":"https:\/\/surprise-castle.myshopify.com\/products\/feminist-theatre-then-and-now-celebrating-50-years-9781913641382","provider":"Surprise Castle","version":"1.0","type":"link"}