{"product_id":"facing-images-medieval-japanese-art-and-the-problem-of-modernity-9780271097169","title":"Facing Images: Medieval Japanese Art and the Problem of Modernity","description":"\u003cp\u003eIf we want to decolonize the history of art, argues Kristopher Kersey, we must rethink our approach to the historical record. This means dispensing with Eurocentric binaries--divisions between \u003ci\u003eWestern\u003c\/i\u003e and \u003ci\u003enon-Western\u003c\/i\u003e, \u003ci\u003emodern\u003c\/i\u003e and \u003ci\u003epremodern\u003c\/i\u003e--and making a commitment to artworks that challenge the perspectives we build upon them. In \u003ci\u003eFacing Images\u003c\/i\u003e, the question takes elegant and intriguing form: If the aesthetic hallmarks of \"modernity\" can be found in twelfth-century art, what does it really mean to be \"modern\"?\u003c\/p\u003e\u003cp\u003eKersey's answer to this question models a new historiography. \u003ci\u003eFacing Images\u003c\/i\u003e begins by tracing the turbulent discourse surrounding the emergence of Japanese art history as a modern field. In lieu of examining canonical works from the twelfth century, Kersey\u003ci\u003e\u003c\/i\u003eforegrounds the elusive and the enigmatic in artworks little known and understudied outside Japan; the manuscripts he selects defy traditional art-historical narratives by exhibiting decidedly modern techniques, including montage, self-reference, reuse, noise, dissonance, and chronological disarray. Kersey weaves these medieval case studies together with insights from a wide range of interdisciplinary scholarship, using a methodology that will prove important for historians: \u003ci\u003eFacing Images\u003c\/i\u003e produces a history of non-Western art in which diverse and anachronic works are brought responsibly and equitably into dialogue with the present, without being subsumed under Eurocentric formalisms or false universals.\u003c\/p\u003e\u003cp\u003eA timely intervention in the history of medieval Japanese art, art historiography, and the history of global modernism, \u003ci\u003eFacing Images \u003c\/i\u003eredefines the relationship of the \"premodern\" non-West to \"modern\" art. It will be of particular interest to scholars of medieval Japanese art and of modernism. \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \u003cstrong\u003eKristopher W. Kersey\u003c\/strong\u003e is Associate Professor of Art History at the University of California, Los Angeles.\u003c\/p\u003e\u003cbr\u003e","brand":"Penn State University Press","offers":[{"title":"Default Title","offer_id":50869550317842,"sku":"9780271097169","price":131.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_2ca0c8da-63a6-4145-a0d9-c538a89236bb.jpg?v=1737761373","url":"https:\/\/surprise-castle.myshopify.com\/products\/facing-images-medieval-japanese-art-and-the-problem-of-modernity-9780271097169","provider":"Surprise Castle","version":"1.0","type":"link"}