{"title":"Art History Books","description":"\u003cp data-start=\"62\" data-end=\"149\"\u003eStep into the world of art and discover how creativity shaped culture across centuries.\u003c\/p\u003e\n\u003cp data-start=\"151\" data-end=\"510\"\u003eArt history reveals how painters, designers, illustrators, and cultural movements reflected—and transformed—the societies around them. From Monet’s impressionist landscapes and Nordic artistic identity to contemporary art movements and African American cultural expression, these books offer structured insight into visual storytelling and artistic evolution.\u003c\/p\u003e\n\u003cp data-start=\"512\" data-end=\"601\"\u003eExplore our \u003cstrong data-start=\"524\" data-end=\"545\"\u003eArt History Books\u003c\/strong\u003e collection and experience the power of art across time.\u003c\/p\u003e\n\u003cp data-start=\"512\" data-end=\"601\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/Copy_of_Copy_of_Copy_of_Copy_of_photo_-_2026-02-26T102156.283.webp?v=1772097844\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"1wildli\" data-start=\"603\" data-end=\"628\"\u003eWhy Study Art History?\u003c\/h2\u003e\n\u003cp data-start=\"630\" data-end=\"665\"\u003eArt history resources help readers:\u003c\/p\u003e\n\u003cul data-start=\"667\" data-end=\"891\"\u003e\n\u003cli data-section-id=\"aj0t3k\" data-start=\"667\" data-end=\"711\"\u003e\n\u003cp data-start=\"669\" data-end=\"711\"\u003eUnderstand artistic movements and styles\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1vlkcm6\" data-start=\"712\" data-end=\"767\"\u003e\n\u003cp data-start=\"714\" data-end=\"767\"\u003eExplore cultural identity through visual expression\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"s98ne8\" data-start=\"768\" data-end=\"801\"\u003e\n\u003cp data-start=\"770\" data-end=\"801\"\u003eStudy regional art traditions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1p266li\" data-start=\"802\" data-end=\"841\"\u003e\n\u003cp data-start=\"804\" data-end=\"841\"\u003eEngage with contemporary art theory\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1w6fg25\" data-start=\"842\" data-end=\"891\"\u003e\n\u003cp data-start=\"844\" data-end=\"891\"\u003eIntroduce younger readers to artistic masters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"893\" data-end=\"963\"\u003eArt reflects social change, political identity, and human imagination.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1jowheg\" data-start=\"965\" data-end=\"996\"\u003eImpressionism \u0026amp; Claude Monet\u003c\/h2\u003e\n\u003cp data-start=\"998\" data-end=\"1079\"\u003eImpressionism redefined how light, color, and atmosphere were captured on canvas.\u003c\/p\u003e\n\u003cp data-start=\"1081\" data-end=\"1263\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMonet: The Pop-Up Book\u003c\/span\u003e\u003c\/span\u003e brings Claude Monet’s iconic works to life through interactive design, making Impressionist art accessible and engaging for readers of all ages.\u003c\/p\u003e\n\u003cp data-start=\"1265\" data-end=\"1312\"\u003eMonet’s landscapes transformed modern painting.\u003c\/p\u003e\n\u003ch2 data-section-id=\"4d6o8b\" data-start=\"1314\" data-end=\"1347\"\u003eNordic Art \u0026amp; Cultural Identity\u003c\/h2\u003e\n\u003cp data-start=\"1349\" data-end=\"1421\"\u003eScandinavian art reflects both natural landscapes and cultural heritage.\u003c\/p\u003e\n\u003cp data-start=\"1423\" data-end=\"1544\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eNordic Art and Way of Life: Art World, Artists and Themes\u003c\/span\u003e\u003c\/span\u003e explores how Nordic artists express themes of environment, community, and identity.\u003c\/p\u003e\n\u003cp data-start=\"1546\" data-end=\"1594\"\u003eRegional art often captures the spirit of place.\u003c\/p\u003e\n\u003cp data-start=\"1546\" data-end=\"1594\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/Copy_of_Copy_of_Copy_of_Copy_of_photo_-_2026-02-26T102205.450.webp?v=1772097866\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"uf0ju8\" data-start=\"1596\" data-end=\"1635\"\u003eContemporary Art \u0026amp; Modern Expression\u003c\/h2\u003e\n\u003cp data-start=\"1637\" data-end=\"1711\"\u003eThe 20th and 21st centuries brought new forms of artistic experimentation.\u003c\/p\u003e\n\u003cp data-start=\"1713\" data-end=\"1879\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eContemporary Art (Art Essentials)\u003c\/span\u003e\u003c\/span\u003e provides an introduction to modern art movements, conceptual frameworks, and influential artists shaping today’s visual culture.\u003c\/p\u003e\n\u003cp data-start=\"1881\" data-end=\"1951\"\u003eContemporary art challenges tradition and expands creative boundaries.\u003c\/p\u003e\n\u003ch2 data-section-id=\"h29uh0\" data-start=\"1953\" data-end=\"1995\"\u003eAfrican American Art \u0026amp; Cultural Shaping\u003c\/h2\u003e\n\u003cp data-start=\"1997\" data-end=\"2082\"\u003eArt has played a central role in expressing African American identity and experience.\u003c\/p\u003e\n\u003cp data-start=\"2084\" data-end=\"2216\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDream a World Anew: The African American Experience and the Shaping of America\u003c\/span\u003e\u003c\/span\u003e examines how African American artists contributed to national culture and historical dialogue.\u003c\/p\u003e\n\u003cp data-start=\"2218\" data-end=\"2272\"\u003eArt often becomes a vehicle for social transformation.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1867gvd\" data-start=\"2274\" data-end=\"2311\"\u003eCreative Play \u0026amp; Visual Exploration\u003c\/h2\u003e\n\u003cp data-start=\"2313\" data-end=\"2380\"\u003eArt history can also include interactive and design-based learning.\u003c\/p\u003e\n\u003cp data-start=\"2382\" data-end=\"2537\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSticker Emporium: Woodlandia\u003c\/span\u003e\u003c\/span\u003e encourages artistic exploration through nature-inspired sticker design, blending creativity with visual storytelling.\u003c\/p\u003e\n\u003cp data-start=\"2539\" data-end=\"2603\"\u003eCreative tools foster artistic curiosity in readers of all ages.\u003c\/p\u003e\n\u003cp data-start=\"2539\" data-end=\"2603\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/Copy_of_Copy_of_Copy_of_Copy_of_photo_-_2026-02-26T102213.109.webp?v=1772097887\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"lteaku\" data-start=\"2605\" data-end=\"2640\"\u003eArt History as Cultural Dialogue\u003c\/h2\u003e\n\u003cp data-start=\"2642\" data-end=\"2668\"\u003eArt History Books support:\u003c\/p\u003e\n\u003cul data-start=\"2670\" data-end=\"2832\"\u003e\n\u003cli data-section-id=\"1gwcc87\" data-start=\"2670\" data-end=\"2697\"\u003e\n\u003cp data-start=\"2672\" data-end=\"2697\"\u003eArtistic movement study\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1hs4lxm\" data-start=\"2698\" data-end=\"2731\"\u003e\n\u003cp data-start=\"2700\" data-end=\"2731\"\u003eRegional identity exploration\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"16lw787\" data-start=\"2732\" data-end=\"2775\"\u003e\n\u003cp data-start=\"2734\" data-end=\"2775\"\u003eCultural and social commentary analysis\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"l5h5qq\" data-start=\"2776\" data-end=\"2807\"\u003e\n\u003cp data-start=\"2778\" data-end=\"2807\"\u003eVisual literacy development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1ya5tv5\" data-start=\"2808\" data-end=\"2832\"\u003e\n\u003cp data-start=\"2810\" data-end=\"2832\"\u003eCreative inspiration\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2834\" data-end=\"2888\"\u003eArt connects aesthetic beauty with historical context.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1jodecq\" data-start=\"2890\" data-end=\"2919\"\u003eFeatured Art History Books\u003c\/h2\u003e\n\u003cp data-start=\"2921\" data-end=\"3022\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/monet-the-pop-up-book-9783791377476?_pos=1\u0026amp;_sid=d6aeb241b\u0026amp;_ss=r\"\u003e\u003cstrong data-start=\"2921\" data-end=\"2947\"\u003eMonet: The Pop-Up Book\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-start=\"2947\" data-end=\"2950\"\u003eAn interactive exploration of Claude Monet’s Impressionist masterpieces.\u003c\/p\u003e\n\u003cp data-start=\"3024\" data-end=\"3130\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/nordic-art-and-way-of-life-art-world-artists-and-themes-9780300276275?_pos=1\u0026amp;_sid=bb6317b6e\u0026amp;_ss=r\"\u003e\u003cstrong data-start=\"3024\" data-end=\"3085\"\u003eNordic Art and Way of Life: Art World, Artists and Themes\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-start=\"3085\" data-end=\"3088\"\u003eA study of Scandinavian artistic identity.\u003c\/p\u003e\n\u003cp data-start=\"3132\" data-end=\"3227\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/contemporary-art-art-essentials-9780500296707?_pos=1\u0026amp;_sid=4cfd80758\u0026amp;_ss=r\"\u003e\u003cstrong data-start=\"3132\" data-end=\"3169\"\u003eContemporary Art (Art Essentials)\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-start=\"3169\" data-end=\"3172\"\u003eAn introduction to modern artistic movements and ideas.\u003c\/p\u003e\n\u003cp data-start=\"3229\" data-end=\"3375\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/dream-a-world-anew-the-african-american-experience-and-the-shaping-of-america-9781588348227?_pos=1\u0026amp;_sid=02c61c19d\u0026amp;_ss=r\"\u003e\u003cstrong data-start=\"3229\" data-end=\"3311\"\u003eDream a World Anew: The African American Experience and the Shaping of America\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-start=\"3311\" data-end=\"3314\"\u003eA cultural history of African American artistic contribution.\u003c\/p\u003e\n\u003cp data-start=\"3377\" data-end=\"3467\"\u003e\u003ca href=\"https:\/\/surprisecastle.com\/products\/sticker-emporium-woodlandia-9781646389155?_pos=1\u0026amp;_sid=2b2d05dde\u0026amp;_ss=r\"\u003e\u003cstrong data-start=\"3377\" data-end=\"3409\"\u003eSticker Emporium: Woodlandia\u003c\/strong\u003e\u003c\/a\u003e\u003cbr data-start=\"3409\" data-end=\"3412\"\u003eA creative, nature-inspired interactive art experience.\u003c\/p\u003e\n\u003cp data-start=\"3377\" data-end=\"3467\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/Copy_of_Copy_of_Copy_of_Copy_of_photo_-_2026-02-26T102225.543.webp?v=1772097909\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"5o2ag6\" data-start=\"3469\" data-end=\"3512\"\u003eHow to Choose the Right Art History Book\u003c\/h2\u003e\n\u003cp data-start=\"3514\" data-end=\"3553\"\u003eLet your interest guide your selection:\u003c\/p\u003e\n\u003cul data-start=\"3555\" data-end=\"3813\"\u003e\n\u003cli data-section-id=\"ywzfpd\" data-start=\"3555\" data-end=\"3605\"\u003e\n\u003cp data-start=\"3557\" data-end=\"3605\"\u003eImpressionism: Monet and 19th-century painting\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"qzzzsh\" data-start=\"3606\" data-end=\"3649\"\u003e\n\u003cp data-start=\"3608\" data-end=\"3649\"\u003eRegional traditions: Nordic art studies\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1wtnrwz\" data-start=\"3650\" data-end=\"3698\"\u003e\n\u003cp data-start=\"3652\" data-end=\"3698\"\u003eModern movements: contemporary art overviews\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"xqsrjv\" data-start=\"3699\" data-end=\"3753\"\u003e\n\u003cp data-start=\"3701\" data-end=\"3753\"\u003eCultural impact: African American artistic history\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"m151vn\" data-start=\"3754\" data-end=\"3813\"\u003e\n\u003cp data-start=\"3756\" data-end=\"3813\"\u003eCreative engagement: interactive and design-based books\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3815\" data-end=\"3882\"\u003eArt history offers both scholarly insight and hands-on inspiration.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1k5q749\" data-start=\"3884\" data-end=\"3894\"\u003eSummary\u003c\/h2\u003e\n\u003cp data-start=\"3896\" data-end=\"3968\"\u003e\u003cstrong data-start=\"3896\" data-end=\"3917\"\u003eArt History Books\u003c\/strong\u003e reveal how creativity shapes culture and identity.\u003c\/p\u003e\n\u003cul data-start=\"3970\" data-end=\"4113\"\u003e\n\u003cli data-section-id=\"1ntnplu\" data-start=\"3970\" data-end=\"4017\"\u003e\n\u003cp data-start=\"3972\" data-end=\"4017\"\u003eFocused on artistic innovation and movement\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1v669dq\" data-start=\"4018\" data-end=\"4061\"\u003e\n\u003cp data-start=\"4020\" data-end=\"4061\"\u003eGrounded in regional and cultural study\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"19qj59m\" data-start=\"4062\" data-end=\"4113\"\u003e\n\u003cp data-start=\"4064\" data-end=\"4113\"\u003eDesigned to inspire appreciation and creativity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"4115\" data-end=\"4331\"\u003eFrom Monet’s luminous landscapes and Nordic artistic traditions to contemporary expression and African American cultural art history, these books provide structured pathways into the evolving world of visual culture.\u003c\/p\u003e\n\u003cp data-start=\"4333\" data-end=\"4412\"\u003eExplore \u003cstrong data-start=\"4341\" data-end=\"4362\"\u003eArt History Books\u003c\/strong\u003e and discover how art tells the story of humanity.\u003c\/p\u003e","products":[{"product_id":"mona-lisa-the-history-of-the-worlds-most-famous-painting-9780007106158","title":"Mona Lisa: The History of the World's Most Famous Painting","description":"\u003cp\u003eA narrative history of how Leonardo da Vinci's painting of the Mona Lisa came to be the most famous in the world - and one of the most powerful cultural icons of our time.\u003c\/p\u003e \u003cp\u003eWhat has made the Mona Lisa the most famous picture in the world? Why is it that, of all the 6,000 paintings in the Louvre, it is the only one to be exhibited in a special box, set in concrete and protected by two sheets of bulletproof glass? Why do thousands of visitors throng to see it every day, ignoring the masterpieces which surround it?\u003c\/p\u003e \u003cp\u003eFor nearly 500 years the painting - and the mysterious smile on the face of the sitter - has been a source of mystery, speculation and reverence. In this groundbreaking new book Donald Sassoon describes not only the Mona Lisa and its history, but its mythology, and the processes which combined to raise it to its current unrivalled level of fame. He examines Leonardo's innovative techniques; the problems concerning the identity of the sitter; what happened to the painting after it left Italy when Leonardo joined King François I's court in France; the copies made in the 17th century; its celebration by 19th-century intellectuals; its theft and disappearance early in the 20th century; the surrealists', other avant-garde artists' and cartoonists' uses of it; its appropriation by the advertising industry; and the never-ending flood of new and 'conclusive' theories about Mona Lisa's smile.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eDonald Sassoon is Professor of Comparative European History at Queen Mary, University of London. He is author of several books, including Contemporary Italy: Politics, Economy and Society Since 1945 and One Hundred Years of Socialism (Fontana 1997).\u003c\/p\u003e\u003cbr\u003e","brand":"HarperCollins","offers":[{"title":"Default Title","offer_id":50317775274258,"sku":"9780007106158","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_625e274b-a323-4ccb-a883-a73f9b51d286.jpg?v=1727539849"},{"product_id":"the-portland-vase-the-extraordinary-odyssey-of-a-mysterious-roman-treasure-9780060511005","title":"The Portland Vase: The Extraordinary Odyssey of a Mysterious Roman Treasure","description":"\u003cp\u003eFor thousands of years an enigmatic and astonishingly beautiful piece of Roman art has captivated those who have come in contact with it.Made before the birth of Christ, the Portland Vase, as it is called, is renowned for both its beauty and its mystery.\u003c\/p\u003e\u003cp\u003eIn \u003cem\u003eThe Portland Vase\u003c\/em\u003e, Robin Brooks takes us on a vivid journey across Europe and through the centuries, as this delicate piece of glass, less than ten inches in height, passes through the hands of a stunning cast of characters, including the first Roman emperor, Augustus; a notorious tomb raider; a reckless cardinal; a princess with a nasty gambling habit; the ceramics genius Josiah Wedgwood; the secretive Duchess of Portland; and a host of politicians, dilettantes, and scam artists.\u003c\/p\u003e\u003cp\u003eRich with passion, inspiration, jealousy, and endless speculation, the story of The Portland Vase spans more than two thousand years and remains one of the art world's greatest enigmas.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eBrooks, Robin:\u003c\/i\u003e\u003c\/b\u003e - \u003cp\u003eRobin Brooks is an actor and author living in England. He has written several plays for BBC Radio. This is his first book.\u003c\/p\u003e","brand":"Harper Perennial","offers":[{"title":"Default Title","offer_id":50317790642450,"sku":"9780060511005","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_5dc6961a-7736-4308-b1d6-77f9990be726.jpg?v=1727540460"},{"product_id":"1963-the-year-of-the-revolution-9780062120458","title":"1963: The Year of the Revolution","description":"\u003cp\u003e\u003cstrong\u003eBeginning in London and ricocheting across the Atlantic, \u003cem\u003e1963: The Year of the Revolution\u003c\/em\u003e is an oral history of twelve months that changed our world--the Youth Quake movement--and laid the foundations for the generation of today.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAriel Leve and Robin Morgan's oral history is the first book to recount the kinetic story of the twelve months that witnessed a demographic power shift--the rise of the Youth Quake movement, a cultural transformation through music, fashion, politics, theater, and film. Leve and Morgan detail how, for the first time in history, youth became a commercial and cultural force with the power to command the attention of government and religion and shape society.\u003c\/p\u003e\u003cp\u003eWhile the Cold War began to thaw, the race into space heated up, feminism and civil rights percolated in politics, and JFK's assassination shocked the world, the Beatles and Bob Dylan would emerge as poster boys and the prophet of a revolution that changed the world.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e1963: The Year of the Revolution\u003c\/em\u003e records, documentary-style, the incredible roller-coaster ride of those twelve months, told through the recollections of some of the period's most influential figures--from Keith Richards to Mary Quant, Vidal Sassoon to Graham Nash, Alan Parker to Peter Frampton, Eric Clapton to Gay Talese, Stevie Nicks to Norma Kamali, and many more.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eLeve, Ariel:\u003c\/i\u003e\u003c\/b\u003e - \u003cp\u003eAriel Leve is an award-winning journalist who has written for the \u003cem\u003eGuardian\u003c\/em\u003e, \u003cem\u003eFinancial Times Magazine\u003c\/em\u003e, the \u003cem\u003eTelegraph\u003c\/em\u003e, the \u003cem\u003eObserver\u003c\/em\u003e, and the London \u003cem\u003eSunday Times Magazine\u003c\/em\u003e, where she was a senior writer and a columnist. At the British Press Awards she was short-listed twice for Interviewer of the Year and Highly Commended twice. Her books include \u003cem\u003eIt Could Be Worse, You Could Be Me.\u003c\/em\u003e\u003c\/p\u003e\u003cb\u003e\u003ci\u003eMorgan, Robin:\u003c\/i\u003e\u003c\/b\u003e - \u003cp\u003eRobin Morgan is a multiple award-winning British journalist and editor who was the longest-serving editor-in-chief of the London \u003cem\u003eSunday Times Magazine\u003c\/em\u003e, from 1991 to 2009. He has worked as a news editor, foreign correspondent, and investigative journalist and was awarded British Campaigning Journalist of the Year twice. 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In order to be objective, we create a \"mental space\" between ourselves and the objects of our investigation, separating internal and external worlds. This detachment dates back to the early modern period, when researchers in a wide variety of fields tried to describe material objects as \"things in themselves\"-things, that is, without the admixture of imagination. Generations of scholars have heralded this shift as the Renaissance \"discovery\" of the observable world. \u003cp\u003e\u003c\/p\u003e In \u003ci\u003ePoetry in a World of Things, \u003c\/i\u003e Rachel Eisendrath explores how poetry responded to this new detachment by becoming a repository for a more complex experience of the world. The book focuses on \u003ci\u003eekphrasis\u003c\/i\u003e, the elaborate literary description of a thing, as a mode of resistance to this new empirical objectivity. Poets like Petrarch, Spenser, Marlowe, and Shakespeare crafted highly artful descriptions that recovered the threatened subjective experience of the material world. In so doing, these poets reflected on the emergence of objectivity itself as a process that was often darker and more painful than otherwise acknowledged. This highly original book reclaims subjectivity as a decidedly poetic and human way of experiencing the material world and, at the same time, makes a case for understanding art objects as fundamentally unlike any other kind of objects.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eRachel Eisendrath\u003c\/b\u003e is assistant professor of English and chair of Medieval and Renaissance Studies at Barnard College, Columbia University. \u003cbr\u003e\u003cbr\u003e","brand":"University of Chicago Press","offers":[{"title":"Default Title","offer_id":50318493810962,"sku":"9780226516615","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_da1938b6-37cf-4e36-a778-b708cfd5915e.jpg?v=1727556185"},{"product_id":"the-sexuality-of-christ-in-renaissance-art-and-in-modern-oblivion-9780226771878","title":"The Sexuality of Christ in Renaissance Art and in Modern Oblivion","description":"Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. \u003cp\u003e\u003c\/p\u003eThis revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication. \u003cp\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eSteinberg, Leo:\u003c\/i\u003e\u003c\/b\u003e - \u003cp\u003e\u003cb\u003eLeo Steinberg \u003c\/b\u003e(1920-2011) was born in Moscow and raised in Berlin and London, emigrating with his family to New York in 1945. He was a professor of art history at Hunter College, City University of New York, and then Benjamin Franklin Professor at the University of Pennsylvania, where he remained until his retirement in 1990. \u003cbr\u003e \u003c\/p\u003e","brand":"University of Chicago Press","offers":[{"title":"Default Title","offer_id":50318510555410,"sku":"9780226771878","price":50.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_9bbaa897-7edb-4816-8436-b2ee2b2caebd.jpg?v=1727556505"},{"product_id":"image-and-pilgrimage-in-christian-culture-9780231042871","title":"Image and Pilgrimage in Christian Culture","description":"\u003cp\u003eThis classic book, now updated and extensively revised, examines the theological doctrines and popular notions that promote and sustain Christian pilgrimage, including their corresponding symbols and images.\u003c\/p\u003e\u003cbr\u003e","brand":"Columbia University Press","offers":[{"title":"Default Title","offer_id":50318543290642,"sku":"9780231042871","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_e48f7ac8-60cd-426b-9d86-a1c25bf77c05.jpg?v=1737061610"},{"product_id":"the-shape-of-spectatorship-art-science-and-early-cinema-in-germany-9780231134033","title":"The Shape of Spectatorship: Art, Science, and Early Cinema in Germany","description":"Scott Curtis draws our eye to the role of scientific, medical, educational, and aesthetic observation in shaping modern spectatorship. Focusing on the nontheatrical use of motion picture technology in Germany between the 1890s and World War I, he follows researchers, teachers, and intellectuals as they negotiated the fascinating, at times fraught relationship between technology, discipline, and expert vision. As these specialists struggled to come to terms with motion pictures, they advanced new ideas of mass spectatorship that continue to affect the way we make and experience film. Staging a brilliant collision between the moving image and scientific or medical observation, visual instruction, and aesthetic contemplation, \u003ci\u003eThe Shape of Spectatorship\u003c\/i\u003e showcases early cinema's revolutionary impact on society and culture and the challenges the new medium placed on ways of seeing and learning.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eScott Curtis is associate professor in the Department of Radio\/Television\/Film at Northwestern University, director of the Communication Program at Northwestern University in Qatar, and president of Domitor, the international society for the study of early cinema.\u003cbr\u003e","brand":"Columbia University Press","offers":[{"title":"Default Title","offer_id":50318555218194,"sku":"9780231134033","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_e30af22d-6e20-47ca-8112-c99b0839bc54.jpg?v=1727557453"},{"product_id":"industry-and-intelligence-contemporary-art-since-1820-9780231170208","title":"Industry and Intelligence: Contemporary Art Since 1820","description":"The history of modern art is often told through aesthetic breakthroughs that sync well with cultural and political change. From Courbet to Picasso, from Malevich to Warhol, it is accepted that art tracks the disruptions of industrialization, fascism, revolution, and war. Yet filtering the history of modern art only through catastrophic events cannot account for the subtle developments that lead to the profound confusion at the heart of contemporary art. \u003cp\u003e\u003c\/p\u003eIn \u003ci\u003eIndustry and Intelligence\u003c\/i\u003e, the artist Liam Gillick writes a nuanced genealogy to help us appreciate contemporary art's engagement with history even when it seems apathetic or blind to current events. Taking a broad view of artistic creation from 1820 to today, Gillick follows the response of artists to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of contemporary art to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eLiam Gillick is an artist based in New York. His work has been featured in numerous exhibitions, including documenta and the Venice and Berlin Biennales, and he has been nominated for a Turner Prize and Vincent Award. He serves on the graduate committee of the Center for Curatorial Studies and Art in Contemporary Culture at Bard College and was a mentor at the Columbia University School of the Arts from 1997 to 2013.\u003cbr\u003e","brand":"Columbia University Press","offers":[{"title":"Default Title","offer_id":50318578385170,"sku":"9780231170208","price":109.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_024a2fe7-1a12-45f2-b277-a537cb117472.jpg?v=1727558092"},{"product_id":"industry-and-intelligence-contemporary-art-since-1820-9780231170215","title":"Industry and Intelligence: Contemporary Art Since 1820","description":"In Industry and Intelligence, the artist Liam Gillick writes a nuanced genealogy to help us appreciate contemporary art's engagement with history even when it seems apathetic or blind to current events. Taking a broad view of artistic creation from 1820 to today, Gillick follows the response of artists to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of contemporary art to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eLiam Gillick is an artist based in New York. His work has been featured in numerous exhibitions, including documenta and the Venice and Berlin Biennales, and he has been nominated for a Turner Prize and Vincent Award. He serves on the graduate committee of the Center for Curatorial Studies and Art in Contemporary Culture at Bard College and was a mentor at the Columbia University School of the Arts from 1997 to 2013.\u003cbr\u003e","brand":"Columbia University Press","offers":[{"title":"Default Title","offer_id":50318578417938,"sku":"9780231170215","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_317a5aa9-45f3-4090-88e7-f3d85a26ed2d.jpg?v=1727558097"},{"product_id":"women-as-mythmakers-poetry-and-visual-art-by-twentieth-century-women-9780253203250","title":"Women as Mythmakers: Poetry and Visual Art by Twentieth-Century Women","description":"\u003cp\u003e\". . . impressive work of scholarship . . .\" --Exceptional Human Experience\u003c\/p\u003e\u003cbr\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":50318624817426,"sku":"9780253203250","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_a74ceacb-65cf-4aae-8063-f8e8285fed1f.jpg?v=1727559422"},{"product_id":"pastiche-cultural-memory-in-art-film-literature-9780253214454","title":"Pastiche: Cultural Memory in Art, Film, Literature","description":"\u003cp\u003ePastiche\u003cbr\u003eCultural Memory in Art, Film, Literature\u003cbr\u003e\u003cbr\u003eIngeborg Hoesterey\u003cbr\u003e\u003cbr\u003eTraces the rise of the pastiche in the arts and popular culture.\u003cbr\u003e\u003cbr\u003eIn the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. \u003cbr\u003e\u003cbr\u003ePostmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the \"Shock of the New\" or--in the case of architects--the functionalism of the International style.\u003cbr\u003e\u003cbr\u003eIngeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualität von Literatur und Kunst in der Moderne\/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology.\u003cbr\u003eMarch 2001\u003cbr\u003e160 pages, 20 b\u0026amp;w photos, 6 1\/8 x 9 1\/4\u003cbr\u003ecloth0-253-33880-8$45.95 L \/  34.00\u003cbr\u003epaper0-253-21445-9$19.95 s \/  15.50\u003cbr\u003e\u003cbr\u003eContents\u003cbr\u003eA Discourse History of Pasticcio and Pastiche\u003cbr\u003ePastiche in the Visual Arts\u003cbr\u003eCinematic Pastiche\u003cbr\u003eLiterary Pastiche\u003cbr\u003ePastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles\u003cbr\u003eCoda\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIngeborg Hoesterey is Professor of Comparative Literature and Germanic Studies at Indiana University. She is author of Verschlungene Schriftzeichen: Intertextualitat von Literatur und Kunst in der Moderne\/Postmoderne, editor of Zeitgeist in Babel: The Postmodernist Controversy, and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century, and Neverending Stories: Toward a Critical Narratology.\u003c\/p\u003e\u003cbr\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":50318659027218,"sku":"9780253214454","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_3e5505b8-6941-40ed-8e8e-e6c111759395.jpg?v=1727559655"},{"product_id":"gerhard-richter-9780262513128","title":"Gerhard Richter","description":"\u003cb\u003eThe first collection of essays on Gerhard Richter, who has been called \"the greatest modern painter.\"\u003c\/b\u003e\u003cp\u003eThe contemporary painter Gerhard Richter (born in 1932) has been heralded both as modernity's last painter and as painting's modern savior, seen to represent both the end of painting and its resurrection. Richter works in a dizzying variety of styles, from abstraction to a German cool pop that combines painterly technique and appropriation; his work includes photo paintings, large abstract canvases, and stained glass windows. This collection features writing by prominent critics, including Hal Foster, Gertrud Koch, and Thomas Crow; an essay by Rachel Haidu on Richter's family pictures that is published here for the first time; and an essay and two interviews with the artist by Benjamin H. D. Buchloh, Richter's \"longtime sparring partner\" (as the curator Robert Storr has called him). These writings examine Richter's work as a whole, from October 18, 1977, his dreamlike series of paintings depicting the dead Baader-Meinhof gang, to his abstract trio Abstract Paintings; from his unsettling portrait of \"Uncle Rudi\" in Nazi garb to his late series of portraits of his wife and young child. This addition to the October Files series will be an essential handbook to one of the most enigmatic figures in contemporary artContents Gerhard Richter and Benjamin H. D. Buchloh Interview (1986) Gertrud Koch The Richter-Scale of Blur (1992) Thomas Crow Hand-Made Photographs and Homeless Representation (1992) Birgit Pelzer The Tragic Desire (1993) Benjamin H. D. Buchloh Divided Memory and Post-Traditional Identity: Gerhard Richter's Work of Mourning (1996) Peter Osborne Abstract Images: Sign, Image, and Aesthetic in Gerhard Richter's Painting (1998) Hal Foster Semblance According to Gerhard Richter (2003) Johannes Meinhardt Illusionism in Painting and the Punctum of Photography (2005) Rachel Haidu Arrogant Texts: Gerhard Richter's Family Pictures (2007) Gerhard Richter and Benjamin H. D. Buchloh Interview (2004)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eBenjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of \u003ci\u003eNeo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975\u003c\/i\u003e (MIT Press) and other books. \u003cp\u003e\u003c\/p\u003eBenjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of \u003ci\u003eNeo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975\u003c\/i\u003e (MIT Press) and other books. \u003cp\u003e\u003c\/p\u003eBenjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of \u003ci\u003eNeo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975\u003c\/i\u003e (MIT Press) and other books. \u003cp\u003e\u003c\/p\u003ePeter Osborne is Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy at Middlesex University, London. Editor of the journal\u003ci\u003e Radical Philosophy\u003c\/i\u003e, he is the author of \u003ci\u003eThe Politics of Time: Modernity and Avant-Garde\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003eHal Foster is Townsend Martin '17 Professor of Art and Archaeology at Princeton University and the author of \u003ci\u003eProsthetic Gods\u003c\/i\u003e (MIT Press) and other books. \u003cp\u003e\u003c\/p\u003eRachel Haidu is Associate Professor in the Department of Art and Art History and the Graduate Program in Visual and Cultural Studies at the University of Rochester. \u003cp\u003e\u003c\/p\u003eBenjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of \u003ci\u003eNeo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975\u003c\/i\u003e (MIT Press) and other books.\u003cbr\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":50318715420946,"sku":"9780262513128","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_65744889-f3fb-4c99-9246-d42d4d0ac308.jpg?v=1727560226"},{"product_id":"perpetual-inventory-9780262518727","title":"Perpetual Inventory","description":"\u003cb\u003eIn essays that span three decades, one of contemporary art's most esteemed critics celebrates artists who have persevered in the service of a medium.\u003c\/b\u003e\u003cp\u003eThe job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the \"post-medium condition\"--the abandonment by contemporary art of the modernist emphasis on the medium as the source of artistic significance. Jean-Fran ois Lyotard argued that the \u003ci\u003epostmodern\u003c\/i\u003e condition is characterized by the end of a \"master narrative,\" and Krauss sees in the \u003ci\u003epost-medium\u003c\/i\u003e condition of contemporary art a similar farewell to coherence. The master narrative of contemporary art ended when conceptual art and other contemporary practices jettisoned the specific medium in order to juxtapose image and written text in the same work. For Krauss, this spells the end of serious art, and she devotes much of \u003ci\u003ePerpetual Inventory\u003c\/i\u003e to \"wrest ling] new media to the mat of specificity.\"\u003c\/p\u003e\u003cp\u003eKrauss also writes about artists who are reinventing the medium, artists who persevere in the service of a nontraditional medium (\"strange new apparatuses\" often adopted from commercial culture), among them Ed Ruscha, Christian Marclay, William Kentridge, and James Coleman.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eRosalind E. Krauss, University Professor at Columbia University and an editor and cofounder of \u003ci\u003eOctober\u003c\/i\u003e magazine, is the author of \u003ci\u003eThe Originality of the Avant-Garde and Other Modernist Myths\u003c\/i\u003e (1985), \u003ci\u003eThe Optical Unconscious\u003c\/i\u003e (1993), \u003ci\u003eThe Picasso Papers\u003c\/i\u003e (1999), and \u003ci\u003eBachelors\u003c\/i\u003e (1999), all published by the MIT Press, and coauthor (with Yve-Alain Bois) of \u003ci\u003eFormless: A User's Guide\u003c\/i\u003e (Zone Books, 1997).\u003c\/p\u003e\u003cbr\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":50318722990354,"sku":"9780262518727","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_7323fdaf-06a2-4131-ad03-7e1eb955dda5.jpg?v=1727560310"},{"product_id":"artists-magazines-an-alternative-space-for-art-9780262528412","title":"Artists' Magazines: An Alternative Space for Art","description":"\u003cb\u003eHow artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system.\u003c\/b\u003e\u003cp\u003eDuring the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In \u003ci\u003eArtists' Magazines\u003c\/i\u003e, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.\u003c\/p\u003e\u003cp\u003eAmong the magazines Allen examines are \u003ci\u003eAspen\u003c\/i\u003e (1965-1971), a multimedia magazine in a box--issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; \u003ci\u003eAvalanche\u003c\/i\u003e (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and \u003ci\u003eReal Life \u003c\/i\u003e(1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an \u003ci\u003eArtforum\u003c\/i\u003e, and they created work that defied the formalist orthodoxy of the day. \u003ci\u003eArtists' Magazines\u003c\/i\u003e, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eGwen Allen is Assistant Professor of Art History at San Francisco State University. \u003c\/p\u003e\u003cbr\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":50318733476114,"sku":"9780262528412","price":54.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/4771\/8930\/files\/img_49a83844-19fb-4c72-813c-008718ca107f.jpg?v=1727560384"},{"product_id":"techniques-of-the-observer-on-vision-and-modernity-in-the-nineteenth-century-9780262531078","title":"Techniques of the Observer: On Vision and Modernity in the Nineteenth Century","description":"\u003cb\u003eJonathan Crary's \u003ci\u003eTechniques of the Observer\u003c\/i\u003e provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle.\u003c\/b\u003e\u003cp\u003eIn \u003ci\u003eTechniques of the Observer\u003c\/i\u003e Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity.\u003c\/p\u003e\u003cp\u003eInverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of \"subjective vision\" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision.\u003c\/p\u003e\u003cp\u003eCrary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as \"realist,\" were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eJonathan Crary is Meyer Schapiro Professor of Modern Art and Theory at Columbia University. A founding editor of Zone Books, he is the author of \u003ci\u003eTechniques of the Observer\u003c\/i\u003e (MIT Press, 1990) and coeditor of \u003ci\u003eIncorporations\u003c\/i\u003e (Zone Books, 1992). 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To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive's content stands as a quasi-objective correlative of the \"living\" past. Twentieth-century art made use of the archive in a variety of ways--from what Spieker calls Marcel Duchamp's \"anemic archive\" of readymades and El Lissitzky's Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In \u003ci\u003eThe Big Archive\u003c\/i\u003e, Sven Spieker investigates the archive--as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art--and finds it to be a crucible of twentieth-century modernism. \u003c\/p\u003e\u003cp\u003eDadaists, constructivists, and Surrealists favored discontinuous, nonlinear archives that resisted hermeneutic reading and ordered presentation. Spieker argues that the use of archives by such contemporary artists as Hiller, Richter, Hans-Peter Feldmann, Walid Raad, and Boris Mikhailov responds to and continues this attack on the nineteenth-century archive and its objectification of the historical process. \u003c\/p\u003e\u003cp\u003eSpieker considers archivally driven art in relation to changing media technologies--the typewriter, the telephone, the telegraph, film. And he connects the archive to a particularly modern visuality, showing that the avant-garde used the archive as something of a laboratory for experimental inquiries into the nature of vision and its relation to time. \u003ci\u003eThe Big Archive\u003c\/i\u003e offers us the first critical monograph on an overarching motif in twentieth-century art.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eSven Spieker is Professor of Germanic and Slavic Studies at the University of California, Santa Barbara, and editor of ARTmargins. 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Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eDouglas Kahn is Professor at the National Institute for Experimental Arts at the University of New South Wales in Sydney, Australia. 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The volume presents a fascinating and representative selection of Italian, Dutch, Flemish, and French drawings in Midwestern repositories, offering new insights on many of these works of art. Many are relatively unknown, and some have never before been published. \u003c\/p\u003e\u003cp\u003eAuthored by major scholars in the field, the catalogue presents each drawing along with a concise description with full scholarly apparatus. Four essays, written by Babette Bohn, George S. Keyes, Kristi A. Nelson, and Alvin L. Clark, Jr., respectively, introduce the Italian, Dutch, Flemish, and French schools. The catalogue's introductory essay, by Shelley Perlove, places these works within the historical, iconographic, and stylistic currents of seventeenth-century art. The catalogue is designed to have widespread appeal for art historians, curators, artists, collectors, students, and general readers interested in art and cultural history. 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Dennis offers a fresh and sophisticated look at the modernist tendencies of this trio of American painters, arguing that the individual styles of Wood, Benton, and Curry were both mislabeled and misunderstood. Revisiting the artistic and political culture of America between the World Wars, he shows that critics and ideologues--from \u003ci\u003eTime Magazine\u003c\/i\u003e to the \u003ci\u003ePartisan Review\u003c\/i\u003e--pigeonholed, praised, or pilloried the Regionalists to serve their own critical intentions.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eJames M. Dennis is professor of art history at the University of Wisconsin-Madison. 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