{"title":"British Poetry Books","description":"\u003cp data-end=\"771\" data-start=\"301\"\u003eBritish poetry books bring together centuries of poetic tradition, innovation, and emotional depth. From medieval ballads and Shakespearean sonnets to Romantic nature poetry and bold modern voices, British poets have shaped how poetry sounds, feels, and thinks. If you want to explore poetry that balances craft with feeling and history with reinvention, \u003cstrong data-end=\"771\" data-start=\"656\"\u003eexplore our British Poetry Books collection and discover voices that helped define the English language itself.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1101\" data-start=\"773\"\u003eBritish poetry reflects a long and layered cultural history. These poems capture love and loss, faith and doubt, war and peace, nature and city life, class and identity. Some are lyrical and tender, others sharp, ironic, or politically charged. Together, they form a tradition that is both deeply rooted and constantly evolving.\u003c\/p\u003e\n\u003cp data-end=\"1223\" data-start=\"1103\"\u003eFrom quiet countryside reflections to urban modernity, British poetry offers extraordinary range and enduring relevance.\u003c\/p\u003e\n\u003cp data-end=\"1223\" data-start=\"1103\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/brit-poetry-01.webp?v=1770388614\"\u003e\u003c\/p\u003e\n\u003cp data-end=\"1266\" data-start=\"1225\"\u003e\u003cstrong data-end=\"1266\" data-start=\"1225\"\u003eWhy Readers Love British Poetry Books\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1392\" data-start=\"1268\"\u003eBritish poetry continues to resonate because it blends elegance with emotional honesty. Readers are drawn to this genre for:\u003c\/p\u003e\n\u003cul data-end=\"1563\" data-start=\"1394\"\u003e\n\u003cli data-end=\"1435\" data-start=\"1394\"\u003e\n\u003cp data-end=\"1435\" data-start=\"1396\"\u003eMastery of language, rhythm, and form\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1480\" data-start=\"1436\"\u003e\n\u003cp data-end=\"1480\" data-start=\"1438\"\u003eA balance of intellect, wit, and feeling\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1519\" data-start=\"1481\"\u003e\n\u003cp data-end=\"1519\" data-start=\"1483\"\u003eCenturies of diverse poetic voices\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1563\" data-start=\"1520\"\u003e\n\u003cp data-end=\"1563\" data-start=\"1522\"\u003eThemes that remain relevant across time\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1650\" data-start=\"1565\"\u003eBritish poetry often rewards careful reading — while still offering immediate beauty.\u003c\/p\u003e\n\u003cp data-end=\"1683\" data-start=\"1652\"\u003e\u003cstrong data-end=\"1683\" data-start=\"1652\"\u003eWhat Defines British Poetry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1775\" data-start=\"1685\"\u003eAt the heart of British poetry is attention to language. These works are often defined by:\u003c\/p\u003e\n\u003cul data-end=\"1959\" data-start=\"1777\"\u003e\n\u003cli data-end=\"1821\" data-start=\"1777\"\u003e\n\u003cp data-end=\"1821\" data-start=\"1779\"\u003eStrong use of form, meter, and structure\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1858\" data-start=\"1822\"\u003e\n\u003cp data-end=\"1858\" data-start=\"1824\"\u003eRich imagery and precise diction\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1911\" data-start=\"1859\"\u003e\n\u003cp data-end=\"1911\" data-start=\"1861\"\u003eExploration of social class, identity, and place\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1959\" data-start=\"1912\"\u003e\n\u003cp data-end=\"1959\" data-start=\"1914\"\u003eA tradition of both restraint and rebellion\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2027\" data-start=\"1961\"\u003eBritish poetry values craft — but never at the expense of meaning.\u003c\/p\u003e\n\u003cp data-end=\"2065\" data-start=\"2029\"\u003e\u003cstrong data-end=\"2065\" data-start=\"2029\"\u003eKey Traditions in British Poetry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"2220\" data-start=\"2067\"\u003eBritish poetry spans many movements, each shaping how poets approach language and subject. Within this collection, you’ll encounter poetry influenced by:\u003c\/p\u003e\n\u003cul data-end=\"2702\" data-start=\"2222\"\u003e\n\u003cli data-end=\"2319\" data-start=\"2222\"\u003e\n\u003cp data-end=\"2319\" data-start=\"2224\"\u003e\u003cstrong data-end=\"2261\" data-start=\"2224\"\u003eMedieval and Early British Poetry\u003c\/strong\u003e\u003cbr data-end=\"2264\" data-start=\"2261\"\u003eBallads, religious verse, and early lyric tradition\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2425\" data-start=\"2321\"\u003e\n\u003cp data-end=\"2425\" data-start=\"2323\"\u003e\u003cstrong data-end=\"2363\" data-start=\"2323\"\u003eElizabethan and Shakespearean Poetry\u003c\/strong\u003e\u003cbr data-end=\"2366\" data-start=\"2363\"\u003eSonnets, drama-infused verse, and linguistic innovation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2518\" data-start=\"2427\"\u003e\n\u003cp data-end=\"2518\" data-start=\"2429\"\u003e\u003cstrong data-end=\"2456\" data-start=\"2429\"\u003eRomantic British Poetry\u003c\/strong\u003e\u003cbr data-end=\"2459\" data-start=\"2456\"\u003eNature, emotion, imagination, and individual experience\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2590\" data-start=\"2520\"\u003e\n\u003cp data-end=\"2590\" data-start=\"2522\"\u003e\u003cstrong data-end=\"2542\" data-start=\"2522\"\u003eVictorian Poetry\u003c\/strong\u003e\u003cbr data-end=\"2545\" data-start=\"2542\"\u003eMorality, faith, doubt, and social change\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2702\" data-start=\"2592\"\u003e\n\u003cp data-end=\"2702\" data-start=\"2594\"\u003e\u003cstrong data-end=\"2639\" data-start=\"2594\"\u003eModernist and Contemporary British Poetry\u003c\/strong\u003e\u003cbr data-end=\"2642\" data-start=\"2639\"\u003eExperimentation, urban life, identity, and fragmentation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2760\" data-start=\"2704\"\u003eEach era responds to its moment — and reshapes the next.\u003c\/p\u003e\n\u003cp data-end=\"2760\" data-start=\"2704\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/brit-poetry-02.webp?v=1770388614\"\u003e\u003c\/p\u003e\n\u003cp data-end=\"2804\" data-start=\"2762\"\u003e\u003cstrong data-end=\"2804\" data-start=\"2762\"\u003eThemes That Run Through British Poetry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"2917\" data-start=\"2806\"\u003eAcross centuries, British poets return to shared concerns shaped by culture and history. Common themes include:\u003c\/p\u003e\n\u003cul data-end=\"3132\" data-start=\"2919\"\u003e\n\u003cli data-end=\"2950\" data-start=\"2919\"\u003e\n\u003cp data-end=\"2950\" data-start=\"2921\"\u003eLove, longing, and intimacy\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2987\" data-start=\"2951\"\u003e\n\u003cp data-end=\"2987\" data-start=\"2953\"\u003eNature and the British landscape\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3019\" data-start=\"2988\"\u003e\n\u003cp data-end=\"3019\" data-start=\"2990\"\u003eTime, memory, and mortality\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3061\" data-start=\"3020\"\u003e\n\u003cp data-end=\"3061\" data-start=\"3022\"\u003eFaith, doubt, and spiritual searching\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3098\" data-start=\"3062\"\u003e\n\u003cp data-end=\"3098\" data-start=\"3064\"\u003eWar, loss, and national identity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3132\" data-start=\"3099\"\u003e\n\u003cp data-end=\"3132\" data-start=\"3101\"\u003eClass, society, and belonging\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3203\" data-start=\"3134\"\u003eThese themes give British poetry both emotional and historical depth.\u003c\/p\u003e\n\u003cp data-end=\"3249\" data-start=\"3205\"\u003e\u003cstrong data-end=\"3249\" data-start=\"3205\"\u003eNature, Place, and the British Landscape\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"3320\" data-start=\"3251\"\u003eLandscape plays a central role in British poetry. Many poems explore:\u003c\/p\u003e\n\u003cul data-end=\"3503\" data-start=\"3322\"\u003e\n\u003cli data-end=\"3362\" data-start=\"3322\"\u003e\n\u003cp data-end=\"3362\" data-start=\"3324\"\u003eCountryside, coastlines, and seasons\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3414\" data-start=\"3363\"\u003e\n\u003cp data-end=\"3414\" data-start=\"3365\"\u003eNature as refuge, teacher, or mirror of emotion\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3470\" data-start=\"3415\"\u003e\n\u003cp data-end=\"3470\" data-start=\"3417\"\u003eTension between rural life and industrial modernity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3503\" data-start=\"3471\"\u003e\n\u003cp data-end=\"3503\" data-start=\"3473\"\u003ePlace as identity and memory\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3591\" data-start=\"3505\"\u003eBritish nature poetry is often reflective, detailed, and deeply rooted in observation.\u003c\/p\u003e\n\u003cp data-end=\"3632\" data-start=\"3593\"\u003e\u003cstrong data-end=\"3632\" data-start=\"3593\"\u003eLove Poetry and Emotional Restraint\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"3734\" data-start=\"3634\"\u003eBritish poetry has produced some of the world’s most enduring love poems. These works often feature:\u003c\/p\u003e\n\u003cul data-end=\"3921\" data-start=\"3736\"\u003e\n\u003cli data-end=\"3781\" data-start=\"3736\"\u003e\n\u003cp data-end=\"3781\" data-start=\"3738\"\u003eEmotional intensity balanced by restraint\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3829\" data-start=\"3782\"\u003e\n\u003cp data-end=\"3829\" data-start=\"3784\"\u003eLonging expressed through metaphor and form\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3871\" data-start=\"3830\"\u003e\n\u003cp data-end=\"3871\" data-start=\"3832\"\u003eLove shaped by time, loss, and memory\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3921\" data-start=\"3872\"\u003e\n\u003cp data-end=\"3921\" data-start=\"3874\"\u003eRomance that feels intimate rather than grand\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3981\" data-start=\"3923\"\u003eThis subtlety gives British love poetry its lasting power.\u003c\/p\u003e\n\u003cp data-end=\"4021\" data-start=\"3983\"\u003e\u003cstrong data-end=\"4021\" data-start=\"3983\"\u003eWit, Irony, and Social Observation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"4091\" data-start=\"4023\"\u003eBritish poetry is also known for sharp intelligence. Many poets use:\u003c\/p\u003e\n\u003cul data-end=\"4239\" data-start=\"4093\"\u003e\n\u003cli data-end=\"4136\" data-start=\"4093\"\u003e\n\u003cp data-end=\"4136\" data-start=\"4095\"\u003eWit and irony to explore serious themes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4172\" data-start=\"4137\"\u003e\n\u003cp data-end=\"4172\" data-start=\"4139\"\u003eSocial observation and critique\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4206\" data-start=\"4173\"\u003e\n\u003cp data-end=\"4206\" data-start=\"4175\"\u003eHumor layered with melancholy\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4239\" data-start=\"4207\"\u003e\n\u003cp data-end=\"4239\" data-start=\"4209\"\u003ePrecision rather than excess\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"4300\" data-start=\"4241\"\u003eThis tonal complexity makes the poetry feel rich and human.\u003c\/p\u003e\n\u003cp data-end=\"4300\" data-start=\"4241\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/brit-poetry-03.webp?v=1770388614\"\u003e\u003c\/p\u003e\n\u003cp data-end=\"4341\" data-start=\"4302\"\u003e\u003cstrong data-end=\"4341\" data-start=\"4302\"\u003eWar, History, and Collective Memory\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"4451\" data-start=\"4343\"\u003eBritish history — especially war — has left a deep mark on its poetry. Readers will find poems that address:\u003c\/p\u003e\n\u003cul data-end=\"4628\" data-start=\"4453\"\u003e\n\u003cli data-end=\"4501\" data-start=\"4453\"\u003e\n\u003cp data-end=\"4501\" data-start=\"4455\"\u003eThe impact of war on individuals and society\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4535\" data-start=\"4502\"\u003e\n\u003cp data-end=\"4535\" data-start=\"4504\"\u003eLoss, trauma, and remembrance\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4584\" data-start=\"4536\"\u003e\n\u003cp data-end=\"4584\" data-start=\"4538\"\u003ePatriotism questioned rather than celebrated\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4628\" data-start=\"4585\"\u003e\n\u003cp data-end=\"4628\" data-start=\"4587\"\u003eThe cost of conflict across generations\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"4694\" data-start=\"4630\"\u003eBritish war poetry is often direct, haunting, and unsentimental.\u003c\/p\u003e\n\u003cp data-end=\"4745\" data-start=\"4696\"\u003e\u003cstrong data-end=\"4745\" data-start=\"4696\"\u003eModern British Voices and Contemporary Themes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"4810\" data-start=\"4747\"\u003eBritish poetry continues to evolve. Contemporary poets explore:\u003c\/p\u003e\n\u003cul data-end=\"4967\" data-start=\"4812\"\u003e\n\u003cli data-end=\"4852\" data-start=\"4812\"\u003e\n\u003cp data-end=\"4852\" data-start=\"4814\"\u003eMulticultural identity and migration\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4892\" data-start=\"4853\"\u003e\n\u003cp data-end=\"4892\" data-start=\"4855\"\u003eUrban life and modern relationships\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4928\" data-start=\"4893\"\u003e\n\u003cp data-end=\"4928\" data-start=\"4895\"\u003eGender, sexuality, and selfhood\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4967\" data-start=\"4929\"\u003e\n\u003cp data-end=\"4967\" data-start=\"4931\"\u003eMental health and inner experience\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"5037\" data-start=\"4969\"\u003eThese voices expand the tradition while remaining grounded in craft.\u003c\/p\u003e\n\u003cp data-end=\"5080\" data-start=\"5039\"\u003e\u003cstrong data-end=\"5080\" data-start=\"5039\"\u003eForm, Sound, and the English Language\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"5168\" data-start=\"5082\"\u003eBritish poetry has played a major role in shaping poetic form. Readers will encounter:\u003c\/p\u003e\n\u003cul data-end=\"5333\" data-start=\"5170\"\u003e\n\u003cli data-end=\"5209\" data-start=\"5170\"\u003e\n\u003cp data-end=\"5209\" data-start=\"5172\"\u003eSonnets, elegies, odes, and ballads\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"5251\" data-start=\"5210\"\u003e\n\u003cp data-end=\"5251\" data-start=\"5212\"\u003eMusical attention to rhythm and sound\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"5286\" data-start=\"5252\"\u003e\n\u003cp data-end=\"5286\" data-start=\"5254\"\u003eCareful use of rhyme and meter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"5333\" data-start=\"5287\"\u003e\n\u003cp data-end=\"5333\" data-start=\"5289\"\u003eLanguage that values clarity and precision\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"5410\" data-start=\"5335\"\u003eEven when modern poets break rules, they do so with awareness of tradition.\u003c\/p\u003e\n\u003cp data-end=\"5444\" data-start=\"5412\"\u003e\u003cstrong data-end=\"5444\" data-start=\"5412\"\u003ePopular British Poetry Books\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"5576\" data-start=\"5446\"\u003eIf you’re looking for essential collections that represent British poetry across eras, these books are widely celebrated and read:\u003c\/p\u003e\n\u003cul data-end=\"6095\" data-start=\"5578\"\u003e\n\u003cli data-end=\"5692\" data-start=\"5578\"\u003e\n\u003cp data-end=\"5692\" data-start=\"5580\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/the-complete-sonnets-and-poems-of-william-shakespeare-9781461048299\"\u003e\u003cstrong data-end=\"5626\" data-start=\"5580\"\u003eThe Complete Sonnets – William Shakespeare\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-end=\"5629\" data-start=\"5626\"\u003eTimeless poetry exploring love, beauty, time, and mortality\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"5795\" data-start=\"5694\"\u003e\n\u003cp data-end=\"5795\" data-start=\"5696\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/william-wordsworth-selected-poems-9780140424423\"\u003e\u003cstrong data-end=\"5735\" data-start=\"5696\"\u003eSelected Poems – William Wordsworth\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-end=\"5738\" data-start=\"5735\"\u003eRomantic poetry rooted in nature, memory, and emotion\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"5887\" data-start=\"5797\"\u003e\n\u003cp data-end=\"5887\" data-start=\"5799\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/the-complete-poems-of-john-keats-9781853264047\"\u003e\u003cstrong data-end=\"5821\" data-start=\"5799\"\u003ePoems – John Keats\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-end=\"5824\" data-start=\"5821\"\u003eLyrical, sensuous poetry focused on beauty and impermanence\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"5988\" data-start=\"5889\"\u003e\n\u003cp data-end=\"5988\" data-start=\"5891\"\u003e\u003cstrong data-end=\"5923\" data-start=\"5891\"\u003eCollected Poems – W.H. Auden\u003c\/strong\u003e\u003cbr data-end=\"5926\" data-start=\"5923\"\u003eA powerful blend of intellect, emotion, and social insight\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"6095\" data-start=\"5990\"\u003e\n\u003cp data-end=\"6095\" data-start=\"5992\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/the-worlds-wife-poems-9780571199952\"\u003e\u003cstrong data-end=\"6030\" data-start=\"5992\"\u003eThe World’s Wife – Carol Ann Duffy\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-end=\"6033\" data-start=\"6030\"\u003eA modern, feminist reimagining of myth, history, and voice\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"6171\" data-start=\"6097\"\u003eThese books reflect the breadth and evolution of British poetic tradition.\u003c\/p\u003e\n\u003cp data-end=\"6220\" data-start=\"6173\"\u003e\u003cstrong data-end=\"6220\" data-start=\"6173\"\u003eHow to Choose the Right British Poetry Book\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"6309\" data-start=\"6222\"\u003eThe best British poetry book depends on what draws you most. Consider these approaches:\u003c\/p\u003e\n\u003cul data-end=\"6546\" data-start=\"6311\"\u003e\n\u003cli data-end=\"6354\" data-start=\"6311\"\u003e\n\u003cp data-end=\"6354\" data-start=\"6313\"\u003eClassic poetry for literary foundations\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"6408\" data-start=\"6355\"\u003e\n\u003cp data-end=\"6408\" data-start=\"6357\"\u003eRomantic poetry for emotional and natural imagery\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"6459\" data-start=\"6409\"\u003e\n\u003cp data-end=\"6459\" data-start=\"6411\"\u003eWar poetry for historical and emotional impact\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"6500\" data-start=\"6460\"\u003e\n\u003cp data-end=\"6500\" data-start=\"6462\"\u003eModern poetry for fresh perspectives\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"6546\" data-start=\"6501\"\u003e\n\u003cp data-end=\"6546\" data-start=\"6503\"\u003eLyric poetry focused on language and form\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"6622\" data-start=\"6548\"\u003eBritish poetry offers many entry points — all rewarding in different ways.\u003c\/p\u003e\n\u003cp data-end=\"6656\" data-start=\"6624\"\u003e\u003cstrong data-end=\"6656\" data-start=\"6624\"\u003eReading British Poetry Today\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"6743\" data-start=\"6658\"\u003eBritish poetry invites both feeling and attention. Many readers find it rewarding to:\u003c\/p\u003e\n\u003cul data-end=\"6909\" data-start=\"6745\"\u003e\n\u003cli data-end=\"6790\" data-start=\"6745\"\u003e\n\u003cp data-end=\"6790\" data-start=\"6747\"\u003eRead poems aloud to hear rhythm and sound\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"6831\" data-start=\"6791\"\u003e\n\u003cp data-end=\"6831\" data-start=\"6793\"\u003eLearn a bit about historical context\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"6859\" data-start=\"6832\"\u003e\n\u003cp data-end=\"6859\" data-start=\"6834\"\u003eRevisit poems over time\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"6909\" data-start=\"6860\"\u003e\n\u003cp data-end=\"6909\" data-start=\"6862\"\u003eBalance close reading with emotional response\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"6953\" data-start=\"6911\"\u003eThe poetry often deepens with familiarity.\u003c\/p\u003e\n\u003cp data-end=\"6953\" data-start=\"6911\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/brit-poetry-04.png?v=1770388614\"\u003e\u003c\/p\u003e\n\u003cp data-end=\"6966\" data-start=\"6955\"\u003e\u003cstrong data-end=\"6966\" data-start=\"6955\"\u003eSummary\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"7037\" data-start=\"6968\"\u003eBritish Poetry Books offer centuries of language, craft, and insight.\u003c\/p\u003e\n\u003cul data-end=\"7193\" data-start=\"7039\"\u003e\n\u003cli data-end=\"7090\" data-start=\"7039\"\u003e\n\u003cp data-end=\"7090\" data-start=\"7041\"\u003ePoetic traditions shaped by history and culture\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"7138\" data-start=\"7091\"\u003e\n\u003cp data-end=\"7138\" data-start=\"7093\"\u003eMastery of form paired with emotional depth\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"7193\" data-start=\"7139\"\u003e\n\u003cp data-end=\"7193\" data-start=\"7141\"\u003eVoices that continue to influence poetry worldwide\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"7336\" data-start=\"7195\"\u003eFrom Shakespeare’s sonnets to contemporary British voices, this tradition shows how poetry can be precise, powerful, and endlessly adaptable.\u003c\/p\u003e\n\u003cp data-end=\"7526\" data-start=\"7338\"\u003eIf you’re ready to explore poetry shaped by language, history, and imagination, \u003cstrong data-end=\"7526\" data-start=\"7418\"\u003eexplore our British Poetry Books collection and discover verses that still speak with clarity and force.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"7536\" data-start=\"7528\"\u003e\u003cstrong data-end=\"7536\" data-start=\"7528\"\u003eFAQs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"7664\" data-start=\"7538\"\u003e\u003cstrong data-end=\"7565\" data-start=\"7538\"\u003eWhat is British poetry?\u003c\/strong\u003e\u003cbr data-end=\"7568\" data-start=\"7565\"\u003eBritish poetry includes verse written by poets from Britain across different historical periods.\u003c\/p\u003e\n\u003cp data-end=\"7809\" data-start=\"7666\"\u003e\u003cstrong data-end=\"7715\" data-start=\"7666\"\u003eIs British poetry mostly traditional in form?\u003c\/strong\u003e\u003cbr data-end=\"7718\" data-start=\"7715\"\u003eMany works use traditional forms, but modern British poetry is highly experimental as well.\u003c\/p\u003e\n\u003cp data-end=\"7933\" data-start=\"7811\"\u003e\u003cstrong data-end=\"7854\" data-start=\"7811\"\u003eDoes British poetry include love poems?\u003c\/strong\u003e\u003cbr data-end=\"7857\" data-start=\"7854\"\u003eYes. Love and longing are central themes across centuries of British poetry.\u003c\/p\u003e\n\u003cp data-end=\"8062\" data-start=\"7935\"\u003e\u003cstrong data-end=\"7975\" data-start=\"7935\"\u003eIs British poetry difficult to read?\u003c\/strong\u003e\u003cbr data-end=\"7978\" data-start=\"7975\"\u003eSome older language can feel challenging, but many poems are emotionally accessible.\u003c\/p\u003e\n\u003cp data-end=\"8196\" data-start=\"8064\"\u003e\u003cstrong data-end=\"8109\" data-start=\"8064\"\u003eCan beginners enjoy British poetry books?\u003c\/strong\u003e\u003cbr data-end=\"8112\" data-start=\"8109\"\u003eAbsolutely. There are many entry points, from classic sonnets to modern collections.\u003c\/p\u003e","products":[{"product_id":"a-century-of-childrens-poems-9780007140015","title":"A Century of Children's Poems","description":"\u003cp\u003e100 poems by 100 of the major children's poets of the twentieth century compiled by John Foster, an established and well-known anthologist and poet in his own right.\u003c\/p\u003e \u003cp\u003eThis collection provides a substantial volume of poems by the most significant children's poets of the twentieth century and is sure to establish itself as a standard collection that will sell steadily for many years. The book contains poems by women poets, black writers and many representatives from countries other than Britain where the book will sell. There is an index of themes as well as indexes of authors, titles and first lines, so that teachers will find it tremendously useful and easy to use as reference. There is also a biographical section at the end of the book, giving brief biographies of the poets. The line illustrations throughout the book add quality and depth to the poems and are by distinguished children's illustrators.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eJohn Foster is a well-known anthologist and poet and has compiled several wonderful collections WHAM BANG ORANGUTANG being one of the best known (OUP), and he wrote the poem of the title. He travels extensively to help promote his books.\u003c\/p\u003e\"\u003cbr\u003e","brand":"HarperCollins Children's Books","offers":[{"title":"Default Title","offer_id":50317776027922,"sku":"9780007140015","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_abba5de9-6b35-46bb-a453-a0b837ea890f.jpg?v=1727539888"},{"product_id":"the-portable-william-blake-9780140150261","title":"The Portable William Blake","description":"The Portable Blake contains the hermetic genius's most important works: Songs of Innocence and Songs of Experience in their entirety; selections from his \"prophetic books\"--including \u003ci\u003eThe Marriage of Heaven and Hell\u003c\/i\u003e, \u003ci\u003eVisions of the Daughters of Abion\u003c\/i\u003e, \u003ci\u003eAmerica\u003c\/i\u003e, \u003ci\u003eThe Book of Urizen\u003c\/i\u003e, and \u003ci\u003eThe Four Zoas\u003c\/i\u003e--and from other works of poetry and prose, as well as the complete drawings for \u003ci\u003eThe Book of Job\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eWILLIAM BLAKE\u003c\/b\u003e was born in London in 1757. He was educated at home and then worked as an apprentice to the engraver James Basire before joining the Royal Academy in 1779. In 1782 he married Catherine Boucher, and a year later began his career as a poet when he published \u003ci\u003ePoetical Sketches. \u003c\/i\u003eThis was followed by \u003ci\u003eSongs of Innocence \u003c\/i\u003e(1789) and \u003ci\u003eSongs of Experience \u003c\/i\u003e(1794), which he also designed and engraved. His other major literary works include \u003ci\u003eThe Book of Thel \u003c\/i\u003e(1789), \u003ci\u003eThe Marriage of Heaven and Hell \u003c\/i\u003e(c. 1793), \u003ci\u003eMilton \u003c\/i\u003e(1804-8), and \u003ci\u003eJerusalem \u003c\/i\u003e(1804-20). He produced many paintings and engravings during his lifetime. Blake died in 1827. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eALFRED KAZIN \u003c\/b\u003ewas born in Brooklyn in 1915. His first book of criticism, On Native Grounds (1942), was a groundbreaking study of American literature that changed radically our way of looking at it, and established him overnight as a major figure. In a series of books of his own since then, and in many critically edited texts of classic American literary works, he established himself as our preeminent man of letters. He taught widely at Harvard, Smith, Amherst, Hunter College, the Graduate Center of the City University of New York, and elsewhere. In 1996 he received from the Truman Capote Literary Trust its first Lifetime Achievement Award in Literary Criticism (in memory of Newton Arvin). He died in 1998.\u003cbr\u003e","brand":"Penguin Publishing Group","offers":[{"title":"Default Title","offer_id":50318113669394,"sku":"9780140150261","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_9e30b330-63e4-4640-b6e6-320ecee4314e.jpg?v=1727548282"},{"product_id":"sir-gawain-and-the-green-knight-9780140424539","title":"Sir Gawain and the Green Knight","description":"\u003cb\u003e\u003cb\u003eThe inspiration for the major motion picture \u003ci\u003eThe Green Knight \u003c\/i\u003estarring Dev Patel.\u003c\/b\u003e \u003c\/b\u003e\u003cp\u003e\u003c\/p\u003eAn early English poem of magic, chivalry and seduction  \u003cp\u003e\u003c\/p\u003eComposed during the fourteenth century in the English Midlands, \u003ci\u003eSir Gawain and the Green Knight\u003c\/i\u003e describes the events that follow when a mysterious green-coloured knight rides into King Arthur's Camelot in deep mid-winter. The mighty knight presents a challenge to the court: he will allow himself to be struck by one blow, on the condition that he will be allowed to return the strike on the following New Year's Eve. Sir Gawain takes up the challenge, decapitating the stranger - only to see the Green Knight seize up his own severed head and ride away, leaving Gawain to seek him out and honour their pact. Blending Celtic myth and Christian faith, Gawain is among the greatest Middle English poems: a tale of magic, chivalry and seduction. \u003cp\u003e\u003c\/p\u003eFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eWe know the \"\u003cb\u003eGawain Poet\u003c\/b\u003e\" was a contemporary of Geofrey Chaucer's. He appears to have been the author of \u003ci\u003eSir Gawain and the Green Knight\u003c\/i\u003e, \u003ci\u003ePatience\u003c\/i\u003e, and \u003ci\u003eCleanness\u003c\/i\u003e; \"he\" may also have composed \u003ci\u003eSaint Erkenwald\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003e\u003cb\u003e Bernard O'Donoghue\u003c\/b\u003e is a Fellow in English at Wadham College and a noted Irish poet.\u003cbr\u003e","brand":"Penguin Classics","offers":[{"title":"Default Title","offer_id":50318122058002,"sku":"9780140424539","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_37ed4c11-3602-4a83-a182-296b42e72518.jpg?v=1727548536"},{"product_id":"doveglion-collected-poems-9780143105350","title":"Doveglion: Collected Poems","description":"\u003cb\u003e\u003cb\u003eThe renowned modernist poet of experiment and innovation known as \"The Pope of Greenwich Village\" and a pioneer of Filipino American poetry\u003c\/b\u003e \u003c\/b\u003e\u003cp\u003e\u003c\/p\u003eA finalist for the Pulitzer Prize for his first U.S. poetry collection published by Viking Press in 1942, Villa was admired for \"the reverence, the raptness, the depth of concentration in [his] bravely deep poems\" (Marianne Moore). \u003ci\u003eDoveglion\u003c\/i\u003e (Villa's pen name for dove, eagle, and lion) contains Villa's collected poetry, including rare and previously unpublished material. \u003cp\u003e\u003c\/p\u003eFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eJose Garcia Villa \u003c\/b\u003e(1908-1997) was a Filipino poet, writer, and critic. He used the pen name \"Doveglion,\" which was a combination of the words \"dove,\" \"eagle,\" and \"lion\" and was what he believed was his true persona. His notable works include \u003ci\u003eThe Anchored Angel\u003c\/i\u003e, \u003ci\u003eThe Emperor's New Sonnet\u003c\/i\u003e, and \u003ci\u003eFootnote to Youth\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eJohn Edwin Cowen \u003c\/b\u003eis a poet as well as a professor of literacy and education at Fairleigh Dickinson University in New Jersey. His collection of poetry, \u003ci\u003eMathematics of Love: Poems by John Edwin Cowen\u003c\/i\u003e, was published in 2011. He also edited \u003ci\u003eDoveglion: The Collected Poems of Jose Garcia Villa\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eLuis H. Francia\u003c\/b\u003e a writer and professor with Hunter College's Asian American Studies department. 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The verses within this collection vary greatly in theme, style, and tone, but in each case, brevity reveals the poets at their best, both as individual artists and as exemplars of their times.\u003cbr\u003e The short poem is often overlooked in verse collections, where poets tend to be represented by their longer, more sustained work. Defining \"short\" as any poem of under fourteen lines, P. J. Kavanagh and James Michie have chosen those poems, which they consider to be the best in the English language, from medieval times to the present day. Their selection extends from Chaucer to Philip Larkin, from Shakespeare to Emily Bronte, from Blake to Edith Sitwell, and from Yeats to Emily Dickinson, demonstrating the gradual changes in style, subject-matter, and tone from one generation of poets to the next.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cstrong\u003eP. J. Kavanagh\u003c\/strong\u003e edited the \u003cem\u003eCollected Poems of Ivor Gurney\u003c\/em\u003e (OUP 1982). Other publications include \u003cem\u003eFinding Connections\u003c\/em\u003e (Flamingo 1991), \u003cem\u003eThe Perfect Stranger\u003c\/em\u003e (Carcanet 1995), and \u003cem\u003eVoices in Ireland: A Traveller's Literary Companion\u003c\/em\u003e (1994). \u003cstrong\u003eJames Michie\u003c\/strong\u003e is a poet and translator. 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In fourteen engaging, beautifully written chapters, Wolosky explores in depth how poetry does what it does while offering brilliant readings of some of the finest lyric poetry in the English and American traditions. Both readers new to poetry and poetry veterans will be moved and enlightened as Wolosky interprets work by William Shakespeare, John Donne, William Blake, William Wordsworth, Emily Dickinson, Robert Frost, Sylvia Plath, and others. The book includes a superb two-chapter discussion of the sonnet's form and history, and represents the first poetry guide to introduce gender as a basic element of analysis. \u003cp\u003e\u003c\/p\u003eIn contrast to many existing guides, which focus on selected formal aspects like metrics or present definitions and examples in a handbook format, \u003cem\u003eThe Art of Poetry\u003c\/em\u003e covers the full landscape of poetry's subtle art while showing readers how to comprehend a poetic text in all its dimensions. Other special features include Wolosky's consideration of historical background for the developments she discusses, and the way her book is designed to acquaint or reacquaint readers with the core of the lyric tradition in English. \u003cp\u003e\u003c\/p\u003eLively, accessible, and original, \u003cem\u003eThe Art of Poetry\u003c\/em\u003e will be a rich source of inspiration for students, general readers, and those who teach poetry.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cstrong\u003eShira Wolosky\u003c\/strong\u003e is Professor of English and American Literature at the Hebrew University of Jerusalem.\u003cbr\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":50318311850258,"sku":"9780195371185","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_ec23817f-9792-4088-8de9-97fbe6d98bc0.jpg?v=1727553018"},{"product_id":"elizabeth-barrett-browning-selected-writings-9780198797630","title":"Elizabeth Barrett Browning: Selected Writings","description":"This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of the poet Elizabeth Barrett Browning (1806-1861). Accompanied by full scholarly apparatus, this authoritative edition enables students to study Barrett Browning's work within the rich context of her life and writing career. \u003cp\u003e\u003c\/p\u003eThe revaluation of Elizabeth Barrett Browning's work by feminist scholars has made her an established author in university syllabuses in Britain and in America. Yet the reception of Barrett Browning as a writer within an explicitly female tradition has tended to limit the appreciation of her wider contribution to English literary culture in the nineteenth century, just as her popular image as a ringleted romantic heroine served sentimentally to eclipse her role as a literary pioneer. This edition complements or corrects these emphases by being the first edition dedicated to witnessing the progress and growth of the poet's creative direction--from her juvenilia through to her major achievements and beyond. \u003cp\u003e\u003c\/p\u003eThe selection of works presented here appear in the order in which they were originally published, enabling students and readers to experience the contours of Barrett Browning's poetic career. Thus, following selections from published juvenilia, The Battle of Marathon (1820) and 'An Essay on Mind' and Other Poems (1826) and from 'Prometheus Bound' and Miscellaneous Poems (1833), there are more extensive selections from 'The Seraphim' and Other Poems (1838), from Poems 1844 and from Poems 1850 including the full text of Sonnets from the Portuguese. 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These individual sections are supplemented by careful selections (also chronologically ordered) from the correspondence, including the courtship letters with Robert Browning, and, where applicable, from poetry unpublished in the nineteenth century. \u003cp\u003e\u003c\/p\u003eExplanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Barrett Browning, and a Chronology.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eJosie Billington, \u003cem\u003eDeputy Director, Centre for Research into Reading, Information and Linguistic Systems, University of Liverpool\u003c\/em\u003e, Philip Davis, \u003cem\u003eDirector, Centre for Research into Reading, Information and Linguistic Systems, University of Liverpool\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eJosie Billington is a specialist in Victorian Literature who has published widely on nineteenth-century fiction and poetry. Her publications include \u003cem\u003eFaithful Realism\u003c\/em\u003e (2002), (ed) \u003cem\u003eElizabeth Gaskell's Wives and Daughters\u003c\/em\u003e (2006), \u003cem\u003eEliot's Middlemarch\u003c\/em\u003e (2008), \u003cem\u003eElizabeth Barrett Browning and Shakespeare\u003c\/em\u003e (2012), (ed) \u003cem\u003eMargaret Oliphant Novellas\u003c\/em\u003e (2013). She is also engaged in interdisciplinary medical humanities research in the area of reading and health, with \u003cem\u003eIs Literature Healthy?\u003c\/em\u003e (OUP, 2016). \u003cp\u003e\u003c\/p\u003ePhilip Davis is author of \u003cem\u003eVolume 8: 1830-1880: The Victorians\u003c\/em\u003e in The Oxford English Literary History series (2002). His other works include \u003cem\u003eSudden Shakespeare\u003c\/em\u003e (1997), \u003cem\u003eShakespeare Thinking\u003c\/em\u003e (2007), and two biographies, \u003cem\u003eBernard Malamud: A Writer's Life\u003c\/em\u003e (OUP, 2007) and \u003cem\u003eThe Transferred Life of George Eliot\u003c\/em\u003e (OUP, 2017). He is general editor of a new series from Oxford University Press, \u003cem\u003eThe Literary Agenda\u003c\/em\u003e, on the future of literary studies in the twenty-first century, contributing his own volume \u003cem\u003eReading and The Reader\u003c\/em\u003e (2013) building on \u003cem\u003eThe Experience of Reading\u003c\/em\u003e (1991) and \u003cem\u003eReal Voices: On Reading\u003c\/em\u003e (1997). He is editor of \u003cem\u003eThe Reader\u003c\/em\u003e magazine.\u003cbr\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":50318340817170,"sku":"9780198797630","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_7e915898-dfd2-4ba5-ba21-d7bde421d463.jpg?v=1727553664"},{"product_id":"the-oxford-handbook-of-william-wordsworth-9780198828235","title":"The Oxford Handbook of William Wordsworth","description":"\u003cem\u003eThe Oxford Handbook of William Wordsworth\u003c\/em\u003e deploys its forty-seven original essays to present a stimulating account of Wordsworth's life and achievement and to map new directions in criticism. In addition to twenty-two essays wholly on Wordsworth's poetry, other essays return to the poetry while exploring other dimensions of the life and work of the major Romantic poet. The result is a dialogic exploration of many major texts and problems in Wordsworth scholarship. \u003cp\u003e\u003c\/p\u003eThis uniquely comprehensive handbook is structured so as to present, in turn, Wordsworth's life, career, and networks; aspects of the major lyrical and narrative poetry; components of 'The Recluse'; his poetical inheritance and his transformation of poetics; the variety of intellectual influences upon his work, from classical republican thought to modern science; his shaping of modern culture in such fields as gender, landscape, psychology, ethics, politics, religion, and ecology; and his 19th- and 20th-century reception-most importantly by poets, but also in modern criticism and scholarship.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eRichard Gravil, \u003cem\u003eChairman, The Wordsworth Conference Foundation\u003c\/em\u003e, Daniel Robinson, \u003cem\u003eHomer C. Nearing Jr. Distinguished Professor of English, Widener University\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eRichard Gravil is Chairman of The Wordsworth Conference Foundation and Commissioning Editor of Humanities-Ebooks. He is the author of \u003cem\u003eRomantic Dialogues: Anglo-American Continuities, 1776-1862\u003c\/em\u003e (St Martin's Press, 2000); \u003cem\u003eWordsworth's Bardic Vocation: 1787-1842\u003c\/em\u003e (Palgrave Macmillan, 2003); and \u003cem\u003eWordsworth and Helen Maria Williams; or, the Perils of Sensibility\u003c\/em\u003e (Humanities-Ebooks, 2010). \u003cp\u003e\u003c\/p\u003eDaniel Robinson is Homer C. Nearing Jr. Distinguished Professor of English at Widener University. He co-edited \u003cem\u003eA Century of Sonnets: The Romantic-Era Revival, 1750-1850\u003c\/em\u003e (1999) with Paula Feldman, and \u003cem\u003eLyrical Ballads and Related Writings\u003c\/em\u003e (2001) wih William Richey. 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By making poems available to anyone who either had the means to a buy a book or knew someone who did, print publication radically expanded the early modern reading public. These new readers, publishers feared, might not buy or like the books. Worse, their misreadings could put the authors, the publishers, or the readers themselves at risk. \u003cp\u003e\u003c\/p\u003e\u003cem\u003eDoubtful Readers: Print, Poetry, and the Reading Public in Early Modern England\u003c\/em\u003e focuses on early modern publishers' efforts to identify and accommodate new readers of verse that had previously been restricted to particular social networks in manuscript. Focusing on the period between the maturing of the market for printed English literature in the 1590s and the emergence of the professional poet following the Restoration, this study shows that poetry was shaped by--and itself shaped--strong print publication traditions. By reading printed editions of poems by William Shakespeare, Aemilia Lanyer, John Donne, and others, this book shows how publishers negotiated genre, gender, social access, reputation, literary knowledge, and the value of English literature itself. It uses literary, historical, bibliographical, and quantitative evidence to show how publishers' strategies changed over time. Ultimately, \u003cem\u003eDoubtful Readers\u003c\/em\u003e argues that although--or perhaps because--publishers' interpretive and editorial efforts are often elided in studies of early modern poetry, their interventions have had an enduring impact on our canons, texts, and literary histories.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eErin A. McCarthy, \u003cem\u003eLecturer in Digital Humanities, University of Newcastle, Australia\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eErin A. 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This research will be the basis of a monograph jointly authored with Marie-Louise Coolahan and Sajed Chowdhury.\u003cbr\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":50318351827218,"sku":"9780198836476","price":135.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_3d39d4be-ccf4-4ffe-b1ec-08403b1565e5.jpg?v=1727553933"},{"product_id":"impossible-desire-and-the-limits-of-knowledge-in-renaissance-poetry-9780198837510","title":"Impossible Desire and the Limits of Knowledge in Renaissance Poetry","description":"\u003cem\u003eImpossible Desire and the Limits of Knowledge in Renaissance Poetry\u003c\/em\u003e examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England. These macabre seductions offer no compliments or promises, but instead focus on the lovers' anticipated decline, and--quite stunningly given the Reformation context--humanity's relegation not to a Christian afterlife but to a Marvellian 'desert of vast Eternity.' In this way, a poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the religious upheaval of the Reformation, an unlikely but effective vehicle for articulating religious doubt. Its ambitions were thus largely philosophical, and came to incorporate investigations into the nature of matter, time, and poetic representation. Renaissance seduction poets invited their auditors to participate in a dangerous intellectual game, one whose primary interest was expanding the limits of knowledge. The book theorizes how Renaissance lyric's own fragile relationship to materiality and time, and its self-conscious relationship to making, positioned it to grapple with these 'impossible' metaphysical and representational problems. Although attentive to poetics, the book also challenges the commonplace view that the erotic invitation is exclusively a lyrical mode. Carpe diem's revival in post-Reformation Europe portends its radicalization, as debates between man and maid are dramatized in disputes between abstractions like chastity and material facts like death. Offered here is thus a theoretical reconsideration of the generic parameters and aspirations of the carpe diem trope, wherein questions about embodiment and knowledge are also investigations into the potentialities of literary form.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eWendy Beth Hyman, \u003cem\u003eOberlin College\u003c\/em\u003e \u003cp\u003e\u003c\/p\u003eWendy Beth Hyman is Associate Professor of English and Comparative Literature at Oberlin College. She received her MA and PhD from Harvard University, and her BA at Smith College. Professor Hyman is the editor of \u003cem\u003eThe Automaton in English Renaissance Literature\u003c\/em\u003e, and, with Hillary Eklund, co-editor of \u003cem\u003eTeaching Social Justice Through Shakespeare\u003c\/em\u003e. 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Eliot, lesser-known poets like Charlotte Mew, the Russian filmmaker Lev Kuleshov, Isadora Duncan the international dance star, and H.D. as poet and film actor. \u003cp\u003e\u003c\/p\u003ePreston's interdisciplinary engagement with performance, poetics, modern dance, and silent film demonstrates that studies of modernism often overemphasize breaks with the past. Modernism also posed myth in an ambivalent relationship to modernity, a halt in the march of progress that could function as escapism, skeptical critique, or a figure for the death of gods and civilizations.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cstrong\u003eCarrie J. 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While modern histories offer a more even-handed and detailed look at both Robert's achievements and his shortcomings, Barbour's great poem - and modern English translations of it such as this - remain core sources for historians of Medieval Scotland.\u003cbr\u003e","brand":"Lulu.com","offers":[{"title":"Default Title","offer_id":50323672465682,"sku":"9780359746538","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_1ed19835-1ae9-4370-a1ee-fd59e30faa41.jpg?v=1727660571"},{"product_id":"collected-poems-9780374126537","title":"Collected Poems","description":"\u003cp\u003eCome, friendly bombs, and fall on Slough\u003cbr\u003eTo get it ready for the plough.\u003cbr\u003eThe cabbages are coming now;\u003cbr\u003eThe earth exhales.\u003cbr\u003e--from \"Slough\"\u003c\/p\u003e\u003cp\u003eWhen the beloved English poet John Betjeman's \u003ci\u003eCollected Poems \u003c\/i\u003efirst appeared in 1958, it made publishing history, and has now sold more than two million copies to a steadily expanding readership. 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He was knighted in 1969 and named Poet Laureate in 1972.\u003c\/p\u003e\u003cbr\u003e","brand":"Farrar, Straus and Giroux","offers":[{"title":"Default Title","offer_id":50323749437714,"sku":"9780374126537","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_5a575882-48c3-4cf2-a107-09b79b5a2d5d.jpg?v=1727661094"},{"product_id":"hay-poems-9780374526191","title":"Hay: Poems","description":"\u003cp\u003eMy heart is heavy. 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Like Homer himself, Logue is quick to mix the ancient and the new, because his Troy exists outside time, and no translator has a more Homeric interest in the truth of battle, or in the absurdity and sublimity of war.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eChristopher Logue\u003c\/b\u003e is a screenwriter, a film actor, and the author of several books of poems. 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This generous selection of his translations at once rounds out the publication of his major work and gives us a fresh view of his poetic achievement. \u003cp\u003e\u003c\/p\u003eIn 1965, Hughes, already famous in Britain, founded the journal Modern Poetry in Translation, and a number of the translations here are of poems by his contemporaries: the Israeli Yehuda Amichai, the Hungarian J?nos Pilinszky, and the Serbian Vasko Popa. At the same time, Hughes was forever in search of older precursors, whether Homer, Lorenzo de' Medici, or the authors of Sir Gawain and the Green Knight and The Tibetan Book of the Dead, and his translations of them deepen our sense of his interest in pagan ritual and esoteric religion. 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In an assembly of masterful lyrics and monologues, he conjures a series of fables and charms that serve both to expose us to the unsettling forces within the world and to offer some protection against them. Whether outwardly elemental in their address or more personal in their direction, these poems--addressed to the rain and the sea, to his young sons or beloved friends--never shy from their inquiry into truth and lie, embracing everything in scope from the rangy narrative to the tiny renku. \u003ci\u003eRain\u003c\/i\u003e, which includes the winner of this year's Forward Prize for the Best Individual Poem and an extended elegy for the poet Michael Donaghy, is Paterson's most intimate and manifest collection to date.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eDon Paterson \u003c\/b\u003ehas written four previous collections of poems: \u003ci\u003eNil Nil\u003c\/i\u003e, \u003ci\u003eGod's Gift to \u003c\/i\u003e\u003ci\u003eWomen\u003c\/i\u003e, \u003ci\u003eThe Eyes\u003c\/i\u003e, and \u003ci\u003eLanding Light\u003c\/i\u003e, which won both the T. S. 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Just as the trenches produced the most remarkable poetry of the First World War, so too did the bombing campaigns foster a haunting set of poems during the Second. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eIn researching the life of his grandfather, Daniel Swift became engrossed with the connections between air war and poetry. Ostensibly a narrative of the author's search for his lost grandfather through military and civilian archives and in interviews conducted in the Netherlands, Germany, and England, \u003ci\u003eBomber County\u003c\/i\u003e is also an examination of the relationship between the bombing campaigns of World War II and poetry, an investigation into the experience of bombing and being bombed, and a powerful reckoning with the morals and literature of a vanished moment.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eDaniel Swift \u003c\/b\u003eteaches at the New College of the Humanities in London. His first book, \u003ci\u003eBomber County\u003c\/i\u003e, was longlisted for the Samuel Johnson Prize and the Guardian First Book award, and his essays and reviews have appeared in the \u003ci\u003eNew York Times\u003c\/i\u003e, the \u003ci\u003eNew Statesman\u003c\/i\u003e, and \u003ci\u003eHarper's\u003c\/i\u003e.\u003cbr\u003e","brand":"Farrar, Strauss \u0026 Giroux-3pl","offers":[{"title":"Default Title","offer_id":50323819823378,"sku":"9780374533038","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_362c108b-64ca-49bd-b5ec-8a8d66f57419.jpg?v=1727661538"},{"product_id":"some-desperate-glory-the-first-world-war-the-poets-knew-9780374535445","title":"Some Desperate Glory: The First World War the Poets Knew","description":"\u003cp\u003e\u003cb\u003eMax Egremont's \u003ci\u003eSome Desperate Glory\u003c\/i\u003e presents the story of World War I through the lives and words of its poets.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThe hundredth anniversary of the outbreak of what many believed would be the war to end all wars is in 2014. And while World War I devastated Europe, it inspired profound poetry--words in which the atmosphere and landscape of battle are evoked perhaps more vividly than anywhere else. \u003cp\u003e\u003c\/p\u003eThe poets--many of whom were killed--show not only the war's tragedy but also the hopes and disappointments of a generation of men. In \u003ci\u003eSome Desperate Glory\u003c\/i\u003e, the historian and biographer Max Egremont gives us a transfiguring look at the life and work of this assemblage of poets. Wilfred Owen with his flaring genius; the intense, compassionate Siegfried Sassoon; the composer Ivor Gurney; Robert Graves, who would later spurn his war poems; the nature-loving Edward Thomas; the glamorous Fabian Socialist Rupert Brooke; and the shell-shocked Robert Nichols--all fought in the war, and their poetry is a bold act of creativity in the face of unprecedented destruction. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eSome Desperate Glory \u003c\/i\u003eincludes a chronological anthology of the poets' works, telling the story of the war not only through the lives of these writers but also through their art. This unique volume unites the poetry and the history of the war--so often treated separately--granting readers the pride, strife, and sorrow of the individual soldier's experience coupled with a panoramic view of the war's toll on an entire nation.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eMax Egremont\u003c\/b\u003e was born in 1948 and studied modern history at Oxford University. He is the author of several novels and biographies, including \u003ci\u003eSiegfried Sassoon: A Life\u003c\/i\u003e (FSG, 2005) and \u003ci\u003eForgotten Land: Journeys Among the Ghosts of East Prussia \u003c\/i\u003e(FSG, 2011)\u003ci\u003e. \u003c\/i\u003eEgremont is a Fellow of the Royal Society of Literature. He lives in England.\u003c\/p\u003e\u003cbr\u003e","brand":"Farrar, Straus and Giroux","offers":[{"title":"Default Title","offer_id":50323830866194,"sku":"9780374535445","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_673ee04f-931c-4b54-ba63-97e40583cd26.jpg?v=1727661600"},{"product_id":"one-thousand-things-worth-knowing-poems-9780374536688","title":"One Thousand Things Worth Knowing: Poems","description":"\u003cp\u003e\u003cb\u003eAnother wild, expansive collection from the eternally surprising Pulitzer Prize-winning poet\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003eSmuggling diesel; \u003ci\u003eBen-Hur\u003c\/i\u003e (the movie, yes, but also Lew Wallace's original book, and Seosamh Mac Grianna's Gaelic translation); a real trip to Havana; an imaginary trip to the Château d'If: Paul Muldoon's newest collection of poems, his twelfth, is exceptionally wide-ranging in its subject matter--as we've come to expect from this master of self-reinvention. He can be somber or quick-witted--often within the same poem: The mournful refrain of \"Cuthbert and the Otters\" is \"I cannot thole the thought of Seamus Heaney dead,\" but that doesn't stop Muldoon from quipping that the ancient Danes \"are already dyeing everything beige \/ In anticipation, perhaps, of the carpet and mustard factories.\" \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eIf this masterful, multifarious collection does have a theme, it is watchfulness. \"War is to wealth as performance is to appraisal,\" he warns in \"Recalculating.\" And \"Source is to leak as Ireland is to debt.\" Heedful, hard-won, head-turning, heartfelt, these poems attempt to bring scrutiny to bear on everything, including scrutiny itself. \u003ci\u003eOne Thousand Things Worth Knowing\u003c\/i\u003e confirms Nick Laird's assessment, in \u003ci\u003eThe\u003c\/i\u003e \u003ci\u003eNew York Review of Books\u003c\/i\u003e, that Muldoon is \"the most formally ambitious and technically innovative of modern poets,\" an experimenter and craftsman who \"writes poems like no one else.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003ePaul Muldoon\u003c\/b\u003e is the author of eleven previous books of poetry, including the Pulitzer Prize-winning \u003ci\u003eMoy Sand and Gravel\u003c\/i\u003e (FSG, 2002). 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Dexterous, fresh, and deft, \u003cem\u003eTo a Fault\u003c\/em\u003e does \"more, in its range and ambition, than any other first collection...in at least the last ten years\" (\u003cem\u003eThe Independent\u003c\/em\u003e).\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eLaird, Nick:\u003c\/i\u003e\u003c\/b\u003e - \u003cstrong\u003eNick Laird\u003c\/strong\u003e's work has garnered multiple awards including the Eric Gregory Prize, the Somerset Maugham Award, and a Guggenheim fellowship. \u003cem\u003eFeel Free\u003c\/em\u003e was shortlisted for the T. S. Eliot Prize. Laird is a writer-in-residence at NYU and Chair of Creative Writing (poetry) at Queen's University, Belfast. He lives in New York and Ireland.","brand":"W. W. 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The volume concludes with an affecting sequence about a marriage, inspired by that most influential of military treatises, \u003cem\u003eThe Art of War\u003c\/em\u003e.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eLaird, Nick:\u003c\/i\u003e\u003c\/b\u003e - \u003cstrong\u003eNick Laird\u003c\/strong\u003e's work has garnered multiple awards including the Eric Gregory Prize, the Somerset Maugham Award, and a Guggenheim fellowship. \u003cem\u003eFeel Free\u003c\/em\u003e was shortlisted for the T. S. Eliot Prize. Laird is a writer-in-residence at NYU and Chair of Creative Writing (poetry) at Queen's University, Belfast. He lives in New York and Ireland.","brand":"W. W. 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This book guides the new reader through this experience, focusing on canonical authors - Wordsworth, Coleridge, Byron, Keats, Blake and Shelley - whilst also including less familiar figures as well. Each chapter explains the history and development of a genre or sets out an important context for the poetry, with a wealth of practical examples. Michael Ferber emphasizes connections between poets as they responded to each other and to great literary, social and historical changes around them. A unique appendix resolves most difficulties new readers of works from this period might face: unfamiliar words, unusual word order, the subjunctive mood and meter. This enjoyable and stimulating book is an ideal introduction to some of the most powerful and pleasing poems in the English language, written in one of the greatest periods in English poetry.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eFerber, Michael:\u003c\/i\u003e\u003c\/b\u003e - Michael Ferber is Professor of English and Humanities at the University of New Hampshire.","brand":"Cambridge University Press","offers":[{"title":"Default Title","offer_id":50325054980370,"sku":"9780521154376","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_dca290b3-523a-44fa-b804-b0c860f4ff0b.jpg?v=1727679474"},{"product_id":"the-english-poems-of-george-herbert-9780521177207","title":"The English Poems of George Herbert","description":"George Herbert (1593-1633) is widely regarded as the greatest devotional poet in the English language. His volume of poems, The Temple, published posthumously in 1633, became one of the most widely read and influential collections of the seventeenth century. Almost 400 years after they were first published in Cambridge by the 'printers to the Universitie', Cambridge University Press is pleased to present the definitive scholarly edition of Herbert's complete English poems, accompanied by extensive explanatory and textual apparatus. The text is meticulously annotated with historical, literary and biblical information, as well as the modern critical contexts which now illuminate the poems. 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Doreen DelVecchio and Antony Hammond reject the critical orthodoxies of a corrupt text and divided authorship. Instead they show the play to be a unified aesthetic experience. The result is a more enthusiatic view of Pericles than that of other editions.\u003cbr\u003e","brand":"Cambridge University Press","offers":[{"title":"Default Title","offer_id":50325068251410,"sku":"9780521297103","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_4a490822-3767-4ca8-a3a8-36a5c5fdd24a.jpg?v=1727679860"},{"product_id":"numbers-9780573702563","title":"Numbers","description":"This brutal and hilarious one-act play was declared one of the greatest plays of all time for women in Lucy Kerbel's volume \u003ci\u003e100 Great Plays For Women\u003c\/i\u003e. 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Each chapter and verse is now written in the rhythm of poetry and in ordinary words as you know them, but in another sense they are extraordinary words as they come from the soul within. They are there for the modern age of mankind written in layman terms, easy to understand, easy to retain in one's memory banks by virtue of their absolute simplicity and poetic form. 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Eliot, and Sylvia Plath, \u003ci\u003eComing of Age as a Poet\u003c\/i\u003e offers rare insight into this mysterious process, and into the indispensable period of learning and experimentation that precedes such poetic achievement. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eMilton's \u003ci\u003eL'Allegro\u003c\/i\u003e, Keats's \u003ci\u003eOn First Looking into Chapman's Homer\u003c\/i\u003e, Eliot's \u003ci\u003eThe Love Song of J. Alfred Prufrock\u003c\/i\u003e, and Plath's \u003ci\u003eThe Colossus\u003c\/i\u003e are the poems that Helen Vendler considers, exploring each as an accession to poetic confidence, mastery, and maturity. In meticulous and sympathetic readings of the poems, and with reference to earlier youthful compositions, she delineates the context and the terms of each poet's self-discovery--and illuminates the private, intense, and ultimately heroic effort and endurance that precede the creation of any memorable poem. \u003cp\u003e\u003c\/p\u003eWith characteristic precision, authority, and grace, Vendler helps us to appreciate anew the conception and the practice of poetry, and to observe at first hand the living organism that breathes through the words of a great poem.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eVendler, Helen:\u003c\/i\u003e\u003c\/b\u003e - Helen Vendler is A. Kingsley Porter University Professor at Harvard University.","brand":"Harvard University Press","offers":[{"title":"Default Title","offer_id":50326851715346,"sku":"9780674013834","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_01e9e882-b213-4b44-ae2c-47f7298ff538.jpg?v=1727706179"},{"product_id":"john-keats-9780674478251","title":"John Keats","description":"\u003cp\u003eThe life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography--the first full-length life of Keats in almost forty years--the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is possible with most writers; and there are times during the period of his greatest creativity when his personal as well as his artistic life can be followed week by week. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThe development of Keats's poetic craftsmanship proceeds simultaneously with the steady growth of qualities of mind and character. Walter Jackson Bate has been concerned to show the organic relationship between the poet's art and his larger, more broadly humane development. Keats's great personal appeal--his spontaneity, vigor, playfulness, and affection--are movingly recreated; at the same time, his valiant attempt to solve the problem faced by all modern poets when they attempt to achieve originality and amplitude in the presence of their great artistic heritage is perceptively presented. \u003cp\u003e\u003c\/p\u003eIn discussing this matter, Mr. Bate says, \"The pressure of this anxiety and the variety of reactions to it constitute one of the great unexplored factors in the history of the arts since 1750. And in no major poet, near the beginning of the modern era, is this problem met more directly than it is in Keats. The way in which Keats was somehow able, after the age of twenty-two, to confront this dilemma, and to transcend it, has fascinated every major poet who has used the English language since Keats's death and also every major critic since the Victorian era.\" \u003cp\u003e\u003c\/p\u003eMr. Bate has availed himself of all new biographical materials, published and unpublished, and has used them selectively and without ostentation, concentrating on the things that were meaningful to Keats. Similarly, his discussions of the poetry are not buried beneath the controversies of previous critics. He approaches the poems freshly and directly, showing their relation to Keats's experience and emotions, to premises and values already explored in the biographical narrative. The result is a book of many dimensions, not a restricted critical or biographical study but a fully integrated whole.\u003cbr\u003e","brand":"Belknap Press","offers":[{"title":"Default Title","offer_id":50326960046354,"sku":"9780674478251","price":57.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_da8d5aa6-de4f-43ed-aa0b-2b691d4159c1.jpg?v=1727707443"},{"product_id":"milton-and-the-making-of-paradise-lost-9780674971073","title":"Milton and the Making of Paradise Lost","description":"\u003cp\u003e\u003ci\u003eMilton and the Making of Paradise Lost\u003c\/i\u003e tells the story of John Milton's life as England's self-elected national poet and explains how the single greatest poem of the English language came to be written. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eIn early 1642 Milton--an obscure private schoolmaster--promised English readers a work of literature so great that \"they should not willingly let it die.\" Twenty-five years later, toward the end of 1667, the work he had pledged appeared in print: the epic poem \u003ci\u003eParadise\u003c\/i\u003e\u003ci\u003e Lost. \u003c\/i\u003eIn the interim, however, the poet had gone totally blind and had also become a controversial public figure--a man who had argued for the abolition of bishops, freedom of the press, the right to divorce, and the prerogative of a nation to depose and put to death an unsatisfactory ruler. These views had rendered him an outcast. \u003cp\u003e\u003c\/p\u003eWilliam Poole devotes particular attention to Milton's personal situation: his reading and education, his ambitions and anxieties, and the way he presented himself to the world. Although always a poet first, Milton was also a theologian and civil servant, vocations that informed the composition of his masterpiece. At the emotional center of this narrative is the astounding fact that Milton lost his sight in 1652. How did a blind man compose this staggeringly complex, intensely visual work? Poole opens up the epic worlds and sweeping vistas of Milton's masterpiece to modern readers, first by exploring Milton's life and intellectual preoccupations and then by explaining the poem itself--its structure, content, and meaning.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003ePoole, William:\u003c\/i\u003e\u003c\/b\u003e - William Poole is John Galsworthy Fellow and Tutor in English, New College, University of Oxford.","brand":"Harvard University Press","offers":[{"title":"Default Title","offer_id":50326990848274,"sku":"9780674971073","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_fe59ea9d-014d-4b0f-9fc8-54b04761ffbe.jpg?v=1727707999"},{"product_id":"hearing-things-the-work-of-sound-in-literature-9780674983496","title":"Hearing Things: The Work of Sound in Literature","description":"\u003cp\u003e\u003ci\u003eHearing Things \u003c\/i\u003eis a meditation on sound's work in literature. Drawing on critical works and the commentaries of many poets and novelists who have paid close attention to the role of the ear in writing and reading, Angela Leighton offers a reconsideration of literature itself as an exercise in hearing. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eAn established critic and poet, Leighton explains how we listen to the printed word, while showing how writers use the expressivity of sound on the silent page. Although her focus is largely on poets--Alfred Tennyson, W. B. Yeats, Robert Frost, Walter de la Mare, Wallace Stevens, Elizabeth Bishop, Jorie Graham, and Alice Oswald--Leighton's scope includes novels, letters, and philosophical writings as well. Her argument is grounded in the specificity of the text under discussion, but one important message emerges from the whole: literature by its very nature commands listening, and listening is a form of understanding that has often been overlooked. \u003ci\u003eHearing Things \u003c\/i\u003eoffers a renewed call for the kind of criticism that, avoiding the programmatic or purely ideological, remains alert to the work of sound in every literary text.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eLeighton, Angela:\u003c\/i\u003e\u003c\/b\u003e - Angela Leighton is Professor of English and Senior Research Fellow at Trinity College, University of Cambridge.","brand":"Belknap Press","offers":[{"title":"Default Title","offer_id":50327003136274,"sku":"9780674983496","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_8254a035-a883-45cb-aef6-3afff416edd9.jpg?v=1727708134"},{"product_id":"as-i-walked-out-one-evening-songs-ballads-lullabies-limericks-and-other-light-verse-9780679761709","title":"As I Walked Out One Evening: Songs, Ballads, Lullabies, Limericks, and Other Light Verse","description":"W. H. Auden once defined light verse as the kind that is written by poets who are democratically in tune with their audience and whose language is straightforward and close to general speech. Given that definition, the 123 poems in this collection all qualify; they are as accessible as popular songs yet have the wisdom and profundity of the greatest poetry. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eAs I Walked Out One Evening\u003c\/b\u003e contains some of Auden's most memorable verse: \"Now Through the Night's Caressing Grip,\" \"Lullaby: Lay your Sleeping Head, My Love,\" \"Under Which Lyre,\" and \"Funeral Blues.\" Alongside them are less familiar poems, including seventeen that have never before appeared in book form. Here, among toasts, ballads, limericks, and even a foxtrot, are \"Song: The Chimney Sweepers,\" a jaunty evocation of love, and the hilarious satire \"Letter to Lord Byron.\" By turns lyrical, tender, sardonic, courtly, and risqu , \u003cb\u003eAs I Walked Out One Evening\u003c\/b\u003e is Auden at his most irresistible and affecting.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eW. H. Auden\u003c\/b\u003e (1907-1973) was one of the wittiest and most worldly of English poetry's great twentieth century masters. His work ranges from the political to the religious, from the urbane to the romantic. He is also, with his exhilarating lyrical power and understanding of love and longing in all their sacred and profane guises, an exemplary champion of human wisdom in its encounter with the mysteries of experience. More than any other poet, Auden used his poetry as an instrument to study the massive forces, dramas, and upheavals of the twentieth century, and his work displays an astonishing range of voice and breadth of concern.\u003cbr\u003e","brand":"Vintage","offers":[{"title":"Default Title","offer_id":50327029481746,"sku":"9780679761709","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_7c6af511-cda7-4f8a-ac23-aa4f4e9d42c9.jpg?v=1727708529"},{"product_id":"the-satanic-epic-9780691113395","title":"The Satanic Epic","description":"\u003cp\u003eThe Satan of \u003ci\u003eParadise Lost\u003c\/i\u003e has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. 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And by rooting his Satanic reading of \u003ci\u003eParadise Lost\u003c\/i\u003e in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eNeil Forsyth\u003c\/b\u003e is Professor of English Literature at the University of Lausanne and the author of \u003ci\u003eThe Old Enemy: Satan and the Combat Myth\u003c\/i\u003e (Princeton).\u003cbr\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":50327142924562,"sku":"9780691113395","price":65.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_42a33f5d-3b60-477a-8055-b70322febaad.jpg?v=1727710473"},{"product_id":"the-sea-and-the-mirror-a-commentary-on-shakespeares-the-tempest-9780691123844","title":"The Sea and the Mirror: A Commentary on Shakespeare's \"the Tempest\"","description":"\u003cp\u003eWritten in the midst of World War II after its author emigrated to America, \"The Sea and the Mirror\" is not merely a great poem but ranks as one of the most profound interpretations of Shakespeare's final play in the twentieth century. 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David Quint's comprehensive study demonstrates how systematic patterns of allusion and keywords give structure and coherence both to individual books of \u003ci\u003eParadise Lost\u003c\/i\u003e and to the overarching relationship among its books and episodes. Looking at poems within the poem, Quint provides new interpretations as he takes readers through the major subjects of \u003ci\u003eParadise Lost\u003c\/i\u003e--its relationship to epic tradition and the Bible, its cosmology and politics, and its dramas of human choice. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eQuint shows how Milton radically revises the epic tradition and the Genesis story itself by arguing that it is better to create than destroy, by telling the reader to make love, not war, and by appearing to ratify Adam's decision to fall and die with his wife. The Milton of this \u003ci\u003eParadise Lost\u003c\/i\u003e is a Christian humanist who believes in the power and freedom of human moral agency. 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Kenneth Steven's reflections, inspired by his garden, have been compiled into a collection of short, enlightening pieces full of wonder at the variety, beauty, determination and sheer audacity of nature in a confined space. Each of these deeply spiritual writings is accompanied by a poem, each complementing the other and making the known world new in this handsome hardback volume.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eSteven, Kenneth:\u003c\/i\u003e\u003c\/b\u003e - Over the past 20 years, Kenneth Steven has become one of the country's most popular poets. Drawing on a quiet Celtic spirituality and a love of wild Scotland, his engaging poetry offers us something beautiful, evocative, moving and captivating. He is also a highly successful broadcaster, featuring regularly on national radio. 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In this timely study, Onno Oerlemans extends these current eco-critical views by synthesizing a range of viewpoints from the Romantic period. He explores not only the ideas of poets and artists, but also those of philosophers, scientists, and explorers.\u003c\/p\u003e\u003cp\u003eOerlemans grounds his discussion in the works of specific Romantic authors, especially Wordsworth and Shelley, but also draws liberally on such fields as literary criticism, the philosophy of science, travel literature, environmentalist policy, art history, biology, geology, and genetics, creating a fertile mix of historical analysis, cultural commentary, and close reading. Through this, we discover that the Romantics understood how they perceived the physical world, and how they distorted and abused it. Oerlemans's wide-ranging study adds much to our understanding of Romantic-period thinkers and their relationship to the natural world.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eOnno Oerlemans\u003c\/b\u003e is an associate professor in the Department of English at Hamilton College.\u003cbr\u003e","brand":"University of Toronto Press","offers":[{"title":"Default Title","offer_id":50328350294290,"sku":"9780802086976","price":63.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_45178247-eae3-4665-8383-b7133420e5df.jpg?v=1727736527"},{"product_id":"a-trick-of-sunlight-poems-9780804010894","title":"A Trick of Sunlight: Poems","description":"\u003cp\u003eIn his new collection of poems, Dick Davis, the acclaimed author of \u003ci\u003eBelonging\u003c\/i\u003e, addresses themes that he has long worked with-travel, the experience of being a stranger, the clash of cultures, the vagaries of love, the pleasures and epiphanies of meaning that art allows us. But \u003ci\u003eA Trick of Sunlight\u003c\/i\u003e introduces a new theme that revolves around the idea of happiness-is it possible, must it be illusory, is its fleetingness an essential part of its nature so that disillusion is inevitable?\u003c\/p\u003e \u003cp\u003eMany of the poems are shaded by the poet's awareness of growing older, and by the ways that this both shuts down many of life's possibilities and frees us from their demands. The levity of some verses here is something of a departure for Davis, but his insights can be mordant too, revealing darknesses as often as they invoke frivolity.\u003c\/p\u003e \u003cp\u003eAs Davis's readers have come to expect, the poems in \u003ci\u003eA Trick of Sunlight\u003c\/i\u003e. aim at the aesthetic satisfactions that accompany accurate observations expressed with wit, intelligence, and grace. But they achieve as well an immediacy and rawness of vision that seem to belie his careful craft.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eDick Davis\u003c\/b\u003e was born in Portsmouth, England. He is a professor of Persian at Ohio State University. He has published translations of prose from Italian and poetry and prose from Persian, and six books of his own poetry. 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In \"The Fuchsia Blaze,\" Delanty writes: \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e The purple petticoated \u003cbr\u003e \u0026amp; crimson frocks\u003cbr\u003e of the open flowers\u003cbr\u003e are known as Dancers, blown by the fast \u0026amp; slow\u003cbr\u003e airs of the wind;\u003cbr\u003e one minute sean-n s melancholy, \u003cbr\u003e the next jigging \u0026amp; reeling \u003cbr\u003e like Irish character itself \u003cbr\u003e \u0026amp; like these, my fuchsia verse, \u003cbr\u003e struggling to escape \u003cbr\u003e the English garden\u003cbr\u003e \u0026amp; flourish\u003cbr\u003e in a wilder landscape \u003cp\u003e\u003c\/p\u003eIn many of the poems Delanty evokes the Ireland that was and is, while in others he mourns the loss of a lover, the death of his father, separation from his mother. In \"The Emigrant's Apology,\" through a haunting image of a black-scarfed woman worshiping alone, he describes his mother, who, with the loss of her husband and the scattering of her family, is a symbol of the grief of separation from his mother. In \"The Emigrant's Apology,\" through a haunting image of a black-scarfed woman worshiping alone, he describes his mother, who, with the loss of her husband and the scattering of her family, is a symbol of the grief of separation. \u003cp\u003e\u003c\/p\u003e Always home in the natural world, even in his adopted landscape, Delanty closes the book with a handful of poems set in the United States. The imagery of these latter poems ranges from a quiet pond in southern Florida to a military base on the border of Canada, and their concerns range from the personal to the political.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eGreg Delanty\u003c\/b\u003e was born in Cork City, Ireland, and maintains dual citizenship in Ireland and the United States, where he now lives. He is the author of \u003ci\u003eThe Ship of Birth\u003c\/i\u003e and \u003ci\u003eThe Blind Stitch\u003c\/i\u003e, among many other books, and he has received numerous awards for his poetry, including a 2008 Guggenheim Fellowship.\u003cbr\u003e","brand":"LSU Press","offers":[{"title":"Default Title","offer_id":50328596742418,"sku":"9780807117347","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_5bb02471-d1a8-496b-ad47-1cf86a352815.jpg?v=1727745012"},{"product_id":"book-seventeen-poems-9780807159705","title":"Book Seventeen: Poems","description":"\u003cp\u003ePurporting to be a \"lost\" seventeenth book of the 16-volume Anthologia Graeca, Book Seventeen uses the themes and images of ancient mythology to conjure a new way of looking at our modern world. Gods of all types line the pages of this collection, from those deities that only operate in our personal spaces-the poet's companion, the demigod Solitude, as well as the elusive god of Complicity-to more familiar divinities in unfamiliar roles, such as Helios shopping in an outdoor market in Paris, or an aging Aphrodite in a short skirt chatting with visitors to an unfamiliar city. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003ePithy and humorous, reverential and impudent, Greg Delanty's poems showcase the author's keen eye for the mythologies on which we depend to make sense of our messy, bewildering lives.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eGREG DELANTY was born in Cork City, Ireland, and maintains dual citizenship in Ireland and the United States, where he now lives. 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Produced under the editorial supervision of Jonathan Bate and Eric Rasmussen, two of today's most accomplished Shakespearean scholars, \u003cb\u003eThe Sonnets and Other Poems\u003c\/b\u003e includes all of Shakespeare's sonnets, the long narrative poems \"Venus and Adonis\" and \"The Rape of Lucrece,\" and several other shorter works. \u003cp\u003e\u003c\/p\u003eIncorporating definitive texts and authoritative notes from \u003cb\u003eWilliam Shakespeare: Complete Works\u003c\/b\u003e, this unique volume also includes an expanded Introduction by Jonathan Bate that places the poems in literary and historical context and illuminates their relationship to Shakespeare's dramatic writing. Also featured are key facts about the individual selections; an index of the first lines of the sonnets; a chronology of Shakespeare's life and times; and recommendations for further reading. \u003cp\u003e\u003c\/p\u003eIdeal for students and general readers alike, this modern and accessible edition sets a new standard in Shakespearean literature for the twenty-first century.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eWilliam Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King's New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as \"an upstart crow, beautified with our feathers.\" Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain's Men (later under James I, called the King's Men). In 1599 the Lord Chamberlain's Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare's plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including \u003ci\u003eSir Thomas More\u003c\/i\u003e and \u003ci\u003eThe Two Noble Kinsmen\u003c\/i\u003e, and he wrote poems, including \u003ci\u003eVenus and Adonis\u003c\/i\u003e and \u003ci\u003eThe Rape of Lucrece\u003c\/i\u003e. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as \u003cb\u003eThe Tempest\u003c\/b\u003e and \u003cb\u003eHenry VII\u003c\/b\u003e until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. 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