{"title":"Modern Poetry Books","description":"\u003cp data-end=\"689\" data-start=\"291\"\u003eModern poetry books capture the voice of the present — fragmented, emotional, questioning, and deeply personal. These poems step away from strict forms and traditional expectations, embracing free verse, bold imagery, and honest expression. If you’re drawn to poetry that feels immediate and unfiltered, \u003cstrong data-end=\"689\" data-start=\"595\"\u003eexplore our Modern Poetry Books collection and discover voices that speak directly to now.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1016\" data-start=\"691\"\u003eModern poetry reflects a world shaped by rapid change, identity exploration, social tension, and inner vulnerability. Poets write about love, grief, politics, mental health, gender, belonging, and the search for meaning in a complex world. The language is often simple but powerful, designed to be felt as much as understood.\u003c\/p\u003e\n\u003cp data-end=\"1141\" data-start=\"1018\"\u003eFrom quiet introspection to sharp social commentary, modern poetry invites readers into conversation rather than tradition.\u003c\/p\u003e\n\u003cp data-end=\"1141\" data-start=\"1018\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/modern-poetry-01.webp?v=1770376560\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp data-end=\"1183\" data-start=\"1143\"\u003e\u003cstrong data-end=\"1183\" data-start=\"1143\"\u003eWhy Readers Love Modern Poetry Books\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1285\" data-start=\"1185\"\u003eModern poetry resonates because it feels accessible and honest. Readers are drawn to this genre for:\u003c\/p\u003e\n\u003cul data-end=\"1454\" data-start=\"1287\"\u003e\n\u003cli data-end=\"1324\" data-start=\"1287\"\u003e\n\u003cp data-end=\"1324\" data-start=\"1289\"\u003eDirect, emotionally open language\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1375\" data-start=\"1325\"\u003e\n\u003cp data-end=\"1375\" data-start=\"1327\"\u003eThemes rooted in real, contemporary experience\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1411\" data-start=\"1376\"\u003e\n\u003cp data-end=\"1411\" data-start=\"1378\"\u003eFreedom from rigid poetic rules\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1454\" data-start=\"1412\"\u003e\n\u003cp data-end=\"1454\" data-start=\"1414\"\u003ePoems that feel personal and relatable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1524\" data-start=\"1456\"\u003eThese poems often feel like they’re speaking directly to the reader.\u003c\/p\u003e\n\u003cp data-end=\"1556\" data-start=\"1526\"\u003e\u003cstrong data-end=\"1556\" data-start=\"1526\"\u003eWhat Defines Modern Poetry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1653\" data-start=\"1558\"\u003eAt the core of modern poetry is expression without restraint. These works are often defined by:\u003c\/p\u003e\n\u003cul data-end=\"1844\" data-start=\"1655\"\u003e\n\u003cli data-end=\"1696\" data-start=\"1655\"\u003e\n\u003cp data-end=\"1696\" data-start=\"1657\"\u003eFree verse and experimental structure\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1743\" data-start=\"1697\"\u003e\n\u003cp data-end=\"1743\" data-start=\"1699\"\u003ePersonal voice and emotional vulnerability\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1793\" data-start=\"1744\"\u003e\n\u003cp data-end=\"1793\" data-start=\"1746\"\u003eFocus on inner life, identity, and experience\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1844\" data-start=\"1794\"\u003e\n\u003cp data-end=\"1844\" data-start=\"1796\"\u003eBlending of the poetic with the conversational\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1901\" data-start=\"1846\"\u003eModern poetry prioritizes authenticity over perfection.\u003c\/p\u003e\n\u003cp data-end=\"1944\" data-start=\"1903\"\u003e\u003cstrong data-end=\"1944\" data-start=\"1903\"\u003eStyles and Movements in Modern Poetry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"2100\" data-start=\"1946\"\u003eModern poetry isn’t one single style — it’s a spectrum of voices and approaches. Within this collection, you’ll encounter poetry shaped by styles such as:\u003c\/p\u003e\n\u003cul data-end=\"2518\" data-start=\"2102\"\u003e\n\u003cli data-end=\"2167\" data-start=\"2102\"\u003e\n\u003cp data-end=\"2167\" data-start=\"2104\"\u003e\u003cstrong data-end=\"2125\" data-start=\"2104\"\u003eFree Verse Poetry\u003c\/strong\u003e\u003cbr data-end=\"2128\" data-start=\"2125\"\u003ePoems without strict meter or rhyme\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2251\" data-start=\"2169\"\u003e\n\u003cp data-end=\"2251\" data-start=\"2171\"\u003e\u003cstrong data-end=\"2194\" data-start=\"2171\"\u003eConfessional Poetry\u003c\/strong\u003e\u003cbr data-end=\"2197\" data-start=\"2194\"\u003eIntimate explorations of emotion, trauma, and self\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2329\" data-start=\"2253\"\u003e\n\u003cp data-end=\"2329\" data-start=\"2255\"\u003e\u003cstrong data-end=\"2288\" data-start=\"2255\"\u003eSpoken Word–Influenced Poetry\u003c\/strong\u003e\u003cbr data-end=\"2291\" data-start=\"2288\"\u003eRhythmic, performance-driven verse\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2421\" data-start=\"2331\"\u003e\n\u003cp data-end=\"2421\" data-start=\"2333\"\u003e\u003cstrong data-end=\"2364\" data-start=\"2333\"\u003eSocial and Political Poetry\u003c\/strong\u003e\u003cbr data-end=\"2367\" data-start=\"2364\"\u003ePoems responding to injustice, power, and identity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2518\" data-start=\"2423\"\u003e\n\u003cp data-end=\"2518\" data-start=\"2425\"\u003e\u003cstrong data-end=\"2461\" data-start=\"2425\"\u003eMinimalist and Short-Form Poetry\u003c\/strong\u003e\u003cbr data-end=\"2464\" data-start=\"2461\"\u003eSparse language with concentrated emotional impact\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2590\" data-start=\"2520\"\u003eEach style reflects a different way of engaging with the modern world.\u003c\/p\u003e\n\u003cp data-end=\"2590\" data-start=\"2520\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/modern-poetry-02.webp?v=1770376561\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp data-end=\"2628\" data-start=\"2592\"\u003e\u003cstrong data-end=\"2628\" data-start=\"2592\"\u003eThemes That Define Modern Poetry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"2701\" data-start=\"2630\"\u003eModern poetry often centers on lived experience. Common themes include:\u003c\/p\u003e\n\u003cul data-end=\"2883\" data-start=\"2703\"\u003e\n\u003cli data-end=\"2735\" data-start=\"2703\"\u003e\n\u003cp data-end=\"2735\" data-start=\"2705\"\u003eLove, heartbreak, and desire\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2776\" data-start=\"2736\"\u003e\n\u003cp data-end=\"2776\" data-start=\"2738\"\u003eMental health and emotional survival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2812\" data-start=\"2777\"\u003e\n\u003cp data-end=\"2812\" data-start=\"2779\"\u003eIdentity, gender, and belonging\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2841\" data-start=\"2813\"\u003e\n\u003cp data-end=\"2841\" data-start=\"2815\"\u003eGrief, loss, and healing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2883\" data-start=\"2842\"\u003e\n\u003cp data-end=\"2883\" data-start=\"2844\"\u003eSocial change and personal resistance\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2947\" data-start=\"2885\"\u003eThese poems speak to what it feels like to be alive right now.\u003c\/p\u003e\n\u003cp data-end=\"2989\" data-start=\"2949\"\u003e\u003cstrong data-end=\"2989\" data-start=\"2949\"\u003eBreaking Tradition and Finding Voice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"3078\" data-start=\"2991\"\u003eUnlike classic poetry, modern poetry often rejects formal rules. These poems emphasize:\u003c\/p\u003e\n\u003cul data-end=\"3197\" data-start=\"3080\"\u003e\n\u003cli data-end=\"3104\" data-start=\"3080\"\u003e\n\u003cp data-end=\"3104\" data-start=\"3082\"\u003eVoice over structure\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3130\" data-start=\"3105\"\u003e\n\u003cp data-end=\"3130\" data-start=\"3107\"\u003eHonesty over ornament\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3160\" data-start=\"3131\"\u003e\n\u003cp data-end=\"3160\" data-start=\"3133\"\u003eMeaning shaped by feeling\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3197\" data-start=\"3161\"\u003e\n\u003cp data-end=\"3197\" data-start=\"3163\"\u003ePersonal truth as artistic power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3263\" data-start=\"3199\"\u003eThe freedom allows poets to experiment — and readers to connect.\u003c\/p\u003e\n\u003cp data-end=\"3300\" data-start=\"3265\"\u003e\u003cstrong data-end=\"3300\" data-start=\"3265\"\u003eModern Poetry and Accessibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"3376\" data-start=\"3302\"\u003eOne of modern poetry’s strengths is its openness. Many readers appreciate:\u003c\/p\u003e\n\u003cul data-end=\"3548\" data-start=\"3378\"\u003e\n\u003cli data-end=\"3422\" data-start=\"3378\"\u003e\n\u003cp data-end=\"3422\" data-start=\"3380\"\u003eClear language without academic barriers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3463\" data-start=\"3423\"\u003e\n\u003cp data-end=\"3463\" data-start=\"3425\"\u003eShort poems that fit into busy lives\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3487\" data-start=\"3464\"\u003e\n\u003cp data-end=\"3487\" data-start=\"3466\"\u003eEmotional immediacy\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3548\" data-start=\"3488\"\u003e\n\u003cp data-end=\"3548\" data-start=\"3490\"\u003eThe ability to read selectively rather than sequentially\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3593\" data-start=\"3550\"\u003eModern poetry meets readers where they are.\u003c\/p\u003e\n\u003cp data-end=\"3645\" data-start=\"3595\"\u003e\u003cstrong data-end=\"3645\" data-start=\"3595\"\u003ePoetry for Reflection, Healing, and Expression\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"3733\" data-start=\"3647\"\u003eFor many readers, modern poetry serves as a companion. These books are often used for:\u003c\/p\u003e\n\u003cul data-end=\"3855\" data-start=\"3735\"\u003e\n\u003cli data-end=\"3771\" data-start=\"3735\"\u003e\n\u003cp data-end=\"3771\" data-start=\"3737\"\u003eEmotional processing and healing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3809\" data-start=\"3772\"\u003e\n\u003cp data-end=\"3809\" data-start=\"3774\"\u003eValidation of personal experience\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3830\" data-start=\"3810\"\u003e\n\u003cp data-end=\"3830\" data-start=\"3812\"\u003eQuiet reflection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3855\" data-start=\"3831\"\u003e\n\u003cp data-end=\"3855\" data-start=\"3833\"\u003eCreative inspiration\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3896\" data-start=\"3857\"\u003ePoetry becomes both mirror and comfort.\u003c\/p\u003e\n\u003cp data-end=\"3896\" data-start=\"3857\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/modern-poetry-03.webp?v=1770376562\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp data-end=\"3929\" data-start=\"3898\"\u003e\u003cstrong data-end=\"3929\" data-start=\"3898\"\u003ePopular Modern Poetry Books\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"4069\" data-start=\"3931\"\u003eIf you’re looking for defining collections that capture the spirit of modern poetry, these books are widely loved by contemporary readers:\u003c\/p\u003e\n\u003cul data-end=\"4635\" data-start=\"4071\"\u003e\n\u003cli data-end=\"4177\" data-start=\"4071\"\u003e\n\u003cp data-end=\"4177\" data-start=\"4073\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/milk-and-honey-9781449474256\"\u003e\u003cstrong data-end=\"4103\" data-start=\"4073\"\u003eMilk and Honey – Rupi Kaur\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-end=\"4106\" data-start=\"4103\"\u003eA landmark modern poetry collection about love, trauma, and healing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4308\" data-start=\"4179\"\u003e\n\u003cp data-end=\"4308\" data-start=\"4181\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/citizen-an-american-lyric-9781555976903\"\u003e\u003cstrong data-end=\"4229\" data-start=\"4181\"\u003eCitizen: An American Lyric – Claudia Rankine\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-end=\"4232\" data-start=\"4229\"\u003eA powerful poetic exploration of race, identity, and everyday experience\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4424\" data-start=\"4310\"\u003e\n\u003cp data-end=\"4424\" data-start=\"4312\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/the-sun-and-her-flowers-9781449486792\"\u003e\u003cstrong data-end=\"4351\" data-start=\"4312\"\u003eThe Sun and Her Flowers – Rupi Kaur\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-end=\"4354\" data-start=\"4351\"\u003eA deeply personal collection focused on growth, loss, and selfhood\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4521\" data-start=\"4426\"\u003e\n\u003cp data-end=\"4521\" data-start=\"4428\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/crush-9780300246308\"\u003e\u003cstrong data-end=\"4453\" data-start=\"4428\"\u003eCrush – Richard Siken\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-end=\"4456\" data-start=\"4453\"\u003eIntense, emotionally charged poems about desire and obsession\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4635\" data-start=\"4523\"\u003e\n\u003cp data-end=\"4635\" data-start=\"4525\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/night-sky-with-exit-wounds-9781556594953\"\u003e\u003cstrong data-end=\"4569\" data-start=\"4525\"\u003eNight Sky with Exit Wounds – Ocean Vuong\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-end=\"4572\" data-start=\"4569\"\u003eLyrical, haunting poems exploring memory, war, and identity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"4717\" data-start=\"4637\"\u003eThese books show the range of modern poetry — from minimalist to richly layered.\u003c\/p\u003e\n\u003cp data-end=\"4765\" data-start=\"4719\"\u003e\u003cstrong data-end=\"4765\" data-start=\"4719\"\u003eHow to Choose the Right Modern Poetry Book\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"4861\" data-start=\"4767\"\u003eThe best modern poetry book depends on what you want to feel or explore. Consider these paths:\u003c\/p\u003e\n\u003cul data-end=\"5102\" data-start=\"4863\"\u003e\n\u003cli data-end=\"4915\" data-start=\"4863\"\u003e\n\u003cp data-end=\"4915\" data-start=\"4865\"\u003eEmotion-driven poetry focused on love or healing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4959\" data-start=\"4916\"\u003e\n\u003cp data-end=\"4959\" data-start=\"4918\"\u003ePolitically and socially engaged poetry\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"5006\" data-start=\"4960\"\u003e\n\u003cp data-end=\"5006\" data-start=\"4962\"\u003eConfessional poetry centered on inner life\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"5047\" data-start=\"5007\"\u003e\n\u003cp data-end=\"5047\" data-start=\"5009\"\u003eExperimental or lyrical modern verse\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"5102\" data-start=\"5048\"\u003e\n\u003cp data-end=\"5102\" data-start=\"5050\"\u003eShort-form poetry for reflection and accessibility\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"5155\" data-start=\"5104\"\u003eModern poetry invites exploration without pressure.\u003c\/p\u003e\n\u003cp data-end=\"5168\" data-start=\"5157\"\u003e\u003cstrong data-end=\"5168\" data-start=\"5157\"\u003eSummary\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"5223\" data-start=\"5170\"\u003eModern Poetry Books give voice to the present moment.\u003c\/p\u003e\n\u003cul data-end=\"5354\" data-start=\"5225\"\u003e\n\u003cli data-end=\"5261\" data-start=\"5225\"\u003e\n\u003cp data-end=\"5261\" data-start=\"5227\"\u003eHonest, emotionally open writing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"5303\" data-start=\"5262\"\u003e\n\u003cp data-end=\"5303\" data-start=\"5264\"\u003eFreedom from traditional poetic forms\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"5354\" data-start=\"5304\"\u003e\n\u003cp data-end=\"5354\" data-start=\"5306\"\u003ePoems shaped by contemporary life and identity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"5525\" data-start=\"5356\"\u003eWhether quiet or confrontational, minimalist or lyrical, modern poetry reflects the complexity of living now — and offers words for feelings that are often hard to name.\u003c\/p\u003e\n\u003cp data-end=\"5684\" data-start=\"5527\"\u003eIf you’re ready to read poetry that feels current, personal, and alive, \u003cstrong data-end=\"5684\" data-start=\"5599\"\u003eexplore our Modern Poetry Books collection and find the voice that speaks to you.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"5684\" data-start=\"5527\"\u003e\u003cstrong data-end=\"5684\" data-start=\"5599\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/modern-poetry-04.webp?v=1770376562\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"5694\" data-start=\"5686\"\u003e\u003cstrong data-end=\"5694\" data-start=\"5686\"\u003eFAQs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"5840\" data-start=\"5696\"\u003e\u003cstrong data-end=\"5722\" data-start=\"5696\"\u003eWhat is modern poetry?\u003c\/strong\u003e\u003cbr data-end=\"5725\" data-start=\"5722\"\u003eModern poetry refers to contemporary poetic works that often use free verse and focus on personal or social themes.\u003c\/p\u003e\n\u003cp data-end=\"5966\" data-start=\"5842\"\u003e\u003cstrong data-end=\"5876\" data-start=\"5842\"\u003eIs modern poetry easy to read?\u003c\/strong\u003e\u003cbr data-end=\"5879\" data-start=\"5876\"\u003eMany modern poems use accessible language, though emotional depth can still be intense.\u003c\/p\u003e\n\u003cp data-end=\"6089\" data-start=\"5968\"\u003e\u003cstrong data-end=\"6016\" data-start=\"5968\"\u003eDoes modern poetry follow traditional rules?\u003c\/strong\u003e\u003cbr data-end=\"6019\" data-start=\"6016\"\u003eOften no. Modern poetry frequently breaks from strict meter and rhyme.\u003c\/p\u003e\n\u003cp data-end=\"6211\" data-start=\"6091\"\u003e\u003cstrong data-end=\"6136\" data-start=\"6091\"\u003eCan modern poetry be political or social?\u003c\/strong\u003e\u003cbr data-end=\"6139\" data-start=\"6136\"\u003eYes. Many modern poets address identity, injustice, and cultural change.\u003c\/p\u003e\n\u003cp data-end=\"6351\" data-start=\"6213\"\u003e\u003cstrong data-end=\"6265\" data-start=\"6213\"\u003eDo modern poetry books need to be read in order?\u003c\/strong\u003e\u003cbr data-end=\"6268\" data-start=\"6265\"\u003eNot usually. Many readers dip in and out, reading poems as they feel drawn to them.\u003c\/p\u003e","products":[{"product_id":"no-other-book-selected-essays-9780060956387","title":"No Other Book: Selected Essays","description":"Randall Jarrell was only fifty-one at the time of his death, in 1965, yet he created a body of work that secured his position as one of the century's leading American men of letters. Although he saw himself chiefly as a poet, publishing a number of books of poetry, he also left behind a sparkling comic novel, four children's books, numerous translations, haunting letters, and four collections of essays. Edited by Brad Leithauser, \u003cem\u003eNo Other Book\u003c\/em\u003edraws from these four essay collections, reminding us that Jarell the poet was also, in the words of Robert Lowell, \"a critic of genius.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eJarrell, Randall:\u003c\/i\u003e\u003c\/b\u003e - Randall Jarrell (1914-1965) received the National Book Award for his book of poems \u003cem\u003eThe Woman at the Washington Zoo.\u003c\/em\u003e His children's book \u003cem\u003eThe Animal Family\u003c\/em\u003e was named a Newbery Honor Book, and his translation of \u003cem\u003eThe Three Sisters\u003c\/em\u003e was produced by The Actors Studio Theatre.","brand":"Harper Perennial","offers":[{"title":"Default Title","offer_id":50317854867730,"sku":"9780060956387","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_b9fb36ba-bf3d-454e-ad57-c2f981a0b99a.jpg?v=1727541443"},{"product_id":"elizabeth-barrett-browning-selected-writings-9780198797630","title":"Elizabeth Barrett Browning: Selected Writings","description":"This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of the poet Elizabeth Barrett Browning (1806-1861). Accompanied by full scholarly apparatus, this authoritative edition enables students to study Barrett Browning's work within the rich context of her life and writing career. \u003cp\u003e\u003c\/p\u003eThe revaluation of Elizabeth Barrett Browning's work by feminist scholars has made her an established author in university syllabuses in Britain and in America. Yet the reception of Barrett Browning as a writer within an explicitly female tradition has tended to limit the appreciation of her wider contribution to English literary culture in the nineteenth century, just as her popular image as a ringleted romantic heroine served sentimentally to eclipse her role as a literary pioneer. This edition complements or corrects these emphases by being the first edition dedicated to witnessing the progress and growth of the poet's creative direction--from her juvenilia through to her major achievements and beyond. \u003cp\u003e\u003c\/p\u003eThe selection of works presented here appear in the order in which they were originally published, enabling students and readers to experience the contours of Barrett Browning's poetic career. Thus, following selections from published juvenilia, The Battle of Marathon (1820) and 'An Essay on Mind' and Other Poems (1826) and from 'Prometheus Bound' and Miscellaneous Poems (1833), there are more extensive selections from 'The Seraphim' and Other Poems (1838), from Poems 1844 and from Poems 1850 including the full text of Sonnets from the Portuguese. Substantial excerpts from Casa Guidi Windows (1851) is followed by the full text of \u003cem\u003eAurora Leigh\u003c\/em\u003e (1857) and by selections from the posthumous\u003cem\u003e Last Poems\u003c\/em\u003e (1862). These individual sections are supplemented by careful selections (also chronologically ordered) from the correspondence, including the courtship letters with Robert Browning, and, where applicable, from poetry unpublished in the nineteenth century. \u003cp\u003e\u003c\/p\u003eExplanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Barrett Browning, and a Chronology.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eJosie Billington, \u003cem\u003eDeputy Director, Centre for Research into Reading, Information and Linguistic Systems, University of Liverpool\u003c\/em\u003e, Philip Davis, \u003cem\u003eDirector, Centre for Research into Reading, Information and Linguistic Systems, University of Liverpool\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eJosie Billington is a specialist in Victorian Literature who has published widely on nineteenth-century fiction and poetry. Her publications include \u003cem\u003eFaithful Realism\u003c\/em\u003e (2002), (ed) \u003cem\u003eElizabeth Gaskell's Wives and Daughters\u003c\/em\u003e (2006), \u003cem\u003eEliot's Middlemarch\u003c\/em\u003e (2008), \u003cem\u003eElizabeth Barrett Browning and Shakespeare\u003c\/em\u003e (2012), (ed) \u003cem\u003eMargaret Oliphant Novellas\u003c\/em\u003e (2013). She is also engaged in interdisciplinary medical humanities research in the area of reading and health, with \u003cem\u003eIs Literature Healthy?\u003c\/em\u003e (OUP, 2016). \u003cp\u003e\u003c\/p\u003ePhilip Davis is author of \u003cem\u003eVolume 8: 1830-1880: The Victorians\u003c\/em\u003e in The Oxford English Literary History series (2002). 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Her argument is grounded in the specificity of the text under discussion, but one important message emerges from the whole: literature by its very nature commands listening, and listening is a form of understanding that has often been overlooked. \u003ci\u003eHearing Things \u003c\/i\u003eoffers a renewed call for the kind of criticism that, avoiding the programmatic or purely ideological, remains alert to the work of sound in every literary text.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eLeighton, Angela:\u003c\/i\u003e\u003c\/b\u003e - Angela Leighton is Professor of English and Senior Research Fellow at Trinity College, University of Cambridge.","brand":"Belknap Press","offers":[{"title":"Default Title","offer_id":50327003136274,"sku":"9780674983496","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_8254a035-a883-45cb-aef6-3afff416edd9.jpg?v=1727708134"},{"product_id":"where-silence-reigns-9780811206976","title":"Where Silence Reigns","description":"Where Silence Reigns, a sampling from his essays, notebooks, and letters, shows Rainer Maria Rilke (1875-1926), the pre-eminent modern poet of solitude and inwardness, seeking to reconcile his personal conflict between the claims of \"life\" and the claims of art. His subjects are commonplace, seemingly innocuous at times: the encounter between a man and a dog, a collection of dolls, a walk among trees. But always the deceptively simple external phenomenon is seen as the symbol, the catalyst of an intensely felt inner experience. As he confided to his friend Frau Wunderly-Volkart: \"Oh, how often one longs to speak a few degrees more deeply! 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When Éireann Lorsung writes of death and dying, of \"bodies in the fields becoming the fields,\" it's the simplicity that's most haunting. After a fire, \"some of their skin moved off of them as they ran, a very \/ simple melting...\" But these poems don't just witness; they also resist and serve as models for resistant lives. Pushing back against form and grammar, constructions of time and geography, Lorsung traces decades of technological, geopolitical, and cultural shifts through generations and across continents as networks of dominance continue to be stubbornly upheld.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe Century \u003c\/em\u003eis evasive but thorny, splintering in the mind. 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He takes readers from the trenches of World War I to a prison cell in Nazi Germany, and from Rilke's grave in the Swiss Alps to Dylan Thomas's Welsh seaside. His luminous narrative is woven through with insights into the poet's creative process as well as lyrical and thought-provoking digressions on topics ranging from marriage to the Kennedy assassination. \u003cp\u003e\u003c\/p\u003eA spellbinding work of literary history, \u003ci\u003eThe Music of Time\u003c\/i\u003e reveals how poets engaged with the most important issues and events of the twentieth century, and bears personal witness to the beauty and power of an art form unlike any other.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eJohn Burnside\u003c\/b\u003e is a poet, novelist, and memoirist whose many books include \u003ci\u003eStill Life with Feeding Snake\u003c\/i\u003e and \u003ci\u003eOn Henry Miller\u003c\/i\u003e (Princeton). He is professor of English at the University of St Andrews and a regular contributor to the \u003ci\u003eLondon Review of Books\u003c\/i\u003e.\u003cbr\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":50378051584274,"sku":"9780691218861","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_5a2ca9d2-91ec-45a8-a2b4-a5f1b33494c4.jpg?v=1728640875"},{"product_id":"the-poets-of-rapallo-how-mussolinis-italy-shaped-british-irish-and-u-s-writers","title":"The Poets of Rapallo: How Mussolini's Italy Shaped British, Irish, and U.S. Writers","description":"\u003cstrong\u003eA new story about the relationships between major twentieth-century English-language poets.\u003c\/strong\u003e \u003cp\u003e\u003c\/p\u003eWhy did poets from the United States, Britain, and Ireland gather in a small town in Italy during the early years of Mussolini's regime? These writers were--or became--some of the most famous poets of the twentieth century. What brought them together, and what did they hope to achieve? \u003cp\u003e\u003c\/p\u003e\u003cem\u003eThe Poets of Rapallo\u003c\/em\u003e is about the conversations, collaborations, and disagreements among Ezra and Dorothy Pound, W.B. and George Yeats, Richard Aldington and Brigit Patmore, Thomas MacGreevy, Louis Zukofsky, and Basil Bunting. Drawing on their correspondence, diaries, drafts of poems, sketches, and photographs, this book shows how the backdrop of the Italian fascist regime is essential to their writing about their home countries and their ideas about modern art and poetry. It also explores their interconnectedness as poets and shows how these connections were erased as their work was polished for publication. \u003cp\u003e\u003c\/p\u003eFocusing on the years between 1928 and 1935, when Pound and Yeats hosted an array of visiting writers, this book shows how the literary culture of Rapallo forged the lifelong friendships of Richard Aldington and Thomas MacGreevy--both veterans of the First World War--and of Louis Zukofsky and Basil Bunting, who imagined a new kind of \"democratic\" poetry for the twentieth century. In the wake of the Second World War, these four poets all downplayed their relationship to Ezra Pound and avoided discussing how important Rapallo was to their development as poets. But how did these \"democratic\" poets respond to the fascist context in which they worked during their time in Rapallo? \u003cem\u003eThe Poets of Rapallo\u003c\/em\u003e discusses their collaboration with Pound, their awareness of the rising tide of fascism, and even--in some cases--their complicity in the activities of the fascist regime. \u003cp\u003e\u003c\/p\u003e\u003cem\u003eThe Poets of Rapallo\u003c\/em\u003e charts the new direction for modernist writing that these writers imagined, and in the process, it exposes the dark underbelly of some of the most lauded poetry in the English language.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eLauren Arrington, \u003cem\u003eProfessor of English, Maynooth University\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eLauren Arrington is Professor of English at Maynooth University, where she also serves as Head of Department. She has held distinguished visiting fellowships at Boston College, Trinity College Dublin's Long Room Hub Arts and Humanities Research Institute, the Harry Ransom Center at the University of Texas at Austin, and Cambridge University's Centre for Research in the Arts, Social Sciences, and Humanities. From 2009 to 2019, she worked at the University of Liverpool, where she reached the rank of Professor of Modern Literature. She was Adrian Research Fellow in English at Darwin College Cambridge from 2008 to 2009. Her doctorate is from Oxford University. In addition to her scholarly books with Oxford University Press, Clemson University Press, and Princeton University Press, her writing has appeared in \u003cem\u003eTLS\u003c\/em\u003e and the \u003cem\u003eIrish Times\u003c\/em\u003e.\u003cbr\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":50380723224850,"sku":"9780198846543","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_4473be3f-8dc6-4217-8afa-7e2fded18533.jpg?v=1728686794"},{"product_id":"the-beauty-of-baudelaire-the-poet-as-alternative-lawgiver-9780192843319","title":"The Beauty of Baudelaire: The Poet as Alternative Lawgiver","description":"This book offers the first comprehensive close reading in any language of the complete works of Charles Baudelaire (1821-1867). Taking full account of his critical writings on literature and the fine arts, it provides fresh readings of \u003cem\u003eLes Fleurs du Mal\u003c\/em\u003e and \u003cem\u003eLe Spleen de Paris\u003c\/em\u003e. It situates these works within the context of nineteenth-century French literature and culture and reassesses Baudelaire's reputation as the 'father' of modern poetry. Whereas he is traditionally considered to have rejected the public role of the writer as moralist, educator, and political leader and to have dedicated himself instead to the exclusive pursuit of beauty in art, this book contends not only that he rejected Art for Art's sake but that he saw in 'beauty'--defined not as an inherent quality but as an effect of harmony and rich conjecture--an alternative ethos with which to resist the tyrannies of ideology and conformism. \u003cp\u003e\u003c\/p\u003eContrarian in his thinking and provocatively innovative in his poetic practice, Baudelaire fell foul of the law when six poems in \u003cem\u003eLes Fleurs du Mal\u003c\/em\u003e (1857) were banned for obscenity. In the second edition (1861), substantially recast and enlarged, the poet as alternative lawgiver made plainer still his resistance to the orthodoxies of his day. In a series of major critical articles he proclaimed the 'government of the imagination', while from 1855 until his death he developed an alternative literary form, the prose poem--a thing of beauty and an invitation to imagine the world afresh, to make our own rules.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eRoger Pearson, \u003cem\u003eEmeritus Professor of French, University of Oxford; Emeritus Fellow, The Queen's College, Oxford\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eRoger Pearson is Emeritus Professor of French at the University of Oxford and Emeritus Fellow of The Queen's College, Oxford. His research is focused on French literature of the eighteenth and nineteenth centuries. His publications include monographs on Stendhal, Voltaire, and Mallarmé, a biography of Voltaire, and translations of Voltaire, Zola, and Maupassant. His previous book, \u003cem\u003eUnacknowledged Legislators: The Poet as Lawgiver in Post-Revolutionary France\u003c\/em\u003e (2016), was awarded the R. Gapper Prize by the Society for French Studies. He is a Fellow of the British Academy.\u003cbr\u003e\u003cbr\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":50381645971730,"sku":"9780192843319","price":177.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_6a04ed57-357c-4c7d-b75b-e05406d6ddd6.jpg?v=1728698492"},{"product_id":"the-persian-presence-in-victorian-poetry-9781474448178","title":"The Persian Presence in Victorian Poetry","description":"\u003cp\u003e\u003cb\u003eA study of the wealth of meanings that 'Persia' - real or imagined - held for Victorian poetry\u003c\/b\u003e\u003cbr\u003eTakes a broad, interdisciplinary approach to a significant strand in the 'Oriental' texture of Victorian poetry Contributes to a growing body of research on the process of cultural exchange between the West and the 'Orient' Provides the first systematic index of nineteenth-century 'Persianised' poemsOffers a distinctive mix of history and literature, dealing with an array of texts, ranging from ancient Greece to nineteenth-century British travel writings \u003ci\u003eThe Persian Presence in Victorian Poetry \u003c\/i\u003esurveys the variety of ways in which Persia, and the multitude of ideological, historical, cultural and political notions that it embodied, were received, circulated and appropriated. Providing the first systematic index of nineteenth-century poems that were in any way involved with Persia, the book explores its presence across a broad range of works incorporating literary, historical and cultural material.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eReza Taher-Kermani is Assistant Professor of 18th and 19th Century British Literature at Concordia University, Montreal. He is the author of many articles, including \"The Rubáiyát: A Labour of Love\", Victoriographies, 7\/1. 2017: Edinburgh University Press and \"Why the Oxus? 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The now-common idea that poetry mostly corresponds with the lyric in the modern sense--a genre in which a first-person speaker talks self-referentially--was foreign to ancient, medieval, and Renaissance poetics. Yet in a relatively short time, age-old habits gave way. Poets acquired unprecedented freedom to write obscurely about private experiences, break rules of meter and syntax, use new vocabulary, and entangle first-person speakers with their own real-life identities. Poetry thus became the most subjective genre of modern literature. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eOn Modern Poetry\u003c\/i\u003e reconstructs this metamorphosis, combining theoretical reflections with literary history and close readings of poets from Giacomo Leopardi to Louise Glück. Guido Mazzoni shows that the evolution of modern poetry involved significant changes in the way poetry was perceived, encouraged the construction of first-person poetic personas, and dramatically altered verse style. He interprets these developments as symptoms of profound historical and cultural shifts in the modern period: the crisis of tradition, the rise of individualism, the privileging of self-expression and its paradoxes. Mazzoni also reflects on the place of poetry in mass culture today, when its role has been largely assumed by popular music. \u003cp\u003e\u003c\/p\u003eThe result is a rich history of literary modernity and a bold new account of poetry's transformations across centuries and national traditions.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eMazzoni, Guido:\u003c\/i\u003e\u003c\/b\u003e - Guido Mazzoni is Professor of Literary Theory at the Università di Siena and the author of \u003ci\u003eTheory of the Novel\u003c\/i\u003e.","brand":"Belknap Press","offers":[{"title":"Default Title","offer_id":50383165161746,"sku":"9780674249035","price":45.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_ef32d9b8-78b9-4ff3-a9f0-2341017bad49.jpg?v=1728779901"},{"product_id":"spensers-ethics-empire-mutability-and-moral-philosophy-in-early-modernity-9781526165435","title":"Spenser's Ethics: Empire, Mutability, and Moral Philosophy in Early Modernity","description":"Spenser's ethics offers a novel account of Edmund Spenser as a moral theorist, situating his ethics at the nexus of moral philosophy's profound transformation in the early modern era, and the English colonisation of Ireland in the turbulent 1580's and 90's. It revises a scholarly narrative describing Spenser's ethical thinking as derivative, nostalgic, or inconsistent with one that contends him to be one of early modern England's most original and incisive moral theorists, placing The Faerie Queene at the centre of the contested discipline of moral philosophy as it engaged the social, political, and intellectual upheavals driving classical virtue ethics' unravelling at the threshold of early modernity.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAndrew Wadoski is Assistant Professor of English at Virginia Tech\u003c\/p\u003e\u003cbr\u003e","brand":"Manchester University Press","offers":[{"title":"Default Title","offer_id":50387361464594,"sku":"9781526165435","price":125.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_9a3ab57e-fa91-410c-8327-9b9b420ccb07.jpg?v=1728879112"},{"product_id":"the-politics-of-speech-in-later-twentieth-century-poetry-local-tongues-in-heaney-brooks-harrison-and-clifton-9783031078880","title":"The Politics of Speech in Later Twentieth-Century Poetry: Local Tongues in Heaney, Brooks, Harrison, and Clifton","description":"\u003cp\u003e\u003ci\u003eThe Politics of Speech in Later Twentieth-Century Poetry: Local Tongues in Heaney, Brooks, Harrison, and Clifton\u003c\/i\u003e argues that local speech became a central facet of English-language poetry in the second half of the twentieth century. It is based on a key observation about four major poets from both sides of the Atlantic: Seamus Heaney, Gwendolyn Brooks, Tony Harrison, and Lucille Clifton all respond to societal crises by arranging, reproducing, and reconceiving their particular versions of local speech in poetic form. The book's overarching claim is that \"local tongues\" in poetry have the capacity to bridge aesthetic and sociopolitical realms because nonstandard local speech declares its distinction from the status quo and binds people who have been subordinated by hierarchical social conditions, while harnessing those versions of speech into poetic structures can actively counter the very hierarchies that would degrade those languages. The diverse local tongues of these fourpoets marshaled into the forms of poetry situate them at once in literary tradition, in local contexts, and in prevailing social constructs.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eWilliam Fogarty\u003c\/b\u003e is Assistant Professor of English at the University of Central Florida, USA.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cbr\u003e","brand":"Palgrave MacMillan","offers":[{"title":"Default Title","offer_id":50390072525074,"sku":"9783031078880","price":138.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_5f518318-dfae-4dcc-ba71-70582c587839.jpg?v=1728938364"},{"product_id":"ezra-pound-and-the-spanish-world-9781638040620","title":"Ezra Pound and the Spanish World","description":"\u003cp\u003eThis collection offers for the first time criticism, biographical essays, analysis, translation studies, and reminiscences of Ezra Pound's extensive interaction with Spain and Spanish culture, from his earliest visits to Spain in 1902 and 1906 and his study of significant Spanish writers to the dedication of the first monument erected anywhere to Pound in the small Spanish village of Medinaceli in 1973. Divided into two sections, Part One: \"ON EZRA POUND AND THE SPANISH WORLD\" includes a general introduction on Pound's lifelong involvement with Spain, together with chapters on Pound's study of classical Spanish literature, the Spanish dimension in \u003cem\u003eThe Cantos\u003c\/em\u003e, Pound's contemporary Spanish connections, and his legacy in contemporary Spanish letters. Part Two: \"EZRA POUND AND THE SPANISH WORLD: A READER,\" then gathers for the first time Pound's own writings (postcards, letters, and essays) concerning Spain and Spanish writers, as well as his correspondence with Spanish poets Miguel de Unamuno and Juan Ram?n Jim?nez and with Jos? V?zquez Amaral, the first Spanish translator of \u003cem\u003eThe Cantos\u003c\/em\u003e in its entirety. The volume includes reminiscences by Spanish \u003cem\u003eNov?simos\u003c\/em\u003e poets, Antonio Colinas and Jaime Siles, written explicitly for this collection\u003cstrong\u003e.\u003c\/strong\u003e Besides providing a thorough exploration into Pound's engagement with Spain, this volume pays homage to Pound's considerable influence on Spanish culture.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eViorica Patea is Professor of American Literature at the University of Salamanca, where she teaches American and English literature. Her published books include Entre el mito y la realidad: Aproximacin a la obra potica de Sylvia Plath (1989), a study on Whitman, La apologa de Whitman a favor de la pica de la modernidad (1999) and T. S. Eliots The Waste Land (2005), forthcoming in a second edition with a new translation, extended notes, and a new introduction. She has edited various collections of essays such as Critical Essays on the Myth of the American Adam (2001) and, together with Paul Scott Derrick, Modernism Revisited: Transgressing Boundaries and Strategies of Renewal in American Poetry (2007). Her edited collection of essays, Short Story Theories: A Twenty-First-Century Perspective (2012) received the Javier Coy Research Award for the best edited book (2013). In addition, Patea is an accomplished translator: from Romanian into English (with Paul Derrick), several editions of the poetry of Romanian poet Ana Blandiana, My Native Land A4 (2014) and Five Books (2021); from Romanian into Spanish, the poetry of Blandiana as well as the poetry of Patrizia de Rachewiltz; and from Romanian into Spanish, an annotated edition of El diario de la felicidad by Nicolae Steinhardt (2007).\u003cbr\u003eJohn Gery is an American poet, critic, collaborative translator, and editor. He has published seven books of poetry, a critical work on the treatment of nuclear annihilation in American poetry, two co-edited volumes of literary criticism and two co-edited anthologies of contemporary poetry, as well as, a co-authored biography and guidebook on Ezra Pound's Venice.\u003cbr\u003eWalter Baumann was born in Switzerland and studied at the Universities of Zurich and Aberdeen. His academic teaching career in German Studies started at Toronto University and continued at the University of Ulster in Northern Ireland. He published on J. W. Goethe, H. Broch, and M. Frisch.\u003cbr\u003e","brand":"Clemson University Press W\/ Lup","offers":[{"title":"Default Title","offer_id":50398381932818,"sku":"9781638040620","price":175.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_5859e1b6-2d3c-441c-8700-eb6cf79ac761.jpg?v=1729066925"},{"product_id":"the-american-house-poem-1945-2021-9780192856258","title":"The American House Poem, 1945-2021","description":"The house is perhaps the most recognizable emblem of the American ideals of self-making: prosperity, stability, domesticity, and upward mobility. Yet over the years from 1945-2021, the American house becomes more famous for the betrayal of those hopes than for their fulfilment: first, through the segregation of cities and public housing; then through the expansion of private credit that lays the ground for the subprime mortgage crisis of the early twenty-first century. Walt Hunter argues that, as access to housing expands to include a greater share of the US population, the house emerges as a central metaphor for the poetic imagination. \u003cp\u003e\u003c\/p\u003eFrom the kitchenette of Gwendolyn Brooks to the duplex of Jericho Brown, and from the suburban imagination of Adrienne Rich to the epic constructions of James Merrill, the American house poem represents the changing abilities of US poets to imagine new forms of life while also building on the past. In \u003cem\u003eThe American House Poem, 1945-2021\u003c\/em\u003e, Hunter focuses on poets who register the unevenly distributed pressures of successive housing crises by rewriting older poetic forms. Writing about the materials, tools, and plans for making a house, these poets express the tensions between making their lives into art and freeing their lives from inherited constraints and conditions.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eWalt Hunter, \u003cem\u003eChair, Department of English and Associate Professor of English, Case Western Reserve University\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eWalt Hunter is the author of \u003cem\u003eForms of a World: Contemporary Poetry and the Making of Globalization\u003c\/em\u003e (2019) and \u003cem\u003eSome Flowers\u003c\/em\u003e (2022). He is the recipient of awards from the Robert B. Silvers Foundation, the James Merrill House, the South Carolina Arts Commission, and the National Endowment for the Humanities\/Teagle Foundation. He is Chair of English and Associate Professor of English at Case Western Reserve University.\u003cbr\u003e","brand":"Oxford University Press, USA","offers":[{"title":"Default Title","offer_id":50399330992402,"sku":"9780192856258","price":94.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_8f6f90c5-a246-44f3-b6cd-089a3a87a4d1.jpg?v=1729090051"},{"product_id":"the-oxford-handbook-of-walt-whitman-9780192894847","title":"The Oxford Handbook of Walt Whitman","description":"More than a century after his death, Walt Whitman remains a fresh phenomenon. Startling discoveries and massive transcription efforts are enabling new insights into his life and achievements. In the past few years new breakthroughs have proliferated, including the publication of a long-lost Whitman novel, \u003cem\u003eJack Engle\u003c\/em\u003e, along with a hitherto unknown health guide for urban men and previously undiscovered poems. Myriad other documents have become more readily available, including largely unmined troves of journalism, narrative and documentary prose, and experimental note-keeping. \u003cem\u003eLeaves of Grass\u003c\/em\u003e and Whitman's literary life as a whole are thus ripe for reconsideration. \u003cem\u003eThe Oxford Handbook of Walt Whitman\u003c\/em\u003e embraces this expanded view of Whitman and charts new pathways in Whitman Studies by bringing in new perspectives, methods, and contexts.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eKenneth M. Price, \u003cem\u003eHillegass University Professor, University of Nebraska-Lincoln\u003c\/em\u003e, Stefan Schöberlein, \u003cem\u003eAssistant Professor, Texas A\u0026amp;M University-Central Texas\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eKenneth M. Price, Hillegass University Professor at the University of Nebraska-Lincoln, has co-directed The Walt Whitman Archive since 1995. He is a founding co-director of the Center for Digital Research in the Humanities at Nebraska. His previous books include \u003cem\u003eWhitman and Tradition: The Poet in His Century\u003c\/em\u003e (Yale, 1990), \u003cem\u003eTo Walt Whitman, America\u003c\/em\u003e (North Carolina, 2004), and, with co-author Ed Folsom, \u003cem\u003eRe-Scripting Walt Whitman\u003c\/em\u003e (Blackwell, 2005). His most recent book is \u003cem\u003eWhitman in Washington: Becoming the National Poet in the Federal City\u003c\/em\u003e (Oxford, 2020). He has served as President of both the Society for Textual Scholarship and the Association for Documentary Editing. \u003cp\u003e\u003c\/p\u003eStefan Schöberlein is an Assistant Professor of English at Texas A\u0026amp;M University-Central Texas. He also serves as contributing editor for the Whitman Archive and associate editor of the \u003cem\u003eWalt Whitman Quarterly Review\u003c\/em\u003e. His scholarship related to Whitman has appeared in journals such as \u003cem\u003eAmerican Literature, College Literature\u003c\/em\u003e, and \u003cem\u003eTextual Cultures\u003c\/em\u003e. He is the author of \u003cem\u003eWriting the Brain: Material Minds and Literature, 1800-1880\u003c\/em\u003e (OUP, 2023).\u003cbr\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":50402649080082,"sku":"9780192894847","price":188.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_6a2d72df-9709-4585-ac89-ea3a3017a321.jpg?v=1740407798"},{"product_id":"comrade-whitman-from-russian-to-internationalist-icon-9798887194615","title":"Comrade Whitman: From Russian to Internationalist Icon","description":"\u003cp\u003eThe reception of Walt Whitman has been a global phenomenon. 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Alert, attentive, astute, and arduous, the book offers an interesting synchronic statement on Indian Poetry in English in the present. These four years, marked unalterably by the crisis of the Pandemic, witnessed new roles and responsibilities for poetry. The essays in this book, by inviting readers to the numerous pleasures of poetry as a genre, hopes to draw them towards both the criticism of poetry and the poetry of criticism.\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e","brand":"Black Eagle Books","offers":[{"title":"Default Title","offer_id":50408254079250,"sku":"9781645605430","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_bc3a449c-49de-4b98-96a5-dc8dac1a6ca7.jpg?v=1740437468"},{"product_id":"elizabeth-jennings-the-inward-war-9780198820840","title":"Elizabeth Jennings: 'The Inward War'","description":"Elizabeth Jennings was one of the most popular, prolific, and widely anthologized lyric poets in the second half of the twentieth century. This first biography, based on extensive archival research and interviews with Jennings's contemporaries, integrates her life and work and explores the 'inward war' the poet experienced as a result of her gender, religion, and mental fragility. \u003cp\u003e\u003c\/p\u003eOriginally associated with the Movement, Jennings was \u003cem\u003esui generis\u003c\/em\u003e, believing poetry was 'communication' and 'communion.' She wrote of nature, friendship, childhood, religion, love, and art, endearing her to a wide audience. Yet lifelong depression, unbearable loneliness, unrelenting fears, poverty, and physical illness plagued her. These were exacerbated by her gender in a male-dominated literary world and an inherited Catholic worldview which initially inculcated guilt and shame. However, a tenacious drive to be a poet made her, 'the most unconditionally loved writer of her generation.' \u003cp\u003e\u003c\/p\u003eAlthough her claim was that the poem is not the poet, her life is tracked in her voluminous published and unpublished poetry and prose. The themes of mental illness, the importance of place, the problems associated with being an unmarried woman artist, her relationship with literary mentors and younger poets, her non-feminist feminism, and her marginality and sympathy for the outcast are all explored. It was poetry which saved her; it helped her push back darkness and discover order in the midst of chaos. Poetry was her raison d'etre. It was her life.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eDana Greene, \u003cem\u003eDean Emerita, Oxford College, Emory University\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eDana Greene is Dean Emerita of Oxford College of Emory University. An historian by training, she served on the faculty of St. Mary's College of Maryland for almost three decades. By craft she is a biographer, author of the lives of Evelyn Underhill, Maisie Ward, and Denise Levertov, and editor of four volumes of works by Evelyn Underhill, Lucretia Mott, and Olympia Brown.\u003cbr\u003e\u003cbr\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":50409954803986,"sku":"9780198820840","price":51.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_5fcd3755-5526-4129-9ca0-8e5f7fc551cc.jpg?v=1729295895"},{"product_id":"the-poem-that-changed-america-howl-fifty-years-later-9780374173449","title":"The Poem That Changed America: Howl Fifty Years Later","description":"\u003cp\u003e\u003cb\u003eA tribute to Ginsberg's signature work, which stirred a generation of angel-headed hipsters to cultural rebellion.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eIn 1956, City Lights, a small San Francisco bookstore, published Allen Ginsberg's\u003ci\u003e Howl and Other Poems\u003c\/i\u003e with its trademark black-and-white cover. The original edition cost seventy-five cents, but there was something priceless about its eponymous piece. Although it gave a voice to the new generation that came of age in the conservative years following World War II, the poem also conferred a strange, subversive power that continues to exert its influence to this day. Ginsberg went on to become one of the most eminent and celebrated writers of the second half of the twentieth century, and \"Howl\" became the critical axis of the worldwide literary, cultural, and political movement that would be known as the Beat generation. \u003cp\u003e\u003c\/p\u003eThe year 2006 marks the fiftieth anniversary of the publication of \"Howl,\" and \u003ci\u003eThe Poem That Changed America\u003c\/i\u003e will celebrate and shed new light on this profound cultural work. With new essays by many of today's most distinguished writers, including Frank Bidart, Andrei Codrescu, Vivian Gornick, Phillip Lopate, Daphne Merkin, Rick Moody, Robert Pinsky, and Luc Sante, \u003ci\u003eThe Poem That Changed America\u003c\/i\u003e reveals the pioneering influence of \"Howl\" down through the decades and its powerful resonance today.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eJason Shinder\u003c\/b\u003e (1955-2008) was the author of three poetry collections: \u003ci\u003eStupid Hope\u003c\/i\u003e, \u003ci\u003eAmong Women\u003c\/i\u003e, and \u003ci\u003eEvery Room We Ever Slept In\u003c\/i\u003e. He also edited numerous anthologies, including \u003ci\u003eThe Poem that Changed America\u003c\/i\u003e and \u003ci\u003eThe Poem I Turn To\u003c\/i\u003e. 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Just as Dante, in his \u003ci\u003eDivine Comedy\u003c\/i\u003e, summed up the Middle Ages on the cusp of modernity, \u003ci\u003eThe Five Quintets \u003c\/i\u003etakes stock of a late modern world on the cusp of the first-ever global century.\u003c\/p\u003e\u003cp\u003eCelebrated Irish poet Micheal O'Siadhail structures his \u003ci\u003eQuintets\u003c\/i\u003e to echo the \u003ci\u003eComedy\u003c\/i\u003e. Where Dante had a tripartite structure ( \u003ci\u003eInferno\u003c\/i\u003e, \u003ci\u003ePurgatorio\u003c\/i\u003e, and \u003ci\u003eParadiso\u003c\/i\u003e), O'Siadhail has a five-part structure, with each quintet devoted to a discipline--the arts; economics; politics; science; and philosophy and theology. Each quintet is also marked by a different form: sonnets interspersed by haikus (\"saikus\"), iambic pentameter, terza rima, and two other invented forms.\u003c\/p\u003e\u003cp\u003e \u003ci\u003eThe Five Quintets \u003c\/i\u003ecaptivates even as it instructs, exploring the ever-changing flow of ideas and the individuals whose contributions elicited change and reflected their times. The artists, economists, politicians, scientists, and philosophers O'Siadhail features lived complex lives, often full of contradictions. Others, though deeply rooted in their context, transcended their time and place and pointed beyond themselves--even to us and to a time after modernity's reign.\u003c\/p\u003e\u003cp\u003eThe ancient Horace commended literature that delivered \"profit with delight.\" In \u003ci\u003eThe Five Quintets\u003c\/i\u003e, Micheal O'Siadhail has done just that: he delights us in the present with his artistry, even as he reveals hidden treasures of our past and compels us toward the future.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eMicheal O'Siadhail is an internationally acclaimed poet whose works include \u003ci\u003eCollected Poems\u003c\/i\u003e and \u003ci\u003eOne Crimson Thread\u003c\/i\u003e. He is Distinguished Poet in Residence at Union Theological Seminary.\u003c\/p\u003e\u003cbr\u003e","brand":"Baylor University Press","offers":[{"title":"Default Title","offer_id":50415887745298,"sku":"9781481307093","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_0353d339-4674-4cc2-be85-52fd806ee27b.jpg?v=1729412163"},{"product_id":"gender-and-place-in-chicana-o-literature-critical-regionalism-and-the-mexican-american-southwest","title":"Gender and Place in Chicana\/O Literature: Critical Regionalism and the Mexican American Southwest","description":"1. Chicana\/o Critical Regionalism and the Case of Cleofas Jaramillo.- 2. Moving Away from the \"Master\" Américo Paredes and Mexican American Women Writers.- 3. Autobiography and the Gender of Place: Elena Zamora O'Shea, Fray Angélico Chávez, and Richard Rodriguez.- 4. Ethnography and the Place of Gender: Jovita González, Mario Suárez, and Mary Helen Ponce.- 5. Chicano Poetry, Chicana Art: Rodolfo \"Corky\" Gonzales and Carlota Espinoza.- 6. Coda: On Santa Fe and Chicana Art.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e​Melina V. Vizcaíno-Alemán\u003c\/b\u003e is Assistant Professor in the Department of English Language and Literature at the University of New Mexico, USA. She has published articles in \u003ci\u003eSouthwestern American Literature\u003c\/i\u003e, \u003ci\u003eAztlán: A Journal of Chicano Studies\u003c\/i\u003e, \u003ci\u003eSouthern Literary Journal\u003c\/i\u003e, and \u003ci\u003eWestern American Literature\u003c\/i\u003e. Her teaching and scholarship focus on race, class, ethnicity and gender.\u003cbr\u003e","brand":"Palgrave MacMillan","offers":[{"title":"Default Title","offer_id":50434120188178,"sku":"9783319592619","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_afeced0b-0ef5-4f49-9e78-1b8277261296.jpg?v=1729593770"},{"product_id":"the-poetry-of-the-americas-from-good-neighbors-to-countercultures","title":"The Poetry of the Americas: From Good Neighbors to Countercultures","description":"\u003cp\u003e\u003cem\u003eThe Poetry of the Americas\u003c\/em\u003e offers a lively and detailed history of relations among poets in the US and Latin America, spanning three decades from the Good Neighbor diplomacy of World War II through the Cold War cultural policies of the late 1960s. Connecting works by Mart?n Ad?n, Elizabeth Bishop, Paul Blackburn, Jorge Luis Borges, Julia de Burgos, Ernesto Cardenal, Jorge Carrera Andrade, Allen Ginsberg, Langston Hughes, Jos? Lezama Lima, Pablo Neruda, Charles Olson, Octavio Paz, Heberto Padilla, Wallace Stevens, Derek Walcott, William Carlos Williams, and many others, Feinsod reveals how poets of many nations imagined a \"poetry of the Americas\" that linked multiple cultures, even as it reflected the inequities of the inter-American political system. This account offers a rich contextual study of the state-sponsored institutions and the countercultural networks that sustained this poetry, from Nelson Rockefeller's Office of the Coordinator for Inter-American Affairs to the mid-1960s avant-garde scene in Mexico City. This innovative literary-historical project enables new readings of such canonical poems as Stevens's \"Notes Toward a Supreme Fiction\" and Neruda's \"The Heights of Macchu Picchu,\" but it positions these alongside lesser known poetry, translations, anthologies, literary journals and private correspondences culled from library archives across the Americas. \u003cem\u003eThe Poetry of the Americas\u003c\/em\u003e thus broadens the horizons of reception and mutual influence--and of formal, historical, and political possibility--through which we encounter midcentury American poetry, recasting traditional categories of \"U.S.\" or \"Latin American\" literature within a truly hemispheric vision.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cstrong\u003eHarris Feinsod\u003c\/strong\u003e is Assistant Professor of English and Comparative Literature at Northwestern University.\u003cbr\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":50434569765138,"sku":"9780190080990","price":48.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_7a995258-7053-445e-8944-58d061182786.jpg?v=1729604384"},{"product_id":"amadis-in-english-a-study-in-the-reading-of-romance-9780198832423","title":"Amadis in English: A Study in the Reading of Romance","description":"This is a book about readers: readers reading, and readers writing. They are readers of all ages and from all ages: young and old, male and female, from Europe and the Americas. The book they are reading is the Spanish chivalric romance \u003cem\u003eAmad?s de Gaula\u003c\/em\u003e, known in English as \u003cem\u003eAmadis de Gaule\u003c\/em\u003e. Famous throughout the sixteenth century as the pinnacle of its fictional genre, the cultural functions of \u003cem\u003eAmadis\u003c\/em\u003e were further elaborated by the publication of Cervantes's \u003cem\u003eDon Quixote\u003c\/em\u003e in 1605, in which \u003cem\u003eAmadis\u003c\/em\u003e features as Quixote's favourite book.\u003cem\u003e Amadis \u003c\/em\u003ethereby becomes, as the philosopher Ortega y Gasset terms it, 'enclosed' within the modern novel and part of the imaginative landscape of British reader-authors such Mary Shelley, Smollett, Keats, Southey, Scott, and Thackeray. \u003cp\u003e\u003c\/p\u003eAmadis \u003cem\u003ein English \u003c\/em\u003eranges from the sixteenth to the twentieth centuries, demonstrating through this 'biography' of a book the deep cultural, intellectual, and political connections of English, French, and Spanish literature across five centuries. Simultaneously an ambitious work of transnational literary history and a new intervention in the history of reading, this study argues that romance is historically located, culturally responsive, and uniquely flexible in the re-creative possibilities it offers readers. By revealing this hitherto unexamined reading experience connecting readers of all backgrounds, \u003cem\u003e \u003c\/em\u003eAmadis \u003cem\u003ein English\u003c\/em\u003e also offers many new insights into the politicisation of literary history; the construction and misconstruction of literary relations between England, France, and Spain; the practice and pleasures of reading fiction; and the enduring power of imagination.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eHelen Moore, \u003cem\u003ePresident, Corpus Christi College, Oxford and Associate Professor, Faculty of English, University of Oxford\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eHelen Moore is Associate Professor in the Faculty of English, University of Oxford, and teaches English at Corpus Christi College, Oxford, where she is currently President. She has edited the early modern romance \u003cem\u003eAmadis de Gaule\u003c\/em\u003e (Ashgate, 2004) and the play \u003cem\u003eGuy of Warwick\u003c\/em\u003e (1661) (Malone Society, 2007). She was the lead curator for the 2011 Bodleian Libraries' exhibition 'Manifold Greatness: Oxford and the Making of the King James Bible', mounted in collaboration with the Folger Shakespeare Library, Washington DC. She co-edited the accompanying book, \u003cem\u003eManifold Greatness: The Making of the King James Bible\u003c\/em\u003e (Bodleian Libraries, 2011), and is also the co-editor of \u003cem\u003eClassical Literary Careers and their Reception\u003c\/em\u003e (Cambridge University Press, 2010). \u003cp\u003e\u003c\/p\u003e\u003cbr\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":50435021570322,"sku":"9780198832423","price":146.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_23e4e1e6-3058-4979-9043-891325f81b5e.jpg?v=1729613320"},{"product_id":"strangeness-and-power-essays-on-the-poetry-of-geoffrey-hill-9781848616004","title":"Strangeness and Power: Essays on the Poetry of Geoffrey Hill","description":"\u003cp\u003e\"In one of his final publications, Geoffrey Hill asserts his commitment to 'the strangeness and the power of poetry'. The words accord with many readers' responses to Hill's own poetry. It is generally seen as 'powerful', in rhetorical, formal, intellectual and emotional terms, and is much concerned with issues of political and aesthetic power. ... 'Strangeness' may here stand for the remarkable distinctiveness of his poetry, which over more than sixty years, from the mid-1950s to his death in 2016, followed a trajectory of development and innovation which engaged in unique ways with many of the crucial questions in late twentieth century and early twenty-first century poetics: the lyrical and the anti-lyrical, Romantic, Modernist and earlier inheritances; form and formal innovation; the personal and the impersonal; history and ethics. But more than that, the word suggests the way in which that poetry is somehow 'strange' and much concerned with strangeness, in both negative and positive terms: estrangement, peculiarity, revelation. Hill's writing fulfils to a high degree the Russian Futurist aim of 'making strange' the familiar, as well as bringing to the reader's attention, through its learning and allusion, aspects of history and culture which are likely to be unfamiliar to many. For some readers, Hill's late work in particular is simply too 'strange' too resistant to reading and understanding. Both his admirers and his detractors, and those who come somewhere between, might acknowledge qualities of strangeness, even that if judgment would carry different implications and values in each case. A number of essays in this volume pair Hill with another poet, or poets, to consider his 'strange likeness' with contemporaries and predecessors.\" --from the editor's Introduction to this volume \u003cbr\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eRoberts, Andrew Michael:\u003c\/i\u003e\u003c\/b\u003e - Andrew Michael Roberts is Professor of Modern Literature in the School of Humanities at the University of Dundee. His research interests are in modernist fiction and poetry, contemporary British poetry, digital poetry, literature and science, and literature and visual culture. He was Principal Investigator for the AHRC-funded project, 'Poetry Beyond Text: Vision, Text and Cognition' (2009-2011), www.poetrybeyondtext.org. His books include Conrad and Masculinity (Palgrave, 2000), Geoffrey Hill (Northcote House, 2004) and Poetry \u0026amp; Ethics (Liverpool University Press, forthcoming). He is Co-Director of the Centre for Poetic Innovation at the Universities of Dundee and St Andrews.","brand":"Shearsman Books","offers":[{"title":"Default Title","offer_id":50439637369106,"sku":"9781848616004","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_50db6105-1648-4d66-b311-f3d9ec8f7ff9.jpg?v=1729655460"},{"product_id":"surprised-by-sound-rhymes-inner-workings-9780807174753","title":"Surprised by Sound: Rhyme's Inner Workings","description":"\u003cp\u003eIn \u003ci\u003eSurprised by Sound, \u003c\/i\u003e Roi Tartakovsky shows that the power of rhyme endures well into the twenty-first century even though its exemplary usages may differ from traditional or expected forms. 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In response, Tartakovsky theorizes a new category of rhyme that he terms \"sporadic.\" Since it is not systematized or expected, sporadic rhyme can be a single, strongly resounding rhyme used suddenly in a free verse poem. It can also be an internal rhyme in a villanelle or a few scattered rhymes unevenly distributed throughout a longer poem that nevertheless create a meaningful cluster of words. Examining usages across varied poetic traditions, Tartakovsky locates sporadic rhyme in sources ranging from a sixteenth-century sonnet to a nonsensical, practically unperformable piece by Gertrude Stein and a 2007 MoveOn.org ad in the \u003ci\u003eNew York Times.\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eWith careful attention to the soundscapes of poems, \u003ci\u003eSurprised by Sound\u003c\/i\u003e demonstrates that rhyme's enduring value lies in its paradoxical and unstable nature as well as its capacity for creating poetic, cognitive, and psychic effects.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eRoi Tartakovsky\u003c\/b\u003e is senior lecturer in the Department of English and American Studies at Tel Aviv University.\u003cbr\u003e","brand":"LSU Press","offers":[{"title":"Default Title","offer_id":50444285542674,"sku":"9780807174753","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_d4a44f4f-b201-4c30-add2-e8c38c45fdf3.jpg?v=1729678828"},{"product_id":"what-is-lost-9781646626694","title":"What Is Lost","description":"\u003cp\u003eThis poetry collection uses spare language to confront the violence of death and the evil that humanity inflicts upon itself. From the individual sinner seeking atonement and words to express unutterable grief to Jews murdered in the Holocaust whose names waft to the heavens in ash, the poet uses Jewish and Christian imagery to rage against the horrors of human chaos and to insist on the power of memory.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003ePoupko, Yehiel:\u003c\/i\u003e\u003c\/b\u003e - Rabbi Yehiel E. Poupko is Rabbinic Scholar at the Jewish Federation of Metropolitan Chicago. Some of his poems have been published in The Christian Century.","brand":"Finishing Line Press","offers":[{"title":"Default Title","offer_id":50452504543506,"sku":"9781646626694","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_bbe1a46f-886d-420d-9c19-c964841e5ab3.jpg?v=1729813708"},{"product_id":"poetics-of-the-local-globalization-place-and-contemporary-irish-poetry-9781438493824","title":"Poetics of the Local: Globalization, Place, and Contemporary Irish Poetry","description":"\u003cb\u003eWinner of the 2023 Robert Rhodes Prize for Books on Literature presented by the American Conference on Irish Studies\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003ci\u003ePoetics of the Local\u003c\/i\u003e considers contemporary Irish poetry in light of transnational forces of globalization and financialization, showing how these conditions have shaped poetic innovation in Ireland from the 1960s to the present. The book is organized around different sites caught in the growing pains of a rapidly globalizing Ireland--from the \"ghost estates,\" or housing projects abandoned after the economic boom of the 1990s, to the urban \"regeneration\" of Belfast after the Troubles, to the transformation of Dublin into a hub for creative economy programs like the UNESCO City of Literature. In readings of works by Thomas Kinsella, Paula Meehan, Seamus Heaney, John Montague, Ciaran Carson, Leontia Flynn, Alan Gillis, Sin?ad Morrissey, and Paul Muldoon, Shirley Lau Wong argues that the enduring centrality of place in Irish poetry should be seen not as a hangover of nostalgic nationalism but rather as an exploration of the material and emplaced effects of the seemingly faraway processes of global capitalism.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eShirley Lau Wong\u003c\/b\u003e is Assistant Professor of English at the United States Naval Academy.\u003cbr\u003e","brand":"State University of New York Press","offers":[{"title":"Default Title","offer_id":50456158372114,"sku":"9781438493824","price":103.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_d29478dd-c9e1-40cd-844e-df2a7c8eb471.jpg?v=1729900149"},{"product_id":"borderblur-poetics-intermedia-and-avant-gardism-in-canada-1963-1988-9781773854571","title":"Borderblur Poetics: Intermedia and Avant-Gardism in Canada, 1963-1988","description":"\u003cp\u003eBeginning in 1963 and continuing through the late 1980s, a loose coterie of like-minded Canadian poets challenged the conventions of writing and poetic meaning by fusing their practice with strategies from visual art, sound art, sculpture, installation, and performance. They called it \"borderblur.\"\u003c\/p\u003e \u003cp\u003e\u003cem\u003eBorderblur Poetics\u003c\/em\u003e traces the emergence and proliferation of this node of poetic activity, an avant-garde movement comprising concrete poetry, sound poetry, and kinetic poetry, practiced by poets and artists like bpNichol, bill bissett, Judith Copithorne, Steve McCaffery, Penn Kemp, Ann Rosenberg, Gerry Shikatani, Shaunt Basmajian, among others.\u003c\/p\u003e \u003cp\u003eAuthor Eric Schmaltz demonstrates how these poets formed an alternative tradition, one that embraced intermediality to challenge the hegemony of Canadian literature established during the heydays of cultural nationalism. He shows the importance of intermediality as a driving cultural force and how its proliferation significantly altered Canadian cultural expression. Drawing on a combination of archival research, historical analysis, and literary criticism, \u003cem\u003eBorderblur Poetics\u003c\/em\u003e adds significant nuance to theories and criticisms of Canadian literature.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cstrong\u003eEric Schmaltz\u003c\/strong\u003e is Writer-on-the-Grounds in the Department of English at York University's Glendon College. He is the author of the poetry book Surfaces, editor of \u003cem\u003eAnother Order: Selected Works of Judith Copithorne\u003c\/em\u003e, and co-editor of \u003cem\u003eI Want to Tell You Love: A Critical Edition\u003c\/em\u003e by bill bissett and Milton Acorn.\u003cbr\u003e","brand":"University of Calgary Press","offers":[{"title":"Default Title","offer_id":50456326537490,"sku":"9781773854571","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_cca2b99e-9201-4bd8-a9a9-c8579fd6cd0c.jpg?v=1729906584"},{"product_id":"shelleyan-reimaginings-and-influence-new-relations-9780198884255","title":"Shelleyan Reimaginings and Influence: New Relations","description":"Through attuned close readings, this volume brings out the imaginative and formal brilliance of Percy Bysshe Shelley's writing as it explores his involvement in processes of dialogue and influence. Shelley recognizes that poetic individuality is the reward of connectedness with other writers and cultural influences. 'A great Poem is a fountain forever overflowing with the waters of wisdom and delight', he writes, 'and after one person and one age has exhausted all its divine effluence which their peculiar relations enable them to share, another and yet another succeeds, and new relations are ever developed, the source of an unforeseen and an unconceived delight' (\u003cem\u003eA Defence of Poetry\u003c\/em\u003e). He is among the major Romantic poetic exponents and theorists of influence, because of his passionately intelligent commitment to the onward dissemination of ideas and feelings, and to the unpredictable ways in which poets position themselves and are culturally positioned between past and future. \u003cp\u003e\u003c\/p\u003eThe book has a tripartite structure. The first three chapters seek to illuminate his response to representative texts, figures, and themes that constitute the triple pillars of his cultural inheritance: the classical world (Plato); Renaissance poetry (Spenser and Milton); Christianity and, in particular, the concept of deity and the Bible. The second and major section of the book explores Shelley's relations and affinities with, as well as differences from, his immediate predecessors and contemporaries: Hazlitt and Lamb; Wordsworth; Coleridge; Southey; Byron; Keats (including the influence of Dante on Shelley's elegy for his fellow Romantic) and the great painter J. M. W. Turner, with whom he is often linked. The third section considers Shelley's reception by later nineteenth-century writers, figures influenced by and responding to Shelley including Beddoes, Hemans, Landon, Tennyson, and Swinburne. A coda discusses the body of critical work on Shelley produced by A. C. Bradley, a figure who stands at the threshold of twentieth-century thinking about Shelley.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eMichael O'Neill, \u003cem\u003eProfessor of English, Durham University\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eMichael O'Neill was Professor of English at Durham University. He was Head of Department for two three-year periods and a Director of the University's Institute of Advanced Study. His research was concentrated on questions of literary achievement and on literary dialogue and influence. He published widely on Romantic poetry, especially Percy Bysshe Shelley, and on an array of Victorian and twentieth- and twenty-first century poets. He co-founded and co-edited Poetry Durham from 1982 to 1994. He received many awards for his criticism and poetry, including Distinguished Scholar Award from the Keats-Shelley Association of America for 2019.\u003cbr\u003e","brand":"Oxford University Press, USA","offers":[{"title":"Default Title","offer_id":50456979603730,"sku":"9780198884255","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_ddf230db-c247-4a10-8e78-2b1c99d21a55.jpg?v=1729919868"},{"product_id":"poetry-from-the-waverley-novels-and-other-works-9781399522656","title":"Poetry from the Waverley Novels and Other Works","description":"\u003cp\u003eThis scholarly edition offers the first reliably identified collection of Walter Scott's original poetry in the Waverley Novels, the letters and the Journal. Past editors of Scott found it hard to recognise what is and is not quotation; but thanks to modern databases the poems in this volume have been identified as almost certainly his own.\u003cbr\u003eThis collection demonstrates, again, Scott's brilliant versatility in the handling of verse forms and his extraordinary range of voice. The poetry of the Waverley Novels is often dramatic, being uttered or sung by one of the characters; mottoes at the heads of chapters stand in a critical relationship to the narrative; the poetry of the letters and Journal is often quizzical and self-mocking; and there are many superb parodies.\u003cbr\u003eAs part of the 'meaning' of these poems lies in their context, this collection succinctly contextualises each one. 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The paratextual situation of many newspaper poems (their links to surrounding textual items and discourses), their editorialisation through circulation (the way poems were altered from newspaper to newspaper) and their association and disassociation with certain celebrity bylines, editors and newspaper titles enabled contemporaneous poetic value and taste that, in the mid- to late-nineteenth century, were not only sentimental, Romantic and\/or genteel. In addition to these important categories for determining a good and bad poem, poetic taste and value were determined, Bonifacio argues, via arbitrary consequences of circulation, paratextualisation, typesetter error and editorial convenience.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAyendy Bonifacio (he\/him\/his) is an Assistant Professor of English at the University of Toledo. He writes and teaches about American literature and culture, Latinx studies, and print culture from the nineteenth-century to the present. 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The newly-coined term 'homosexual' gave expression to an emerging category of modern man. But in discovering himself, the modern homosexual found little resonance in the society around him. Through his poetry George created a sense of connectedness and imagined possibilities of liaison, friendship and community among homosexual men where none had existed before. In volumes of verse from the early 1890s until his final volume in 1928, George created a lyric vita, tracing the contours of a homosexual life in language that moves from dark to light, loneliness to companionship. But it is not an easy journey. The period in which George wrote was an era of normative, even militant masculinity. As war raged, George's poetry engaged with tragedy and grief at the loss of the men he loved. Yet his lyric vita ends with a final poetic statement of refusal, which is also the poet at his most authentic: a refusal to mask his true self.\u003c\/p\u003e\u003cp\u003ePeter Morgan is Professor of European Studies at the University of Western Australia.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e","brand":"Legenda","offers":[{"title":"Default Title","offer_id":50459465154834,"sku":"9781839542299","price":105.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_270d2728-20d1-4cbd-a026-59b8580ee3a7.jpg?v=1729985369"},{"product_id":"modern-japanese-haiku-an-anthology-9780802062451","title":"Modern Japanese Haiku: An Anthology","description":"\u003cp\u003eThis anthology presents in English translation twenty haikus each from the work of twenty modern poets. The writers have been selected to exemplify the various trends that have dominated Japanese haiku in the last hundred years but the individual haiku have been selected for literary merit.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eUeda, Makoto:\u003c\/i\u003e\u003c\/b\u003e - Makoto Ueda is a professor of Japanese and comparative literature at Standford University, and the author of four books, including Zeami, Bashõ, Yeats, Pound and Matsuo Bashõ. He received the Gerald Brady Memorial Award from the Haiku Society of America for his contribution to haiku poetry and criticism in English.","brand":"University of Toronto Press","offers":[{"title":"Default Title","offer_id":50461104701714,"sku":"9780802062451","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_ad9370ec-9ac6-49f9-b6fe-768cb7bacc7a.jpg?v=1730057098"},{"product_id":"breath-of-the-song-new-and-selected-poems-9780932112491","title":"Breath of the Song: New and Selected Poems","description":"A long-awaited compendium of selections from Green's previous books as well as many new poems, including her response to 9-11-01.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eJaki Shelton Green is the first African American and third woman to be appointed as the North Carolina Poet Laureate. When he appointed her in 2018, Governor Cooper stated that, \"Jaki Shelton Green brings a deep appreciation of our state's diverse communities to her role as an ambassador of North Carolina literature. Jaki's appointment is a wonderful new chapter in North Carolina's rich literary history.\"\u003c\/p\u003e \u003cp\u003eHer collegiate and professional experiences include currently teaching Documentary Poetry at the Duke University Center for Documentary Studies; Visiting Professor for the Carlow University MFA Program; Lenoir-Rhyne University Writer-in-Residence; Duke University Teaching for Equity Fellow; Taller Portobelo Artist Colony in Portobelo, Panama; University of Panama; Department of Cultural Resources for Brazil; North Carolina Turkish Association; Alhambra Cultural Center in Marrakech, Morocco; NC Symphony; and NC African American Cultural Heritage Commission.\u003c\/p\u003e \u003cp\u003eShe is the owner of SistaWRITE and co-partner with Dream Yourself Awake and Vertikal Creative Ventures providing writing retreats and travel excursions for women writers in Sedona, Arizona; Ocracoke, North Carolina; Agadir, Morocco; and Tullamore, Ireland.\u003c\/p\u003e \u003cp\u003eAwards include the 2019 NC Humanities Council Caldwell Award, 2019 American Academy of Poets Laureate Fellowship, 2018 Tar Heel of the Year Finalist, 2018 Indies Arts Award, 2018 NC Literary and Historical Association R. Hunt Parker Award, 2018 Phi Beta Kappa Award, 2017-2018 Duke University Faculty Travel Grants, 2017 Certification of Teacher Excellence presented by the Kingdom of Morocco Ministry of National Education, 2016 Kathryn H. Wallace Award for Artists in Community Service, 2014 NC Literary Hall of Fame Inductee, 2014 Pushcart Prize Nominee, 2010 Fine Arts Emerald Award (Raleigh LINKS), 2009 NC Piedmont Laureate appointment, 2007 Sam Ragan Award for Contributions to the Fine Arts of North Carolina, 2003 recipient of the North Carolina Award for Literature (the highest award the state can bestow for significant contributions in science, literature, fine arts, and public service), and 2003 North Carolina Society induction. Jaki Shelton Green is the recipient of two NC Emerging Artist Grants, the African American Writer's Collective Distinction Award, NC Writers Network Blumenthal Award, 2002 Omega Iota Finer Womanhood Award (Zeta Phi Beta Sorority), and Delta Arts Award (Delta Sigma Theta Sorority).\u003c\/p\u003e \u003cp\u003eJaki Shelton Green is the author of eight collections of poetry: \u003cem\u003eDead on Arrival\u003c\/em\u003e, \u003cem\u003eDead on Arrival and New Poems\u003c\/em\u003e, \u003cem\u003eMasks\u003c\/em\u003e, \u003cem\u003eConjure Blues\u003c\/em\u003e, \u003cem\u003esinging a tree into dance\u003c\/em\u003e, \u003cem\u003ebreath of the song\u003c\/em\u003e, published by Carolina Wren Press and Blair Publishers. Her other publications, \u003ci\u003eFeeding the Light\u003c\/i\u003e, \u003ci\u003eI Want to Undie You\u003c\/i\u003e are published by Jacar Press. Her poetry has been published in over eighty national and international anthologies and featured in magazines such as \u003ci\u003eEssence\u003c\/i\u003e and \u003ci\u003eMs. Magazine\u003c\/i\u003e. \u003c\/p\u003e\u003cbr\u003e","brand":"Carolina Wren Press","offers":[{"title":"Default Title","offer_id":50461574594834,"sku":"9780932112491","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_fd43a72e-8b4d-439a-af5e-ff0be2230e81.jpg?v=1730071301"},{"product_id":"complete-plus-the-poems-of-cp-cavafy-in-english-9781848612662","title":"Complete Plus: The Poems of C.P. Cavafy in English","description":"\u003cp\u003eIn the eighth of his \u003cem\u003eTwelve Poems for Cavafy \u003c\/em\u003e(Dodeka Poiemata yia Kavafy, 1974 ) entitled 'Misunderstandings, ' the Greek poet Yiannis Ritsos assures his readers that the older, deceased Alexandrian poet is clearly out to entangle us in his singular complexity. By now, almost four decades later, this complexity, often conveyed through a poetic medium that seems on its surface relatively simple, defines and sustains his preeminent status among poets of the last one hundred and fifty years. Ritsos spoke of the man in order to speak of the poet, as if they are indissolubly bonded, just as we habitually do despite the hard fact of knowing the poet alone survives and succeeds the man. The complexity we share with Cavafy endures in the complexity of his poetry and our engagement with it.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis book contains 162 poems - the 154 canonical \u003cem\u003eCollected Poems, \u003c\/em\u003epresented by year and within each year's order of composition and\/or first printing, plus seven of the \u003cem\u003eUncollected Poems\u003c\/em\u003e interspersed chronologically among them. Only one of his rejected, early poems has been included, 'Ode and Elegy of the Street, ' used here as a kind of overture to the collection.\u003c\/p\u003e\u003cbr\u003e","brand":"Shearsman Books","offers":[{"title":"Default Title","offer_id":50475929010450,"sku":"9781848612662","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_5e0de177-b9ec-4396-8703-c6e7df6e8620.jpg?v=1730240553"},{"product_id":"novalis-his-life-thoughts-and-works-9781861715760","title":"Novalis: His Life, Thoughts and Works","description":"\u003cp\u003eNOVALIS: HIS LIFE, THOUGHTS AND WORKS\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTranslated and edited by M.J Hope\u003c\/p\u003e\u003cp\u003eEdited by Carol Appleby\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e \u003cp\u003e This book explores the life and works of Novalis; it includes a biography of Novalis by August Coelestin Just, a full version of Novalis' unfinished novel Heinrich von Ofterdingen, all of his Hymns To the Night, and a collection of his amazing philosophical maxims and poetic thoughts. \u003c\/p\u003e \u003cp\u003e Novalis (Friedrich von Hardenberg, 1772-1801) is the most mystical and lyrical of the great German Romantic poets. He is at once the most typical and the most unusual of the German Romantic writers, indeed, of all Romantic poets. His influence on European literature is enormous, and is still being felt today. His best-known work, Hymns To the Night, was published in 1800. \u003c\/p\u003e \u003cp\u003e Novalis is supremely idealistic, far more so than Johann Wolfgang von Goethe or Heinrich Heine. He died young, which makes him, like Percy Bysshe Shelley and John Keats, something of a hero (or martyr). He did not write as much as Shelley, but his work, like that of Keats or Arthur Rimbaud, promised much. For Michael Hamburger, Novalis' poetry is almost totally idealistic. \u003c\/p\u003e \u003cp\u003e With a full colour cover. Also in hardcover. \u003c\/p\u003e \u003cp\u003e With bibliography and notes. Illustrated. 240 pages. \u003c\/p\u003e \u003cp\u003e www.crmoon.com\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e","brand":"Crescent Moon Publishing","offers":[{"title":"Default Title","offer_id":50475944116498,"sku":"9781861715760","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_8da5dc57-c66d-4e92-a5b4-0f851a79651e.jpg?v=1730241132"},{"product_id":"climate-change-and-original-sin-the-moral-ecology-of-john-miltons-poetry-9780813949741","title":"Climate Change and Original Sin: The Moral Ecology of John Milton's Poetry","description":"\u003cp\u003ePrior to the Enlightenment era, how was the human-climate relationship conceived? Focusing on the most recent epoch in which belief in an animate environment still widely prevailed, Climate Change and Original Sin argues that an ecologically inflected moral system assumed humanity's responsibility for climate corruption and volatility.\u003c\/p\u003e\u003cp\u003eThe environmental problem initiated by original sin is not only that humans alienated themselves from nature but also that satanic powers invaded the world and corrupted its elements-particularly the air. Milton shared with contemporaries the widespread view that storms and earthquakes represented the work of fearsome spiritual agents licensed to inflict misery on humans as penalty for sin. Katherine Cox's work discerns in Paradise Lost an ecological fall distinct from, yet concurrent with, the human fall. In examining Milton's evolving representations of the climate across several of his major poems, this book also traces the gradual development of ideas about the atmosphere during the seventeenth century-a change in the intellectual climate driven by experimental activity and heralding an ecologically devastating shift in Western attitudes toward the air.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eKatherine Cox is an independent scholar living in France.\u003c\/p\u003e\u003cbr\u003e","brand":"University of Virginia Press","offers":[{"title":"Default Title","offer_id":50487623942418,"sku":"9780813949741","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_4bc97272-585c-4bd0-ab7d-9e36da79af22.jpg?v=1730448574"},{"product_id":"stevie-smith-between-the-lines-9780333549971","title":"Stevie Smith: Between the Lines","description":"In this first book-length study of Stevie Smith, Romana Huk reassesses the work of this major twentieth-century woman writer as emerging not only from the practices of female literary modernism, but also from within the tumultuous cultural context of mid-century Europe. Huk considers both the poems and the novels in the light of their cultural and literary context. Amongst the work treated here is Smith's rarely discussed trilogy of novels: Novel on Yellow Paper, Over the Frontier and The Holiday .\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eROMANA HUK is Associate Professor of English at the University of Notre Dame. She is co-editor of \u003cem\u003eContemporary British Poetry: Essays in Theory and Criticism\u003c\/em\u003e (1996), editor of \u003cem\u003eAssembling Alternatives: Reading Postmodern Poetries Transnationally\u003c\/em\u003e (2003) and author of numerous essays on contemporary poetics.\u003cbr\u003e","brand":"Palgrave MacMillan","offers":[{"title":"Default Title","offer_id":50491687108882,"sku":"9780333549971","price":108.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_a870cc63-64fe-4bb5-b15d-0a91ad0f6235.jpg?v=1730549483"},{"product_id":"law-of-poetry-studies-in-hzilderlins-poetics-9781781887301","title":"Law of Poetry: Studies in Hölderlin's Poetics","description":"\u003cp\u003eThe place of Friedrich Hölderlin (1770-1843) in European literature is assured, and his significance for the development of German philosophy widely acknowledged. Here the focus is more specifically upon his poetics: a body of reflections on the nature of poetry and the meaning of the poet's vocation. These are found in poems and letters, in difficult (and often fragmentary) theoretical writings, and -- in the case of the 'Pindar Fragments' -- texts in which the distinction between poetry and theoretical reflection seems to be overcome. Although Hölderlin's poetics is considered from various points of view, the themes that emerge most frequently are Hölderlin's notion of a 'poetic law' or 'poetic logic', and his conception of tragedy and of what might be called the 'anti-tragic'. Also included is a new translation of Hölderlin's 'Notes' on Sophocles, which are here provided with a commentary.\u003c\/p\u003e\u003cp\u003eCharles Lewis received his Ph.D. in Philosophy from Cambridge University. 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To where does the \"Orient\" lead? \u003ci\u003eRomanticism and the Poetics of Orientation \u003c\/i\u003eresponds by tracing shifting orientations--cultural, geographical, aesthetic, racial, and gendered-- through Orientalist sites, subjects, and settings. Kim coins the term \"poetics of orientation\" to describe a poetics newly aware of cultural difference as a site of aesthetic contestation. She focuses on the contestation that occurs at the site of the lyric subject. A \"poetics of orientation\", rather than situating the lyric subject in assumed racial whiteness, repositions the lyric subject within discussions of Orientalism and racial formation, tracing the white supremacist logics that have for too long been dismissed as inessential or nonconsequential to Romantic studies.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eJoey S. Kim (she\/her) is Assistant Professor of English at the University of Toledo. She researches global Anglophone literature with a focus on 18th- and 19th-century poetics and aesthetics. She has published work in \u003ci\u003eEssays in Romanticism\u003c\/i\u003e, \u003ci\u003eKeats-Shelley Journal\u003c\/i\u003e, \u003ci\u003eKeats-Shelley Review\u003c\/i\u003e, \u003ci\u003eNineteenth-Century Gender Studies\u003c\/i\u003e, \u003ci\u003eAmerican Periodicals\u003c\/i\u003e, the \u003ci\u003eLA Review of Books\u003c\/i\u003e, and elsewhere. A poet as well as a literary critic, her award-winning first book of poems, \u003ci\u003eBody Facts\u003c\/i\u003e, was released in 2021. www.joeyskim.com Twitter: @joeykim\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Edinburgh University Press","offers":[{"title":"Default Title","offer_id":50498914091282,"sku":"9781399511254","price":130.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_5cc09ef6-24af-4d76-a3da-073efb14e04b.jpg?v=1730737047"},{"product_id":"soundings-in-context-poetrys-embodiments-9781438497563","title":"Soundings in Context: Poetry's Embodiments","description":"\u003ci\u003eSoundings in Context\u003c\/i\u003e brings together the second and third University at Buffalo Robert Creeley Lectures in Poetry and Poetics by the renowned literary and textual scholar Jerome McGann, and the innovative, prolific Canadian poet, essayist, and novelist Lisa Robertson, respectively. The volume's first half presents McGann's \"Reading (I Mean Articulating) Poetry, a Multi-Player Game,\" with responses by Nikolaus Wasmoen and Steve McCaffery; the second presents Lisa Robertson's \"\u003ci\u003eDous Chantar\u003c\/i\u003e: Refrain for a Nightingale,\" with responses by Shannon Maguire and Liz Howard. Initially given at different moments and since revised, the pieces considered in the lectures range widely, moving from the Romantics and medieval troubadour poetry to T. S. Eliot, Jackson Mac Low, Jacques Rouboud, and far beyond. Still, they are collectively concerned with questions of voice, recitation, and reception in different contexts; with sonic patterning and its modes of significance; and with foregrounding an embodied experience of oral and written language as opposed to its interpretation. McGann, Robertson, and their interlocutors all propose affective, pragmatic approaches to poetry that allow it to surface as materially formative, alive and lived. 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Hellegers provides important insights into seventeenth-century responses to the emergent discourses of western science and into the cultural roots of the current environmental crisis. \u003c\/p\u003e\u003cp\u003e Drawing on recent cultural and feminist critiques of science, Hellegers offers finely nuanced readings of John Donne's \u003ci\u003eAnniversaries\u003c\/i\u003e, John Milton's \u003ci\u003eParadise Lost\u003c\/i\u003e, and Anne Finch's \u003ci\u003eThe Spleen\u003c\/i\u003e. \u003c\/p\u003e\u003cbr\u003e","brand":"University of Oklahoma Press","offers":[{"title":"Default Title","offer_id":50500898128146,"sku":"9780806194073","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_a22d533f-0b50-4a2c-b11c-f67dfc94a26b.jpg?v=1730757399"},{"product_id":"worlds-woven-together-essays-on-poetry-and-poetics-9780231202756","title":"Worlds Woven Together: Essays on Poetry and Poetics","description":"\u003cp\u003eWriting about poetry follows models provided either by academic scholarship or literary journalism, each with its pitfalls. The former distances the reader from the poem and effaces the critic's personality. In literary journalism, the critic is front and center, but the discussion is introductory and prioritizes value judgments. In either case, entrenched practices and patterns of privilege limit one's perspective. The situation worsens when it comes to minoritized poets and poets from the Global South, where the focus is on restrictive notions of identity: the stylistic innovations of literary works get ousted by prefabricated historical narratives. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eIn \u003ci\u003eWorlds Woven Together\u003c\/i\u003e, the critic, poet, and scholar Vidyan Ravinthiran searches for alternatives, pursuing close, imaginative readings of a variety of writers. His essays are open-ended, attentive, and curious, unabashedly passionate and subjective yet keenly analytical and investigative. Discussing neglected authors and those well-known in the West, Ravinthiran sees politics as inseparable from literary form and is fascinated by the relation of the creative consciousness to the violences of history. The book features essays on writers including Mir Taqi Mir, Ana Blandiana, A. K. Ramanujan, Marianne Moore, Eunice de Souza, Czeslaw Milosz, Ted Hughes, Rae Armantrout, Arvind Krishna Mehrotra, Galway Kinnell, Dawn Lundy Martin, and Vahni Capildeo. Revealing serendipitous connections--between poems and cultures, between lines of verse and the lives we lead--\u003ci\u003eWorlds Woven Together\u003c\/i\u003e is for all readers fascinated by the mechanics and politics of poetry.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eVidyan Ravinthiran is associate professor of English at Harvard University. 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Mark Ford uses these poems to develop a narrative of their four-year courtship on the remote and romantic coast of Cornwall where they met, and then follows Thomas's poetic recreation of the slow degeneration of their marriage and their embittered final decade. Ford shows how Emma's writings and experiences during this time were fundamental to Thomas's evolution into both a best-selling novelist and into one of the greatest poets of the twentieth century. \u003cp\u003e\u003c\/p\u003eAlthough for over a decade the marriage between Thomas and Emma had been troubled, and indeed Emma spent much time during her final years secluded in her attic rooms above his study, her death stimulated him to write some of the greatest elegies in English. Twenty-one of these, including masterpieces such as 'The Voice' (which opens 'Woman much missed, how you call to me, call to me') and 'After a Journey' were collected in 'Poems of 1912-13'. While these have received much attention and are often read by school pupils and university students alike, his numerous other poems about Emma have only rarely been discussed. Ford corrects this oversight, providing accessible and insightful readings from a poet's perspective.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eMark Ford, \u003cem\u003eProfessor of English and American Literature, University College London\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003eMark Ford\u003c\/strong\u003e teaches in the English Department of University College London, where he has been a professor since 2005. He is a poet, critic, and editor, as well as a regular contributor to literary journals such as the \u003cem\u003eNew York Review of Books\u003c\/em\u003e and the \u003cem\u003eLondon Review of Books\u003c\/em\u003e. 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